NOTE IMDb
6,3/10
1,3 k
MA NOTE
Un homme amnésique, tout juste sorti du coma, voit son douteux passé resurgir petit à petit.Un homme amnésique, tout juste sorti du coma, voit son douteux passé resurgir petit à petit.Un homme amnésique, tout juste sorti du coma, voit son douteux passé resurgir petit à petit.
- Réalisation
- Scénario
- Casting principal
Andrea Montuschi
- Uomo che entra nel bagno
- (non crédité)
Sergio Soldano
- Uomo che assiste all'investimento
- (non crédité)
Duccio Tessari
- Passante
- (non crédité)
Avis à la une
I was just amazed when I finished watching this Italian thriller. Inspired in quite a few American and European movies of this kind, it gets you intrigued from the start till the end. Strange events, mysterious characters, (including the main one who is an amnesic man who doesn´t know who he is or why someone is trying to kill him), the right rhythm and really thrilling moments make this movie one of the best Italian thrillers I´ve ever seen. Absolutely recommended.
Luc Merenda suffers from amnesia.His memory is fragmented but he seems to remember that he was once married to Senta Berger.When he returns to her his past partners in crime appear and want to get the money he has hidden somewhere...Superbly shot Italian giallo with violent and exciting finale which includes chainsaw vs chair duel.Luc Merenda is a pretty good lead and Senta Berger makes for a beautiful heroine and there's also a smaller role for genre regular Anita Strindberg.There are several suspenseful moments in "Puzzle",so fans of Italian gialli won't be disappointed.The film lack sleaze and high body-count,but overlook that and you have one of the best Italian giallos of early 70's with lovingly breezy Gianni Ferrio score.8 giallos out of 10.
This fine Giallo tells an unusual story in an unusual way, and even though not much happens in the first half of the film, director Tessari manages to grip the viewer's attention from the beginning through stylish directing and really thrilling and creepy moments. In the second half, as the plot thickens and the parts of the puzzle begin to fit into a whole (i.e. as the main character starts to remember more and more of his past), there are also some fairly violent scenes, e.g. as a villain falls over a cliff or beautiful female lead Senta Berger swings a chainsaw. But, most importantly, even though the plot is a quite complicated net of strings that has to be lead together to the climax, the story remains plausible until the end, which isn't always the case in films of this genre.
Apart from the convincing performance by Berger, Luc Merenda is also well casted in the title role, as is Umberto Orsini in the main supporting role. Look out for Giallo regular Anita Strindberg in a small but crucial role. The lush sound track is also very cool and adds to the viewing pleasure. The only shame is that, as with too many other Italian films of the 1970s, this memorable Giallo is quite rare and hard to get. Rating: 8 out of 10.
Apart from the convincing performance by Berger, Luc Merenda is also well casted in the title role, as is Umberto Orsini in the main supporting role. Look out for Giallo regular Anita Strindberg in a small but crucial role. The lush sound track is also very cool and adds to the viewing pleasure. The only shame is that, as with too many other Italian films of the 1970s, this memorable Giallo is quite rare and hard to get. Rating: 8 out of 10.
This little seen thriller is a solid entry into the giallo canon that was directed by Duccio Tessari (who did the equally good "The Bloodstained Butterfly") and written by Ernesto Gastaldi (who is the iconic writer of the giallo genre).
The narrative features an interesting narrative hook (a man can't remember who he is and now thugs are after him for something he hid... and he doesn't know where it is, let alone *what* it is). Unfortunately, the film doesn't utilize its intriguing plot premise to the fullest, with essentially the amnesia element pushed aside for most of the movie, and instead relies on more conventional means of telling the story. Fortunately, the writer manages to more successfully integrate the amnesia element towards the end which allow for a few plot twists, but not to the degree it could have achieved.
The direction is fine but nothing exemplary, and the performances are all solid but not particularly memorable. In other words, everything is competent and efficient, but it doesn't really standout from the majority of thrillers that saturate our viewing repertoire.
However, it certainly is an above average example of the giallo genre, with narrative that is better than most gialli and even has a terrific climax, but it's also certainly not a classic film in any respect.
Highly recommended for giallo fans, a solid recommendation to thriller aficionados, but others may wish to simply view a better example of the genre, such as "Deep Red".
Also, the film references Stanley Donan's film "Charade", see if you can catch it...
The narrative features an interesting narrative hook (a man can't remember who he is and now thugs are after him for something he hid... and he doesn't know where it is, let alone *what* it is). Unfortunately, the film doesn't utilize its intriguing plot premise to the fullest, with essentially the amnesia element pushed aside for most of the movie, and instead relies on more conventional means of telling the story. Fortunately, the writer manages to more successfully integrate the amnesia element towards the end which allow for a few plot twists, but not to the degree it could have achieved.
The direction is fine but nothing exemplary, and the performances are all solid but not particularly memorable. In other words, everything is competent and efficient, but it doesn't really standout from the majority of thrillers that saturate our viewing repertoire.
However, it certainly is an above average example of the giallo genre, with narrative that is better than most gialli and even has a terrific climax, but it's also certainly not a classic film in any respect.
