Après une expérimentation ayant mal tourné, un virus, qui transforme les gens en zombies, se propage en Nouvelle-Guinée. Envoyés sur place pour enquêter, un commando d'élite, une journaliste... Tout lireAprès une expérimentation ayant mal tourné, un virus, qui transforme les gens en zombies, se propage en Nouvelle-Guinée. Envoyés sur place pour enquêter, un commando d'élite, une journaliste et son cameraman tentent de survire.Après une expérimentation ayant mal tourné, un virus, qui transforme les gens en zombies, se propage en Nouvelle-Guinée. Envoyés sur place pour enquêter, un commando d'élite, une journaliste et son cameraman tentent de survire.
- Réalisation
- Scénario
- Casting principal
- Lia Rousseau
- (as Margit Evelyn Newton)
- Zantoro
- (as Frank Garfield)
- Lt. Mike London
- (as Robert O'Neil)
- Max
- (as Gaby Renom)
- Osborne
- (as Luis Fonoll)
- Man on TV
- (as Piero Fumelli)
- Josie's Husband
- (as Pep Ballenster)
- Zombie child
- (non crédité)
- SWAT Officer at Embassy Siege
- (non crédité)
Avis à la une
Gory, gruesome , pretty repellent , and ghastly cannibal feast in which the stumbling flesh-eating stiffs and can be only destroyed by fire in the head . Unrelenting shock-feast plenty of disturbing images laced with brief touches of black humor . Army of Zombies appearance roaming the countryside , village and some people besieged inside a mansion and a factory deliver the goods , enough to be interesting . Bruno Mattei's main great success is regularly directed with startling visual content and acceptable production by Jose Maria Cunilles , also producing to Mattei and Fragasso a pair of "spaghetti westerns" titled ¨Scalps¨ and ¨Apache Kid¨ ; furthermore special mention to filthy make-up by the craftsman Giuseppe Ferranti. In the first draft, Claudio Fragasso had followed the idea of an entire Third World made up of an army of zombies against whom the armed forces of the industrialized nations would have had to fight. However, the script had to be altered considerably due to budget limitations. This frightening movie is plenty of thrills , chills, body-count executed by the eerie Zombies and photographed in pallid color with lurid images and passable results . Stock footage from the film Nuova Guinea, l'Isola Dei Cannibali was used for the native scenes , it has been recently re-released on DVD as The Real Cannibal Holocaust. This is an ordinary excruciatingly Zombie film where the intrigue , tension , suspense appears threatening and lurking in the sunny outdoors and every room , and corridors from a house , a shack , a native hamlet , jungle and many other places . At the time considered the plus ultra of thoroughly disturbing movie is less stomach-churning by nowadays's standards, yet its fundamental power to thrill remains undiminished. This genuinely frightening story with correct utilization of images-shock is professionally photographed by John Cabrera on location in Barcelona , Catolonia , Spain . Using yet another alias, "Vincent Dawn", Mattei middlingly directed this "Hell of the Living Dead" or ¨Virus¨ , a low-budged zombie picture inspired by other zombie cannibal movies such as Zombi (1978) and Lucio Fulci's Zombie 2 (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad . ClaudioFragasso, the writer of the screenplay, also directed one half of the movie, he said in an interview .
Mattei directed all kind of genres in low budget and exploitation pictures . He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, "Women's Camp 119" and "SS Girls"(1977) . Mattei followed these taboo-breaking films with excursions into porno films and Mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotic (1973) and "Libiodomania" . Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the soft-core sex film La Monaca di Monza (1980) and the violent sex thriller "Guardian of Hell" (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions . After directing two women's prison films starring Laura Gemser , Mattei moved to directing sword-and-sorcery flicks , starting with I Sette Magnifici Gadiatori (1983). Both Mattei and Fragasso collaborated on the Sci-Fi/horror flick "Rats " (1984), inspired by the futuristic movies of the early 1980s . Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, some action flicks and about half of Zombi 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it.
Rating"Hell of the Living Dead" or "Night of the Zombies" : Passable , this is one more revolting , foul Zombie horror pictures in which the camera stalks in sinister style . It's just one long unrelenting cannibal feast and average budget terror movie that still packs a punch for those who like to be terrorized out their wits.
The story takes place somewhere in New Guinea where a research facility called "Hope" is developing some type of chemical that accidentally leaks out thanks to an infected rat turning most of the scientist into flesh eating zombies and the others into their happy meals. Meanwhile, somewhere else, a team of trigger happy commandos are sent to stop a group of environmental terrorist that have taken hostage an American Embassy, I think it was the American Embassy, and are demanding that all the Hope facilities be shutdown. The team storms the embassy eliminating the entire terrorists without much effort but not before the leader of the group says his last prophetic words about them being devoured or something like that. Then that same team of commandos is sent to New Guinea where they meet a group of reporters investigating, God knows what. There they find that the world has been overrun by zombies as they make their way to the Hope facility to find the answer of this Virus.
What makes this movie so memorable is not the story or the F/X nor the acting, but the amount of material they ripped-off from the much superior Romero's Dawn of the Dead. Director Bruno Mattei, who credited himself as Vincent Dawn, shamelessly used the same type of uniforms used by the SWAT team in DoTD for the team of commandos in HoTLD, and even the same gas masks. But if that wasn't enough, he used the exact same music composed by Goblin for DoTD without their permission. Also Mattei used a lot of old wildlife and news stock footage that didn't fit the scenes or the story. The script is incoherent at worst and the zombie scenes are totally illogical to idiotic. There's even a guy who dresses up in a tutu and starts dancing while a horde of zombies storms the room, but most idiotic is when the ultra slow zombies approach their victims, they just stand there screaming. Although I have to say, the beginning is gory and entertaining, but after the embassy scene, the movie pretty much goes downhill from there.
Okay, I'm not going to lie. It was a guilty pleasure to watch this retro junk again after so long and even with all its atrocities, it deserves some level of merit and it does delivers some horror value, well at least when it was released back in the 80s. Interesting note is that this movie has many different titles such as Virus, Night of the Zombies, Zombie Creeping Flesh and of course, the ultra generic title Hell of the Living Dead. So, if you haven't seen HoTLD and you don't mind the trashy story, the DoTD rip-off or the lame stock footage then you should check it out, at least for the gore.
7/10
Le saviez-vous
- AnecdotesStock footage from the film Nuova Guinea, l'isola dei cannibali (1974) was used for the native scenes.
- GaffesSome of the animals featured in the stock footage aren't indigenous to New Guinea.
- Citations
Technician #1: She may not know much about chemistry, but in bed, her reactions are terrific.
Technician #2: I'm not surprised with that cute little ass.
Technician #1: I'm a tit man, myself.
- Versions alternativesVestron Home Video's release, around 1985, of the picture, under the title Night Of The Zombies, was the same print used by Creature Features for home video tape in 1996. Creature Features added a brief card to the tail end of the closing credits for its copyright. This exact same print, even including the Creature Features copyright card, was used by Cydonia Pictures for its Night Of The Zombies DVD release in 2002. The same year, Anchor Bay Entertainment, released a cleaned up DVD under the title Hell Of The Living Dead. All of these Night Of The Zombies versions are identical, save for the inserted Creature Features copyright card. The film print is the infamous one known for being too dark, due to numerous copies being made, and, thus nearly impossible to tell a lot of what is going on in the film.
- ConnexionsEdited from La vallée (1972)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- L'Enfer des morts-vivants
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro