Vanya, 42e rue

In New York, the cast of Anton Chekhov's "Uncle Vanya" rehearse the play in a dilapidated theater on the 42nd Street.

The arrogant and selfish Professor Serybryakov (George Gaynes) is an elderly intellectual married with his gorgeous and younger second wife Yelena (Julianne Moore) that feels trapped in a prison with her marriage. They live in a farm that supports their lifestyle with the Professor Serybryakov's brother-in-law from the first marriage Vanya (Wallace Shawn), who manages the family business with Professor's daughter from his first marriage, Sonya (Brooke Smith), a plain single young woman and Vanya's mother. The local Dr. Astrov (Larry Pine) visits the family every day since he is in love with Yelena. She talks with him about his feelings for Sonya, but Astrov misunderstands and believes she is also in love with him. One day, Sonya confides to Yelena that she has an unrequited love for Dr. Astrov. When Professor Serybryakov discloses his intention of selling the real estate, there is a crisis in the family.

"Vanya on 42nd Street" is a filmed rehearsal of Anton Chekhov's play "Uncle Vanya" by Louis Malle. The talkative story about frustrated lives, where every character wish to have a different existence, is surprisingly engaging since there are no costumes or scenarios, but excellent direction and performances. The beginning is a little boring, I agree, but give a chance to this movie and you will certainly have a great (favorable) surprise. My vote is seven,

Title (Brazil): "Tio Vanya em Nova York" ("Uncle Vanya in New York")

This is a beautiful inquiry into the human condition. If you doubt that Chekhov was a brilliant writer, then this will be your gateway to excellence. The movie sports a wonderful cast while supposedly filmed during a dress-rehearsal. This is truly a movie to watch when in a serious and reflective mood, but despite such, it is a must see and an insightful gift from a phenomenal writer.

Like many slice of life films, this explores the hearts of the characters. Their desires and dreams, like many of us, do not reflect what becomes of their lives. Thus a questioning must occur. Am I dealt this hand or could I have been more?

If you like slice of life films, this is a must see.

Other more articulate than I have said most of the positives. I rented this video because it was on a list and Louis Malle directed it. Having studied Chekov many years ago, I thought maybe this was just a campy title for a film that had nothing to do with Uncle Vanya. It turns out that it drew me back to the starkness of Chekov, forcing each character to carry a heavy burden to be engaging. I can't complain about one actor. It took me a while to accept Wallace Shawn, not as the volatile guy who has seen life pass him by and blames everyone else. To see him as a possible romantic character struck me as absurd at first, and then I saw his desperation and how he loves. He is far from a handsome man, perhaps we could say anything but handsome. And yet every time I see him I am captivated. He recently played a college professor on the sequel to the Big Bang Theory, "Young Sheldon." His confidence and the spark he exuded on that show are the opposite of his Uncle Vanya. For two hours I was captivated by this film, listening to every word, waiting for every interaction. Usually, I don't care for contrivances in film (Hamlet, for instance, set in the hippy community of 60's San Francisco), but if one has never seen Chekov, this is Chekov in all its "glory."

I might not have ever seen this terrific film if it had not been for walking into the wrong theater. I was supposed to see screening of "A Night on Earth" during a local film festival, but I ended up in the middle of a screening of "Vanya on 42nd Street." I decided to stay and watch, not just because I had already seen "A Night on Earth" several times, but because I was curious when I saw Wallace Shawn & Andre Gregory on screen together in a film other then "My Dinner with Andre."

Don't be fooled and think that this film is simply a sequel to "My Dinner with Andre," because it is far from it. What you have here is a screen version of the stage play "Uncle Vanya" by Anton Chekhov, but with a twist. The cast is doing a rehearsal of "Uncle Vanya" in a rundown theater in the middle of NYC, to an audience of the director (Andre Gregory) and a few others. The film also includes breaks in the play for stage direction (acting as an intermission for the cast) as well as initial dialogue before and after the rehearsal. This also includes an amazing opening scene in which we see all the actors walking down 42nd Street in NYC heading toward the theater (literally appearing out of the crowdedness of NYC).

In addition to just seeing a fantastic version of "Uncle Vanya," you get some of the best acting performances in some time. Julianne Moore ("Boogie Nights") gets top billing being the best known cast member, but the film features some of the best performances by Wallace Shawn ("My Dinner with Andre"), Brooke Smith ("Series 7: The Contenders"), Larry Pine ("Dead Man Walking"), George Gaynes ("Police Academy" films), and stage actress Phoebe Brand. Even though I only mentioned a few, the entire cast is fantastic.

If you are in your local video store looking for something a bit unique, I highly recommend that you check out "Vanya on 42nd Street" for night of theater without leaving your house.

10/10

Vanya is one of my favorite plays. Have seen it several times--stage, movies, television. This is far and away the best production I've seen. Incredible performances. I was afraid the frame of a rehearsal, and the bare stage would get in the way. They did not. Actors doing Chekhov usually seem to be more like actors than people. This cast was completely believable as real people(ironically, set and "costumes" may actually have helped here). Don't know Brooke Smith or Larry Pine, but they should be getting good roles. Wasn't a Julianne Moore fan, but I am now. Never saw Shawn in a sustained role except "My Dinner with Andre".He was perfect.Malle used camera extremely well, but did not "open up" the play to irrelevant cinematic expansion. Vanya was BOTH a film and a play without sacrificing one to the other. Making it work as both was quite an accomplishment.