La salamandre

it was one of favorite films of my childhood. today, it is only a promise. large, noble, interesting but prisoner of good intentions. the impressive torture scene, Franco Nero as Prince Charming, presence of Claudia Cardinale are little sparkles of a work without axis. sure, a thriller not must be a masterpiece but in this case it is a lost seed of fantastic tree. because story is fragile and almost boring. because central impression is to be at a great lunch without forks and knifes. and the script may be only improvisation . sure, it may be a cruel verdict. but after years, only gloomy memories about a nice film saves this movie.is it enough ? may be. in a little measure.

The ingredients are here for a passable political-thriller but the approach used to tell the story is numbingly routine. Investigator Franco Nero pursues his case simply through a series of interviews, thus allowing the movie to present its roster of marquee-names -- Christopher Lee, Eli Wallach, Claudia Cardinale, etc. -- in a succession of talky, static scenes that lack interest and vitality. (Though these interviews provide an opportunity to show off a series of impressively furnished and decorated rooms.) And then, when it comes time for Nero to present his solution to the case, he does so by showing to a group of people a movie which simply re-caps information gleaned from his interviews!

Attempts to liven up the proceedings with spurts of action merely serve to emphasize the overall dullness of the movie. For example, when Nero falls into the clutches of a villain known as "the Surgeon" who is determined to torture information from him, we only see Nero -- stripped to a jockstrap and strapped to a chair -- being given an injection with a hypodermic needle. Surely this is one of the most boring forms of torture ever shown on the screen.

one of films of my childhood. maybe, the most fascinating, because all was new, strange, bizarre, cruel out of words and... confuse. after decades, the perspective was different. but not profound different. because , after its end, the questions are about a bizarre,silly ,full of clichés, superficial, confuse film, guided by good intentions, with an impressive cast, a not so bad story , excellent premises but who remains only one of commercial films from the many others , predictable, with few good scenes, but nothing more. and this seems be its only sin.

How did it go so wrong? How can a film with such an impressive cast (Franco Nero, Christopher Lee, Eli Wallach, Sybil Danning, Claudia Cardinale, Martin Balsam, Paul Smith - the torturer in "Midnight Express" - as, you guessed it, a torturer, etc.) and such colorful location filming around Italy (Rome, Milan, Venice, etc.) be such a bore? Probably because the story is slow-moving and unengaging, and has no real climax. Another obstacle for the viewer is the difficulty to buy people like Lee and Balsam as Italians. Nero is always likable, and Danning is stunning (even if she's in completely "unrevealing" mode here), but these two are barely enough to keep you focused on what was excellently described by another reviewer as "a political thriller without thrills". (*1/2)

A Police Inspector : Franco Nero tries to find the assassination of antifascist leaders and follows clues that lead back to WWII , a partisan organization called The Salamander .You Are Cordially Invited to Rome, Milan and Venice...To Join in the Successful Investigation of a Most Bizarre Murder. With Every Clue the Conspiracy Deepens...The Danger Grows...The Suspense Mounts...

Thrilling and twisted movie about a detective attempts to uncover a strange underground movement linked to a plot to seize control of the Italian government . A disappointing and overwrought adapation based on Morris West novel depicting a neo-fascist conspiracy to carry out a coup de'etat in Italy and lead the country on the right track . So the main issue is the investigation of surprising killings , being carried out by a police colonel , as at each murder scene is left behind a drawing of a salamander and throughout the tumultuous procedure he is involved in conspiracy , persecution and also in a love story between Franco Nero and Sybil Danning . The intrigue is devilishly labyrinthine, and there are times when you no longer know who is who , or what new event to happen . It is a complex and twisted movie that complicates more and more until the surprising final outcome . Of course, we travel a lot and we wander through some gorgeous cities : Rome , Milan , Venice ...between murder and murder , while the great composer American Jerry Goldsmith struggles to put out a beautiful score that deserved a better picture. The cast is frankly impressive , starring Franco Nero giving an acceptable acting in his usual style as an Italian policeman investigates a series of murders involving people in prominent positions, Martin Balsam , Eli Wallach , extremely wasted Claudia Cardinale , Sybil Danning , Cleavon Little , Christopher Lee as an Italian Prince and Paul Smith repeating a similar role to Midnight Express . Along with brief interpretations from B-European actors ordinary in co-productions, such as : John Steiner , Renzo Palmer , Anita Strindberg , Nello Pazzafini , Attilio Dottesio , Tom Felleghy, Marino Masé , Fortunato Arena , Jacques Herlin.

The motion picture was middlingly directed by Peter Zinner in his only one , failing at the international boxoffice . He was an important editor who frequently edited Richard Brooks, Frank Pierson and Francis Ford Coppola movies. He contributed with the editing of three films that were nominated for the Best Picture Oscar: The Godfather (1972), The Godfather : Part II (1974) and The Deer Hunter (1978). All three are winners in the category. Other notorious movies he edited were the following ones : An Officer and a Gentleman , Gladiator , Saving Grace , Omega Code, The Red Tent , a Star is Born and Darling Lili.