Highly recommended for giallo fans, a solid recommendation to thriller aficionados, but others may wish to simply view a better example of the genre, such as "Deep Red".
Also, the film references Stanley Donan's film "Charade", see if you can catch it...
Duccio Tessari's "L'Uomo Senza Memoria" (aka. "The Man Without Memory" / "Puzzle") of 1974 is not (yet) a very well-known Giallo, but it sure is a great film worthy of more attention. For the great Giallo-genre, especially in the mid-70s, this film bares very few murders and little bloodshed, but that does in no way lessen its value as a terrific Thriller that no Giallo-buff, or even suspense-fan in general should miss. Especially to those who set the main value on the mystery aspect of a Giallo, this is an essential film. The title "The Man Without Memory" fits the film perfectly, of course, as the central character (superbly played by Luc Merenda) is a man who suffers from amnesia. Yet the aka. title "Puzzle" fits the film just as well, as this is indeed a highly compelling and intelligent puzzle, which is capable of stunning the viewer from the first minute.
Edward (Luc Merenda) has lost his memory. Without knowing why, he is being followed by people, who insist that he owes them something. He finds out that he has a wife in Italy, who turns out to be the beautiful Sara (Senta Berger). This is only the first step into his mysterious past, however... I do not want to give away too much about the plot, since this is an ingenious puzzle that all fellow Giallo-buffs should experience entirely for themselves. The film is excellent and stunning in its mystery and suspense, beautifully shot and accompanied by a great score. The performances are superb. Luc Merenda, star of Poliziotteschi such as "The Violent Professionals", was the perfect choice to play the lead here, and beautiful Senta Berger is sexy, lovable and great in the role of Sara. The cast furthermore includes the wonderful Anita Strindberg, who was part of many memorable Gialli, such as "The Scorpion's Tail", "Lizard In A Woman's Skin", "Who Saw Her Die", and, most notably in Sergio Martino's Poe-inspired masterpiece "Your Vice Is A Locked Room And Only I Have The Key", which is a strong contender for my personal all-time favorite Giallo. Strindberg only has a small role here, but she is doubtlessly great in it. The cast furthermore includes Umberto Orsini ("Violent City") and Genre-regular Bruno Corazzari ("The Strange Vice Of Mrs Wardh", "Seven Blood-Stained Orchids",...). "The Man Without Memory" is a very intelligent and enthralling film that deserves more attention, and that no Giallo-lover can afford to miss! Highly recommended!
Edward (Luc Merenda) has lost his memory. Without knowing why, he is being followed by people, who insist that he owes them something. He finds out that he has a wife in Italy, who turns out to be the beautiful Sara (Senta Berger). This is only the first step into his mysterious past, however... I do not want to give away too much about the plot, since this is an ingenious puzzle that all fellow Giallo-buffs should experience entirely for themselves. The film is excellent and stunning in its mystery and suspense, beautifully shot and accompanied by a great score. The performances are superb. Luc Merenda, star of Poliziotteschi such as "The Violent Professionals", was the perfect choice to play the lead here, and beautiful Senta Berger is sexy, lovable and great in the role of Sara. The cast furthermore includes the wonderful Anita Strindberg, who was part of many memorable Gialli, such as "The Scorpion's Tail", "Lizard In A Woman's Skin", "Who Saw Her Die", and, most notably in Sergio Martino's Poe-inspired masterpiece "Your Vice Is A Locked Room And Only I Have The Key", which is a strong contender for my personal all-time favorite Giallo. Strindberg only has a small role here, but she is doubtlessly great in it. The cast furthermore includes Umberto Orsini ("Violent City") and Genre-regular Bruno Corazzari ("The Strange Vice Of Mrs Wardh", "Seven Blood-Stained Orchids",...). "The Man Without Memory" is a very intelligent and enthralling film that deserves more attention, and that no Giallo-lover can afford to miss! Highly recommended!
Le saviez-vous
- AnecdotesItalian censorship visa # 64987 delivered on 12 August 1974.
- GaffesAgainst Sara's assault with a chainsaw, Reinhardt just picks up a chair and holds it in front of him so she can easily make a clean cut, rather than jerking it around to defend himself.
- Citations
Ted Walden: Before we talk of other things, who the hell am I?
Philip: [sucker punches Ted] I'll tell you who you are. You're a dirty son of a double-crosser. A two-bit con artist who thinks that he can pretend that he's lost his memory.
[kicks Ted while he's down]
Philip: Well I'll get it back for you.
Ted Walden: No! Hold it! Hold on!
Philip: Ah. Got it back already, have you?
Ted Walden: No.
- ConnexionsReferenced in Labyrinthus (2008)
- Bandes originalesLabyrinthus
Written by Giorgio Calabrese and Gianni Ferrio
Sung by Rossella Canaccini (as Rossella)
Recorded on RCA Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Puzzle?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La trancheuse infernale
- Lieux de tournage
- Emilio Pucci boutique, Port of Portofino, Liguria, Italie(Reinhardt and Sara talk about going to the movies)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was L'homme sans mémoire (1974) officially released in India in English?
Répondre