Der Fan

Doleful, onerous portrait of an obsessed fanatic which is entirely encompassing despite its glacial pace. A mildly dissociative schoolgirl grows increasingly entranced by a popular music artist(a very early '80s Kraftwerk-style fellow), and sets forth with determination to become his lover. Through the course of her efforts, she eventually finds herself in his bed...but when she is handed her wham-bam-thank-you papers, her moment of happiness turns to shock and dismay. Things are far from finalized, however, as the closing moments of this film illustrate in a rattling climax which brilliantly rectifies the brooding monotone of its creeping buildup.

A diagnostic rumination on fanaticism which is stylistically rather dated, yet nonetheless quite penetrating and recommendable.

6.5/10.

I knew the music to this film for many years before I finally saw the film itself. I had discovered the hypnotic soundtrack by Rheingold on a second-hand LP and have had it on heavy rotation for many years. It's one of the best albums I know.

The music is certainly one of boons which helped to put this movie into another class and make it a classic. Hypnotically slowly, it follows the development of a teenybopping waif's obsession with a pop star spiraling out of control. It's one of those movies which you kind of have to see in a cinema because on TV you'd zap away after 10 minutes. But it richly rewards your for its slower moments.

Apparently there was a lot of controversy around lead actress Désirée Nosbusch's nudity scenes, which are admittedly surprisingly crass. But they are not exploitative and absolutely gel in with the movie. Kind of ironic that immediately after this scene there is one of extreme violence which went practically unnoticed by the public. A nice society we're living in.

It's very respectable that the director fought to keep these scenes in, as they are essential to the escalation of the story. They are actually a good example of how those scenes should be done realistically but without becoming pornographic or voyeuristic. It's a big fat shame that this controversy tainted the reception and popularity of this great movie.

And by the way, other than is often stated, the affair between star and fan doesn't end with the star "dropping" her after a night of carnality. It's not a case of "find'um, furp'um and flee". R. merely returns to his reality whereas Simone stays locked in her fantasy world.

Some tidbits about this movie: R. is actually played by the singer of the band Rheingold, Bodo Staiger, which furnished the soundtrack. The actress playing the fan, Désirée Nosbusch, was at the time already a popular "VJane" (i. e. hostess of a music show like the one that is shown in the movie). And the host of the TV show which Simone watches with her parents at the beginning of the movie is played by Joachim "Blacky" Fuchsberger, who in real life was the most popular TV host in Germany at the time.

Der Fan (1982)

** 1/2 (out of 4)

Teenager Simone (Desiree Nosbusch) fantasizes about having a relationship with her favorite pop singer R (Bodo Steiger). She finally by chance ends up meeting him but their relationship takes a dangerous turn.

I guess the less said about the plot of DER FAN the better it will be for those who haven't seen it. This now cult item was released to a lot of controversy and it remains somewhat shocking today and especially the twist that happens so it's best that you don't know this big spoiler so I'm certainly not going to give it away here. Is the film worthy of all the hype and controversy? I would personally say no as I think there are much better films out there that deals with someone losing their mind but there's no question that there's enough here to recommend it.

I think one of the strongest things going for the film is the wonderful music score by Rheingold who manages to build a lot of dark atmosphere. I thought the score perfectly brought out the mind set of this teenage girl and I loved how it got deeper and darker as her mind began to slip. There's also some nice cinematography and some good editing that helps the film along. Director Eckhart Schmidt does a very nice job at slowly building up the slipping mind of this character. At 93- minutes the film actually feels much longer due to the slow style but for the most part I thought the director did good in making sure that it never got too boring.

The performance of Nosbusch is another reason to check the film out. The actress was probably just 16 or 17-years-old when she made this film so there are going to be some who object to the full nudity that she has throughout the final portion of the film. I think attacking the film for this would be rather narrow-minded even though the actress did stir up controversy when she tried to have the film pulled on its original release, although I wonder how much of this was just hype to sell the picture. Either way, she certainly delivers a convincing performance of someone slowly losing their mind. I thought she perfectly captured the naive nature of this character and when she finally goes off the deep end, you can believe what you're seeing.

i would also say that the biggest problem is that while the actress pulls off the mental state of the character, the direction really doesn't pull the psychological drama out of everything like he should have. This film falls well short of the psychological horrors of something like TAXI DRIVER. THE FAN certainly has plenty of flaws including a not-so-original story but at the end of the day the performances and the overall tone makes it worth watching.

A deranged teenage girl played by Desiree Nosbusch (who like many deranged females in movies is improbably hot) is obsessed with a bad German rock star named "R". She is alienated from her parents and seemingly has no friends, so she spends all her free time listening to "R"'s music and following his career. She attends a TV show he is taping at a nearby town. They meet and he decides that she is good for a quick shag. Unfortunately, she wants more from him--MUCH more--and she ends up doing something truly shocking.

This is a downbeat and pretty disturbing movie--it's not, however, especially believable. An incident kind of like this did actually happen in Germany recently (which was made all the more disturbing by the fact that the victim was apparently completely willing). But that bizarre case involved a middle-aged man--it's a little harder to believe a pretty teenage girl could be this warped (It's also kind of an ironic conceit that the stalkers in movies are often the kind of people--i.e. young, attractive, female--that in real life are far more like to be the stalk-ees). Nosbusch does give a pretty convincing performance, and this helps greatly. This first-time German actress would go on to a short career in cinema, including English-language films like "Good Morning, Babylon" (under the name Desiree Becker). She became more famous perhaps though as a singer and a presenter of the Eurovision contest (where she no doubt introduced musical acts even worse than that of the fictional "R").

This was a good movie, but unfortunately I got my copy via Britain where it was subject to some idiotic (even by their standards) censorship. To wit, Nosbusch's impressive butt and boobs are literally on display for about ten minutes here, but the Brit censors decided a brief full-frontal scene was apparently just too harmful to society. This cut reputedly doesn't make that much of a difference though (which is exactly why it is so STUPID). Anyway, I would recommend this, but if you have a choice try to get a version WITHOUT the checkered triangle with an 18 on it (the international symbol of the idiocy of the BBFC). In any case, much like "R" does with his obsessive young fan, this one will definitely stay with you.

First, lets get the fact that the electro soundtrack here is one of the best scores ever. Like EVER! And since this centers on a pop star it's pretty important. There's a repetitive style that works well with the leads repetitive obsession with her letters.

The story and performances are splendid and the ending works just fine for me. It's a story about depression and identity -- deserves a Gen Z following.