Deux vieux amis se retrouvent pour dîner? alors que l'un d'eux raconte des anecdotes sur ses expériences passées, l'autre remarque leur vision du monde divergente.Deux vieux amis se retrouvent pour dîner? alors que l'un d'eux raconte des anecdotes sur ses expériences passées, l'autre remarque leur vision du monde divergente.Deux vieux amis se retrouvent pour dîner? alors que l'un d'eux raconte des anecdotes sur ses expériences passées, l'autre remarque leur vision du monde divergente.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Avis à la une
For the sake of authenticity here are various reactions from my diary:
1984
An interesting movie, one of the few non-comedies I liked. It consisted of nothing but a two-hour conversation between two friends. The conversation wasn't of very good quality, but infinitely above most of the drivel on TV.
1985
A recreation of a real life dialogue between a playwright and a theatrical producer about life, modern civilization and everything under the sun. I found it very interesting but neither of the characters are first rate-intellects. Andre came off looking kooky.
1988
It is SPELL-BINDING, but ultimately frustrating, like all movies. One is never sure what the writers really believe, and to what degree they believe it. I wish the two would appear on talk shows and carry on the same type of conversation.
2000
I'm afraid what looks like art in a movie would look perfectly banal in real life. If you were overhearing this conversation in a coffee shop, would you pay to listen? I wouldn't, nor would I listen free of charge. But a movie is fascinating, because it is an object, a product. A movie is an event in itself, regardless of content. There is a communal experience of watching what thousands have watched. Without meaning to, this worthy film exemplifies the tragedy of human communication: it is impossible. No one really knows what is being said or why. We are all wrapped up in ego, yet when we strip it away, there is nothing. But talking has a sensuality of its own. It is more intimate than sex.
1984
An interesting movie, one of the few non-comedies I liked. It consisted of nothing but a two-hour conversation between two friends. The conversation wasn't of very good quality, but infinitely above most of the drivel on TV.
1985
A recreation of a real life dialogue between a playwright and a theatrical producer about life, modern civilization and everything under the sun. I found it very interesting but neither of the characters are first rate-intellects. Andre came off looking kooky.
1988
It is SPELL-BINDING, but ultimately frustrating, like all movies. One is never sure what the writers really believe, and to what degree they believe it. I wish the two would appear on talk shows and carry on the same type of conversation.
2000
I'm afraid what looks like art in a movie would look perfectly banal in real life. If you were overhearing this conversation in a coffee shop, would you pay to listen? I wouldn't, nor would I listen free of charge. But a movie is fascinating, because it is an object, a product. A movie is an event in itself, regardless of content. There is a communal experience of watching what thousands have watched. Without meaning to, this worthy film exemplifies the tragedy of human communication: it is impossible. No one really knows what is being said or why. We are all wrapped up in ego, yet when we strip it away, there is nothing. But talking has a sensuality of its own. It is more intimate than sex.
10zetes
First off, I love this film. I'm sure I will see it a dozen or more times before I die. Definitely a 10/10.
But I comment for a different reason. Sure, you see the philosophy in the conversation. It is very interesting. What I think a lot of viewers are missing, though, is the strong characterizations of Wallace and Andre. They very clearly reveal their characters throughout the movie. I also love the tension that arises between them. Andre subtly criticizes Wally several times in the film (note what Andre says about people who stuff their face out of habit while Wallace is eating; also notice that we hardly ever see Andre himself eat). Wally is perceptive enough to catch them. This movie hit so close to home it was unbelievable. I think I've had that conversation before. The dynamics between Wallace and Andre have existed before between myself and friends with whom I have argued. If you find Andre a little pretentious, by the way, which many people will, don't necessarily believe that that wasn't deliberate. Wally himself finds his friend somewhat pretentious. And I think many people will be fooled into believing that the director sides with Andre just because he speaks the most. Some people will just buy into Andre's ideas and believe Wally is a poor sap. Don't be too sure that Wally has his life in any order. Don't believe he understands all that happens around him. Remember the line in Autumn Sonata that made him weep. Also, notice that Wally is fibbing a bit himself. In his opening monologue, he complains how hard his life is getting. All he used to think about was art, but now the only thing he thinks about is money.
