Laawaris
- 1981
- 3h 9min
NOTE IMDb
7,0/10
2,6 k
MA NOTE
Ajouter une intrigue dans votre langueA man, abandoned as a baby and forced to live as an orphan, is unknowingly employed by his biological father.A man, abandoned as a baby and forced to live as an orphan, is unknowingly employed by his biological father.A man, abandoned as a baby and forced to live as an orphan, is unknowingly employed by his biological father.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
Avis à la une
Laawaris (1981) :
Brief Review -
Amitabh Bachchan goes bonkers in Prakash Mehra's emotional rollercoaster that has come a long way amidst the mass cinema wave. Just imagine this is 1981; you enter the cinema hall to watch Laawaris with the mindset that Amitabh Bachchan is a big superstar and Prakash Mehra is one of the best directors in mainstream commercial cinema, and Manoj Kumar's Kranti has already taken the nation by storm, and you are seated for a mainstream Indian drama expecting all masala elements. You start with an evergreen song with evergreen lyrics, and Rakhee is dancing to it in a black saree. Amzad Khan, the Gabbar, is a bad light in the first 15 minutes and then is seen helpless throughout the film. Amitabh Bachchan enters in style, saying, "Yeh apna style hai." He is frustrated after knowing that he is an orphan, but he is speaking on behalf of every orphan who has been a victim of some rich people's sexual desires. Laawaris actually tries to speak a lot on this issue instead of trying to be a typical Indian masala flick. Bachchan can speak multiple languages in the film, and he also dons 5 fancy dress types in "Mere angne mein," including female ornaments and sarees, frocks, etc. In one action scene, he fights with 5-6 people who belong to different casts, and he speaks with them in their mother tongue. He takes Zeenat Aman to his hut and introduces himself as her childhood friend. The next they are in a hug, and "Kab Ke Bichde Hue" begins in Kishore Kumar and Asha Bhosle's voice. I was like, I want to freeze this moment. Believe me, a similar moment in today's films, and I'd use the fast forward button and skip the next 5-6 minutes to save my worthy time. I couldn't do that here despite having seen the same song and same scene multiple times on TV. That's magic. Mehra's commercial blockbuster refers to multiple serious issues and solutions that most 80s people wouldn't understand. They might, today, I guess.
RATING - 7/10*
By - #samthebestest.
Amitabh Bachchan goes bonkers in Prakash Mehra's emotional rollercoaster that has come a long way amidst the mass cinema wave. Just imagine this is 1981; you enter the cinema hall to watch Laawaris with the mindset that Amitabh Bachchan is a big superstar and Prakash Mehra is one of the best directors in mainstream commercial cinema, and Manoj Kumar's Kranti has already taken the nation by storm, and you are seated for a mainstream Indian drama expecting all masala elements. You start with an evergreen song with evergreen lyrics, and Rakhee is dancing to it in a black saree. Amzad Khan, the Gabbar, is a bad light in the first 15 minutes and then is seen helpless throughout the film. Amitabh Bachchan enters in style, saying, "Yeh apna style hai." He is frustrated after knowing that he is an orphan, but he is speaking on behalf of every orphan who has been a victim of some rich people's sexual desires. Laawaris actually tries to speak a lot on this issue instead of trying to be a typical Indian masala flick. Bachchan can speak multiple languages in the film, and he also dons 5 fancy dress types in "Mere angne mein," including female ornaments and sarees, frocks, etc. In one action scene, he fights with 5-6 people who belong to different casts, and he speaks with them in their mother tongue. He takes Zeenat Aman to his hut and introduces himself as her childhood friend. The next they are in a hug, and "Kab Ke Bichde Hue" begins in Kishore Kumar and Asha Bhosle's voice. I was like, I want to freeze this moment. Believe me, a similar moment in today's films, and I'd use the fast forward button and skip the next 5-6 minutes to save my worthy time. I couldn't do that here despite having seen the same song and same scene multiple times on TV. That's magic. Mehra's commercial blockbuster refers to multiple serious issues and solutions that most 80s people wouldn't understand. They might, today, I guess.
RATING - 7/10*
By - #samthebestest.
