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IMDbPro

Tu fais pas le poids, shérif!

Titre original : Smokey and the Bandit II
  • 1980
  • Tous publics
  • 1h 41min
NOTE IMDb
5,3/10
18 k
MA NOTE
Tu fais pas le poids, shérif! (1980)
Regarder Official Trailer
Lire trailer1:57
1 Video
99+ photos
Road TripActionAdventureComedy

Ajouter une intrigue dans votre langueThe Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.

  • Réalisation
    • Hal Needham
  • Scénario
    • Hal Needham
    • Robert L. Levy
    • Jerry Belson
  • Casting principal
    • Burt Reynolds
    • Jackie Gleason
    • Jerry Reed
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    18 k
    MA NOTE
    • Réalisation
      • Hal Needham
    • Scénario
      • Hal Needham
      • Robert L. Levy
      • Jerry Belson
    • Casting principal
      • Burt Reynolds
      • Jackie Gleason
      • Jerry Reed
    • 99avis d'utilisateurs
    • 29avis des critiques
    • 41Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 5 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:57
    Official Trailer

    Photos141

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    + 134
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    Rôles principaux36

    Modifier
    Burt Reynolds
    Burt Reynolds
    • Bandit
    Jackie Gleason
    Jackie Gleason
    • Sheriff Buford T. Justice…
    Jerry Reed
    Jerry Reed
    • Cledus
    Dom DeLuise
    Dom DeLuise
    • Doc
    Sally Field
    Sally Field
    • Carrie
    Paul Williams
    Paul Williams
    • Little Enos
    Pat McCormick
    • Big Enos
    David Huddleston
    David Huddleston
    • John Conn
    Mike Henry
    Mike Henry
    • Junior
    John Anderson
    John Anderson
    • Governor
    Brenda Lee
    Brenda Lee
    • Nice Lady
    Phil Balsley
    • Phil Balsley
    • (as The Statler Brothers)
    Lew DeWitt
    • Lew DeWitt
    • (as The Statler Brothers)
    Don Reid
    • Don Reid
    • (as The Statler Brothers)
    Harold Reid
    Harold Reid
    • Harold Reid
    • (as The Statler Brothers)
    Mel Tillis
    Mel Tillis
    • Fairground Owner
    Don Williams
    Don Williams
    • Don Williams
    Terry Bradshaw
    Terry Bradshaw
    • Terry Bradshaw
    • Réalisation
      • Hal Needham
    • Scénario
      • Hal Needham
      • Robert L. Levy
      • Jerry Belson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs99

    5,318.4K
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    Avis à la une

    billybrown41

    What went wrong here?

    I know I've mentioned before that I wasn't even going to bother writing a review for this one, but here it is: I've always wanted to like this movie. I really have. Being an enormous fan of the first, and even finding some enjoyment from the third, I still can't say I like this one. I don't know what happened here. Everyone was back, inculding the director, they had the money to back it up, and they still couldn't get it right. What made this film so atrocious? Well, I have to blame it on the writers. I also have to blame the rest of the cast for going along with it. Seriously, when the characters behave NOTHING like they did in the original and the objective is to haul an elephant(!), you know you're in trouble. I cringed every time Frog and the Bandit squabbled and I cringed whenever the Bandit would lose his cool and do something stupid. I mean, what happened to the mild-mannered, likeable, laid-back country boy that we all knew and loved from the first one? Why in the HELL did they have to make him into and alcoholic, washed-up, ego-maniac? I don't know how, but they managed to make him into one of the most unlikeable protagonists in cinematic history. There's even a ridiculous training scene where the Snowman and Frog whip the bandit back into shape to make the big run. I guess it was supposed to be funny. I found it to be a slap in the face. Sometimes Hollywood really has me scatching my head.

    Now, for the Justices. Two words: Good grief. They made them even dumber than in the first, and while there are a few funny lines, it goes into overdrive and messes the whole thing up. Another thing, Buford's Canadian cousin (I forget his name) was a disgrace. Was he supposed to be gay? If so, that wasn't funny either.

    I guess I've trashed this one enough. On the bright side, there were a few moments that made me giggle, but I can't remember the scenes to save my life. Please, if you consider yourself a fan of the first, avoid this one. Save yourself a lot of disappointment.
    4gerard-21

    Highly Anticipated and Extremely Disappointing Sequel.

    The original Smokey and the Bandit was a monster of a film, finishing behind only Star Wars at the Box Office in 1977. It was one of the last movies seen by Elvis, who arranged a private viewing due to it's popularity. I myself, barely a teenager, saw it several times in the theater.

    Now, when a sequel was announced, we all just knew it would pick up where the first one left off and follow the gang's exploits up to Boston and back to Georgia in 48 hours with clam chowder for the Enoses. But no, the producers and writers chose to create an entirely new exploit, which is basically a rehash of the route traveled in the first, but going in the other direction and pretty much at the speed limit! First off, the Enoses could have hired anyone for a lot less money, as obviously time was not of the essence. Afterall, after they accept the job, considerable time is spent getting the Bandit back into shape! Or did the writers expect us to believe it only took one day? They may have, considering they also threw in a scene where Burt, during his rehab outruns a racehorse. And what were they thinking having Carrie marrying Junior again? Sheriff Justice said at the end of the first he wasn't giving up his pursuit of Bandit, so he didn't need this motivation, again.