See, this film is filled, just stuffed, with layers. Who would ever think that the most multi-layered film ever is a film about two people who sit down to dinner and talk!
But I comment for a different reason. Sure, you see the philosophy in the conversation. It is very interesting. What I think a lot of viewers are missing, though, is the strong characterizations of Wallace and Andre. They very clearly reveal their characters throughout the movie. I also love the tension that arises between them. Andre subtly criticizes Wally several times in the film (note what Andre says about people who stuff their face out of habit while Wallace is eating; also notice that we hardly ever see Andre himself eat). Wally is perceptive enough to catch them. This movie hit so close to home it was unbelievable. I think I've had that conversation before. The dynamics between Wallace and Andre have existed before between myself and friends with whom I have argued. If you find Andre a little pretentious, by the way, which many people will, don't necessarily believe that that wasn't deliberate. Wally himself finds his friend somewhat pretentious. And I think many people will be fooled into believing that the director sides with Andre just because he speaks the most. Some people will just buy into Andre's ideas and believe Wally is a poor sap. Don't be too sure that Wally has his life in any order. Don't believe he understands all that happens around him. Remember the line in Autumn Sonata that made him weep. Also, notice that Wally is fibbing a bit himself. In his opening monologue, he complains how hard his life is getting. All he used to think about was art, but now the only thing he thinks about is money.
See, this film is filled, just stuffed, with layers. Who would ever think that the most multi-layered film ever is a film about two people who sit down to dinner and talk!
This is a very strange film, indeed. There are moments of profoundness, but for the most part there is a lot of nothing. However, I feel like it is worth watching for those few minutes that are absolute gold.
My Dinner with Andre is one of those films you may well hear about, because it is really pretty different. This is the kind of film where you have to have (or have had) a lot of existential curiosity to be able to enjoy it. The less you think you know about this world, the more interesting you will find Andre's tales to be. Beyond that, you may still find it interesting if you can relate to the quest for meaning and happiness and you think of yourself as a student of human interactions. On the other hand, if you have low tolerance for weirdness and fancy, then you are likely to find yourself to be irritated by it all. There is a question of how high to rate it as a film since it seems to be just a recorded conversation. I rate it down just a bit on that account (seems unfair to other films), though I find there are some subtleties to be picked up on, and I found Wallace Shawn to give a pretty good performance with his sincere and mildly intense reactions to Andre (and at one point finds something to be INCONCEIVABLE!). Recommended to artist- and entrepreneurial types that find themselves often wondering over the edge of the World of Appearances.
This movie is mainly a conversation between 2 people. There isn't much music, barely any camera work, there actually is barely any acting because both actors play themselves!... it can barely be called a movie, but it still is one - and a very entertaining one at that. Both Actors have a gift for languages and are amazing story tellers. My native language is not English (you probably guessed it while reading this review), but even I have been amazed by the beautiful language and their amazing skill to talk.
From a philosophical point of view, there is nothing new. I heard all the thoughts before. - The great strengths of the movie is the way those ideas are expressed. Even the most simple thought is coated by meaningful and beautiful words. You almost feel enlightened while watching this movie! But after the movie is over, you realize, that you actually learned nothing. It still has been a great experience. And I wished that there'd be more movies like this one.
From a philosophical point of view, there is nothing new. I heard all the thoughts before. - The great strengths of the movie is the way those ideas are expressed. Even the most simple thought is coated by meaningful and beautiful words. You almost feel enlightened while watching this movie! But after the movie is over, you realize, that you actually learned nothing. It still has been a great experience. And I wished that there'd be more movies like this one.
Le saviez-vous
- AnecdotesContrary to popular belief, Andre Gregory and Wallace Shawn have said they are not playing themselves in the film and are merely playing characters with their own names. When asked about it, they said if the opportunity ever came to remake the film, they would switch roles.
- GaffesIn some scenes with the back of Wallace Shawn's head to the camera, the shadow of the boom mic can be seen on his bald head.
- ConnexionsFeatured in Sneak Previews: Rollover, Quartet, My Dinner with Andre, Reds (1981)
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- How long is My Dinner with Andre?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- My Dinner with André
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 073 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 073 $US
- 16 mai 1999
- Montant brut mondial
- 5 073 $US
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