Prakash Mehra and Amitabh Bachchan were a hit combo and made some of Amitabh's memorable hits like ZANJEER (1973), HERA PHERI (1976) and MUQADDAR KA SIKANDAR (1978)
In this film Amitabh is an orphan but the son of a very rich man (Amjad Khan) who dumped Amitabh's mother Raakhee A unique story well handled
Amitabh's emotions are well-handled during the film Amjad Khan is given a positive role for once after Gabbar Singh in SHOLAY (1975)
Amitabh makes the best of his role Zeenat Aman is good Shreeman Lagoo is funny Ranjeet is OK Suresh Oberoi does well in his mini role Amjad Khan excels
In this film Amitabh is an orphan but the son of a very rich man (Amjad Khan) who dumped Amitabh's mother Raakhee A unique story well handled
Amitabh's emotions are well-handled during the film Amjad Khan is given a positive role for once after Gabbar Singh in SHOLAY (1975)
Amitabh makes the best of his role Zeenat Aman is good Shreeman Lagoo is funny Ranjeet is OK Suresh Oberoi does well in his mini role Amjad Khan excels
The lovers Vidya (Rakhee) and Ranvir ( Amjad Khan) meet. Vidya becomes pregnant. While he insists on abortion Vidya insists that she will give birth to the child, bring him up and wait for his return into her life. Ranvir leaves her. Vidya dies with the impression that her child was still-born, but the child grows up into a man (Amitabh), without a family name, a man without education and without any values. As years roll by, Ranvir repents, becomes a saintly, generous and highly respected man in the legitimate society. Fate brings the father and his first son face to face, though they do not know how they are related.
1981 was, in my opinion, a golden year for Bollywood, a peak level where quality was coming out and a technical improvement was visible. It was also a year where Amitabh knocked out a line of hits, and Lawaaris is certainly one of them. A seriously solid drama with the usual masala ingredients, though the intensity comes from Amitabh, who is just so convincing as a man who doesn't know who his parents are. He is intense, angry yet is full of sorrow on occasion. His acting is superb, and matching him is Amjad Khan.
The rest of the cast is great, and the write-up is skilful with sharp dialogue and an engaging plot. It's definitely Amitabh's finest. An entertainer that has some meaning, and has Ranjeet donning some outrageous leather outfits and giving the women nightmares ( like usual).
1981 was, in my opinion, a golden year for Bollywood, a peak level where quality was coming out and a technical improvement was visible. It was also a year where Amitabh knocked out a line of hits, and Lawaaris is certainly one of them. A seriously solid drama with the usual masala ingredients, though the intensity comes from Amitabh, who is just so convincing as a man who doesn't know who his parents are. He is intense, angry yet is full of sorrow on occasion. His acting is superb, and matching him is Amjad Khan.
The rest of the cast is great, and the write-up is skilful with sharp dialogue and an engaging plot. It's definitely Amitabh's finest. An entertainer that has some meaning, and has Ranjeet donning some outrageous leather outfits and giving the women nightmares ( like usual).
Review By Kamal K
The acting of Amitabh ji was amazing and it was very powerful acting it is really hard to express a life of a unclaimed/orphan child (lawaaris) through a movie but he did it perfectly and to make it more happy ending there was a love story bewteen AB and Zeenat which was shown in such a manner which made the story more interesting and I would specially talk about the dialogues which were mind blowing.
The acting of Amitabh ji was amazing and it was very powerful acting it is really hard to express a life of a unclaimed/orphan child (lawaaris) through a movie but he did it perfectly and to make it more happy ending there was a love story bewteen AB and Zeenat which was shown in such a manner which made the story more interesting and I would specially talk about the dialogues which were mind blowing.
Amitabh stars as the "Lawaaris" Heera referred to in the title of the film. A boy, abandoned at birth, sent to be raised by a drunken bum. He grows to be a man who cares for others, while trying to find out his meaning in life. He encounters many obstacles in the way, such as a public beating. The songs are great. The movie has its share of action, but moreover has superb acting. I give it a 9 out of 10
Le saviez-vous
- AnecdotesAn extra in the film Nellie ,(of Iranian descent),was rumored to be the reason Amitabh and Rekha had a break up/fight during Laawaris. Nellie was not the dancer in Apni To Jaise Taise as reported on many sites. Nilli full name was Naaz Bakhtiar. She was the niece of for Prime Minister of Iran,Shapour Bakhtiar. She was also the niece of actress Soraya Esfandiary-Bakhtiary.
- GaffesIn the famous dog scene where Amitabh feeds the dog a hot chili, Zeenat Aman enters the restaurant with 2 unexplained mark blemishes on her face. Possibly from a previously edited out scene in the movie. As the scene progresses into a song, Zeenat's blemish mysteriously disappears.
- ConnexionsFeatured in Jambo Cinema (2020)
- Bandes originalesMere Angne Mein Tumhara Kya Kaam Hai (female)
Performed by Alka Yagnik
Music by Kalyanji Veerji Shah & Anandji Veerji Shah
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- How long is Laawaris?Alimenté par Alexa
Détails
- Durée3 heures 9 minutes
- Rapport de forme
- 2.35 : 1
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