    So, obviously, instead of a good ole' boy movie like the first, we have a cartoon with humans! See Jackie Gleason utter sombitch 6 dozen times! Hear Dom Deluise spout nonsensical Italian phrases! Watch truckers run over police cruisers with no regards to consequences (like causing lawman's death)! Become aghast at Jerry Reed turning into a tough guy life coach. Experience Burt Reynolds trying to show he has a heart! Look at Sally Field's expression of disdain for her agent! And don't miss the ending blooper reel!

    This was the beginning of the end for Burt as he started becoming a caricature of himself. People began to view his movies as just an excuse for Burt and his buddies to get together and party while not having to bother themselves with any strenuous acting.
    5Noobz

    Disappointing

    Whatever happened to the Double or nothing jaunt to Boston for some clam chowder? That is what I was expecting. After all the original seemed to segueing to that end. Reynolds was just plain old goofy.

    Some of the scenes with Justice were even better than the original, at least until he met up with his brothers. Down hill from there.
    tac2502

    Leftovers from Cannonball Run

    It's fairly obvious that Smokey and the Bandit II was filmed directly before (or during) the making of Canonnonball Run. Obviously they had a lot of well-known faces from the CR movie, and they had them stick around for some S&tB shots, then built a story around them as best they could. If you look at each of the cameos, you see they have no tie to the storyline, all they have in common is Reynolds and Gleason. If you want to see a much better Burt Reynolds / Dom Delouis movie, rent CR (it's hokey too, but not quite as bad as this).

    Movies like this get made all the time, where a very basic plot line is sketched out, and then the rest is filled in as the writers on the set come up with it. When good ideas get scarce, they try to fill the gaps with gags on a common theme. But like any good joke, it's only funny when it is at least semi-plausible. That's what made the original Smokey and the Bandit so much fun. But S&tB II is just TOO unbelievable to be funny any more. It might appeal to 12 year olds, but the original audience of 16-25 year olds just don't find them funny.

    All the negativeness of the above aside, S&tB II is still better than part III. I didn't think it could get worse, but...
    6dgl1199

    It needed Olivier, it Got Kramden

    OK, I'm kidding. Hey, listen, this film is no strain to the synapses. It's another Hal Needham carwreck fest wrapped up in a really dumb plot that at times tries too hard. However, I find an odd entertainment value in this genus of southern cheese. An aging professional highway show-off, an even more annuated hick sheriff in hot pursuit, an oddly swift and resilient Trans Am, a very talented yet dumbed down leggy sidekick, a country singer turned epitomal southern truck driver, Dom Deluise, and an elephant. Add plenty of incompetent law enforcement officers and marlboro reds and you have the makings of one fine redneck cross-country chase movie. I don't know why but I actually enjoyed this. It's really about the stunts I think and when it comes to Hal Needham you never can have too many car crashes. In the spirit of Cannonball Run and the Dukes of Hazzard there is an odd appeal in watching good IL boys tear up backroads to the tune of Hank Williams and police sirens. And of course there's always a way out leaving a pile of police cruisers in the dust behind. It's an action flick and as such you shouldn't expect it to be anything other than what it is; it's just fun to watch. You may notice it does have some very talented actors so it begs the "what were you thinking doing this film?" question. Perhaps. But on face value it's all about the car chase. And who doesn't love a good car chase?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Jackie Gleason's scenes were filmed first because he was ill and he wanted to be finished with the movie as soon as possible.
    • Gaffes
      There is no desert between Miami and Dallas.
    • Citations

      Junior: Daddy, look at that big ugly alligator.

      Buford T. Justice: That reminds me; I gotta call yo' mama tonight.

      Junior: You know, Daddy, I like this place. All the 'gators and snakes and stuff. Why don't we move down here?

      Buford T. Justice: Why don't YOU move down here?

      Junior: Oh no, Daddy, I ain't NEVER leavin' home. That's a promise.

      Buford T. Justice: Don't you ever, EVER threaten yo' daddy like that again!

    • Crédits fous
      Jackie Gleason is credited as Ms. Jackie Gleason for the character Gaylord.
    • Versions alternatives
      The most recent home video version boasts that some of the music has been changed.
    • Connexions
      Featured in The Electronic Press Kit: Psycho II (1983)
    • Bandes originales
      Texas Bound and Flying
      Written by Jerry Reed (as J.R. Hubbard)

      Produced and Sung by Jerry Reed

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    FAQ19

    • How long is Smokey and the Bandit II?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 25 février 1981 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official Facebook
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Los caraduras
    • Lieux de tournage
      • Las Vegas, Nevada, États-Unis
    • Sociétés de production
      • Universal Pictures
      • Rastar Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 66 132 626 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 883 835 $US
      • 17 août 1980
    • Montant brut mondial
      • 66 132 626 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 41 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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