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5,3/10
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Ajouter une intrigue dans votre langueA priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
- Réalisation
- Scénario
- Casting principal
Cindy Leadbetter
- Peggy
- (non crédité)
Lucia Ramirez
- Angela - Woman on TV
- (images d'archives)
- (non crédité)
James Edward Sampson
- Cop at the station
- (non crédité)
Mark Shannon
- Man on TV
- (images d'archives)
- (non crédité)
Michele Soavi
- Lenny Herbert - Biker
- (non crédité)
Martin Sorrentino
- Deputy
- (non crédité)
Goffredo Unger
- Machine Shop Worker
- (non crédité)
Avis à la une
A priest is pursuing a madman who,the victim of a genetic experiment,has become a homicidal killer with blood that coagulates very quickly,making him virtually indestructible.The killer goes on the rampage in a small town.This ultra-gory sequel to Joe D'Amato's "Antropophagus" is very slow and boring at times but has also some creepy moments plus plenty of very strong violence and gore.The bandsaw killing is ten times nastier than the similar drill scene in Lucio Fulci's "City of the Living Dead".The gore flows freely resulting in a film that is simultaneously repellent and extremely funny.Highly recommended.
This cult film is both the follow-up to Joe D'Amato's notorious shocker 'Antropophagus', and one of the nastier films on the DPP 'Video Nasty' list. Those two facts alone will give many fans of cult horror reason enough to see it, and I'm pleased to say that the rest of the film isn't bad either; and while it's not quite as great as D'Amato's earlier film, Absurd plays out well as an overly gory slasher flick. Of course, you can't expect things like great acting and a plausible story line going into a film like this, and rather unsurprisingly; this film has neither. However, what it does have is a great gritty atmosphere, which is bathed in a scintillating soundtrack that succeeds in making the thrill scenes more exciting. The plot is silly in the extreme, but is somehow easy to buy as we follow a priest who travels to a small town on the trail of a supposed monster, who is currently lying on a hospital bed. The doctors are baffled to learn that his blood clots far faster than normal and this somehow makes him immortal. It's not long before the monster awakes and, naturally, goes on a killing spree.
George Eastman takes the lead role again and just as it did in Antropophagus; his imposing presence provides the film's main standout, despite him basically marauding around rather than actually acting. Obviously, the most important thing about this film for many will be the gore; and overall I'd say it just about tops Antropophagus. It was only two scenes that made the earlier film such a notorious shocker, and while there aren't a great number of highly nasty scenes here; they're more common and the film is more violent on the whole. Sequences involving a drill, a table saw and a severed head are among the best scenes in the movie. Director Joe D'Amato receives a lot of criticism, and while some of it is deserved; it has to be said that he has elevated this film over and above what you would expect of a grisly slasher. The atmosphere is superb, while the locations are well used and selected - and best of all, the director clearly knows how to build suspense; as the last twenty minutes of this film are truly gripping...and that's not bad at all considering that the characters are impossible to care for. Overall, anyone seeing this film will know not to expect great things - but its well worth seeing for the Video Nasty fan, and overall I'd say it's almost on par with the first film.
George Eastman takes the lead role again and just as it did in Antropophagus; his imposing presence provides the film's main standout, despite him basically marauding around rather than actually acting. Obviously, the most important thing about this film for many will be the gore; and overall I'd say it just about tops Antropophagus. It was only two scenes that made the earlier film such a notorious shocker, and while there aren't a great number of highly nasty scenes here; they're more common and the film is more violent on the whole. Sequences involving a drill, a table saw and a severed head are among the best scenes in the movie. Director Joe D'Amato receives a lot of criticism, and while some of it is deserved; it has to be said that he has elevated this film over and above what you would expect of a grisly slasher. The atmosphere is superb, while the locations are well used and selected - and best of all, the director clearly knows how to build suspense; as the last twenty minutes of this film are truly gripping...and that's not bad at all considering that the characters are impossible to care for. Overall, anyone seeing this film will know not to expect great things - but its well worth seeing for the Video Nasty fan, and overall I'd say it's almost on par with the first film.
While I've seen over a dozen of Joe D'Amato's films, this was my first foray into his horror films (unless you count Emanuelle and the Last Cannibals, and his Caribbean Horror/Porns, which I have seen.)
For the first half of the movie I wasn't that impressed. But, the second half was relentless, suspenseful, brutal and agonizing. I've seen hundreds of horror/gore/splatter/slasher films, but the infamous 'oven scene' (which I won't spoil) had me literally covering my mouth to keep from making too much noise.
The rampage of the second act works well because the horror comes from the THOUGHT of what is happening, rather than the more visceral deaths of the first half. There is blood and gore, to be sure, but Joe D'Amato shows a modicum of restraint, letting the suspense build in a way it was unable to in the first act.
So, if you decide to give this film a try, and I hope you will, stick with it. Not only does the film really get going in the second half, the final shot of the film has to be one of the most unexpected, shocking and unexpected moments I've ever seen.
For the first half of the movie I wasn't that impressed. But, the second half was relentless, suspenseful, brutal and agonizing. I've seen hundreds of horror/gore/splatter/slasher films, but the infamous 'oven scene' (which I won't spoil) had me literally covering my mouth to keep from making too much noise.
The rampage of the second act works well because the horror comes from the THOUGHT of what is happening, rather than the more visceral deaths of the first half. There is blood and gore, to be sure, but Joe D'Amato shows a modicum of restraint, letting the suspense build in a way it was unable to in the first act.
So, if you decide to give this film a try, and I hope you will, stick with it. Not only does the film really get going in the second half, the final shot of the film has to be one of the most unexpected, shocking and unexpected moments I've ever seen.
MONSTER HUNTER is the HALLOWEEN-esque 'sequel' to 1981's insomniac's dream ANTHROPOPHAGOUS. This time around D'Amato brings to us a sense of pace, making Monster Hunter much more enjoyable. The added gore (including an ultra-torturous scene involving an oven) and cool electronic music score is a nice bonus (I caught some music from PIECES in here as well...cool). The story (or lack thereof) brings back George Eastman as our favorite cannibal, this time not on a Greek island, but somewhere in the US being hunted by a priest (of all people). During this, he somehow manages to spill his guts (again, but does not eat them) on an iron fence outside a house. Eastman is taken to a nearby hospital. There, he recovers, kills the doctor (gorily too I might say), hacks up a few others and then returns to the house where he had his 'accident', and proceeds to stalk the babysitter and kids residing there. A bit boring at times (aren't all these italo-gore flix?) but Eastman's presence is over powering and the end involving a 'vegetable' overcoming her disabilities to face the beast is fairly ironic.
It's no Anthropophagus, but it's still worth a watch.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
Le saviez-vous
- AnecdotesThe film was one of the original 74 UK video nasties and banned by the BBFC in 1984. It was released uncut on Bluray in the UK in 2017.
- GaffesWhen Mr and Mrs Bennett drive away in Mrs Bennett's car, as they leave the driveway two members of the film crew can be seen reflected in the window of the car.
- Citations
Willy Bennett: I want to watch the game!
- Versions alternativesBefore its inclusion on the video nasty list the film received a brief theatrical release in the UK in 1983. Unlike its pre-certificated video counterpart however the cinema version was cut by 2 mins 32 secs by the BBFC with heavy edits to the murder of the nurse with a drill, a man's forehead being sliced with a band saw, and a woman's face being burnt off in an oven.
- ConnexionsFeatured in Porno Holocaust - Die Filme des Joe D'Amato (2001)
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