La nuit de la comète

I am horribly fascinated with EotW films. This particular endeavor may very well have been the cause. I was 12 when I first viewed it. It impressed upon my mind the possibility that all could be lost....and then....it could actually get worse. But what distinguishes it as one of the worthy few among films of it's kind is simple. They had a believable reason for the calamity. Moreover, they explained how and why the heroes were spared. Instead of obsessing over the hidden mechanism by which people were elected to survive or die, the viewer could relax and enjoy the rest of the story. Although it's fashion sense is long lost, I believe that lovers of this genre will appreciate it's adventurous spirit.

"Night of the Comet" is a truly fun and engaging little genre effort of the 80's, but surely some of its hardcore fans are slightly overestimating the value and significance of this film. I've encountered reviews stating that "Night of the Comet" is a quintessential gem of 80's horror and that it's easily one of the most intelligent tributes/parodies to older B-movies ever made. Okay, the script is quite clever and writer/director Thom Eberhardt definitely knows a lot about all the post-apocalyptic classics of the 50's and 60's, but I honestly doubt it ever was his intention to direct the ULTIMATE homage. "Night of the Comet" is more like a miniature-tribute! All the obligatory story lines and sub plots to create an end-of-the-world epic are present, but Eberhardt's only disposed of a limited budget and thus the elaboration is only small-scaled and rather cheesy. There are mutated zombies, crazed scientists and hostile groups of survivors on the rampage, but all just in small doses. The movie opens during a bright summer evening, when the entire world is preparing to see a mesmerizing and once-in-a-lifetime ecological phenomenon, namely the passing of a comet. Two high-school teenagers who missed out on the event (sisters, moreover, what are the odds?) wake up the next morning and slowly realize that the comet's radiation killed every human being in L.A, only leaving behind small piles of red dust. They entrench themselves in an abandoned radio station, meet up with another sole (and male) survivor, battle the occasional mutated zombie and – of course – go shopping without credit cards. Things get slightly more dangerous when a bunch of dying scientists, who predicted the extinction of the human race, try to abduct the survivors to steal their still uncontaminated blood. The tone of "Night of the Comet" is continuously light-headed, still director Ebarhardt manages to maintain a more or less sinister atmosphere which never allow you to forget that the whole of mankind just got wiped out. The girls, although mostly concerned about fashion trends and pop music, understand the seriousness of the situation and deal with it the best way they possibly can. There are still a handful of creepy sequences (the confrontation in the mall) and well-developed Sci-Fi ideas (the diabolical scientists), but the emphasis largely lies on the two girls and their typically 80's pop-culture life-styles. I've never heard this many campy pop-songs in one movie, not even in a musical, and the special & make-up effects are kept to a minimum. The acting performances of Catherine Mary Stewart and Kelli Maroney are more adequate than you'd expect, as it certainly isn't easy for young actresses to portray teenage character that are stereotypical, ignorant, fashionable and yet likable at the same time. "Night of the Comet" certainly isn't brilliant, probably even a bit overrated by its fans, but still worth a peek in case you have a weakness for 80's cinema.

This is one of my guilty pleasures. A camp, 80s sci-fi caper that's dated but still enjoyable. The opening is wonderful and contrasts with the subdued but somewhat haunting ending. Back in 1984 this would have been even better because it would not have been regarded as camp. Today it seems we can all sneer our postmodern noses at such works but make assertions that its kitsch quality is now rather endearing. Catherine Mary Stewart steals the film with her Ripleyesque action moves and feminine charm, while Zoe Kelli Simon provides a number of dumb blonde comedic moments. The film lags somewhat after the brilliant opening but never loses its heart. The only downside is the fact it seems like a TV film/80s MTV video with its fuzzy camera-work. Watch it with popcorn at home, preferably late at night.

First of all, 2 glaring corrections:

1. 'Liquid Sky' is NOT an Aussie movie...it's an American film.

2. 'Liquid Sky' was released two years before NOTC, and has no thematic resemblance to the NOTC. I think the poster below me is thinking of a different movie, about a man who wakes up in Sydney to find himself seemingly the last man alive. Can't remember the name of it though.

Don't believe anyone who tells you NOTC is a disgrace...it isn't, it wasn't meant to be the uberartistic art-fag opus that many people for some reason seem to think everything should be. It's simply a cheesy 80's movie that centers around 2 valley girl sisters who decide shopping and listening to Cindy Lauper tunes will cheer them up after a comet turns the majority of the population into red ferrous-oxide dust, and turns most everyone left who isn't immune into flesh-hungry zombies...and any movie with zombies ain't completely bad. Face it people, we need more zombie movies, and this one's a toot. Not perfect by any means, but I'm proud to have it in my collection.

A comet wipes out most of life on Earth, leaving two Valley Girls (Catherine Mary Stewart and Kelli Maroney) to fight the evil types who survive.

This came from producer Wayne Crawford, who also co-wrote and co-produced the film "Valley Girl" (as well as being the primary creative force behind "Barracuda"). I like to think Crawford had some important contributions to "Comet", but who knows? This was directed by Thom Eberhardt, who went on to make "Captain Ron" (1992).

Many people love this film, and Stewart and Maroney are always big hits on the convention circuit. I liked it, too, though perhaps not as much as some people. The film was funny, quirky and entertaining, though it never quite escalates from "good" to "cult classic", and I am curious to see if this will get some new eyes looking on it with the amazing Scream Factory release.

I will say the script is more clever than it first appears, though, once you begin to connect the dots on subtle jokes (such as when the comet struck and who has been playing the arcade game).