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Bitter former football player Paul Crewe (Burt Reynolds) gets into a physical fight with his girlfriend and gets sent to prison. Everybody dismisses Crewe for suspected point shaving. Warden Hazen (Eddie Albert) manages a semi-pro football team of prison guards. Captain Knauer (Ed Lauter) leads the team and orders Crewe from joining. Hazen is not happy with Knauer's result. Crewe reluctantly agrees to organize a prisoners team and play an exhibition game.

I don't mind the Adam Sandler version but it's nothing great. This version is so much better. It is darker. It's not as jokey but the black comedy hits so much harder. It starts dark with Crewe hitting his girlfriend. At first, it doesn't even seem like a comedy except for Burt's casual sly mannerisms. It reminds me of other serious prison dramas until it turns more into a sports movie. So it works as both genre. It has great emotions and touching relationships. It's a good drama and has a great feel good development. It essentially works in all areas.

The Longest Yard refers not to the territory gained and lost in a football game. For Burt Reynolds its that prison yard that he's in for the next 18 months.

Reynolds isn't one of the noblest athletes ever to grace the National Football League. He was a quarterback who was thrown out of the game in a point shaving scandal. Now he's doing time for stealing his mistress's Maserati and causing a lot of havoc and mayhem when she called the cops on him.

The Longest Yard starts to look a little like From Here To Eternity where Monty Clift's company captain Philip Ober wants him to box for the post championship. Reynolds really isn't interested in playing football any more or helping warden Eddie Albert out with his semi-pro team of prison guards. But he's got less redress than Clift did in the army and Reynolds is not a person to make too fine a point of resistance.

What Reynolds suggests is a tune-up game with a squad of the inmates to play the guards to keep them in a fighting edge. Sounds real good to Albert who has a mean streak in him that Reynolds is slow to realize. There's a lot of possibilities to inflict some legal pain and for him to reassert his authority.

The Longest Yard is first and foremost about what Reynolds will do when the crisis comes. His track record doesn't suggest any heroics, but some people do surprise you.

The antagonists Reynolds and Albert are given good support by director Robert Aldrich's picked cast. Foremost among them are Ed Lauter as the chief guard, James Hampton as the team manager, and Charles Tyner in a particularly loathsome role as a prison stoolie. He will really make your skin crawl.

Bernadette Peters is also in The Longest Yard as Albert's secretary with the delightful name of Miss Toot who takes advantage of her position with a little sexual harassment of the prisoners. I do love that Dickensian name that was given her for this film. The only other female of note is Anitra Ford who is Reynolds mistress and whose Maserati he appropriates. When Burt says he earned that Maserati you can well believe it.

The Longest Yard is in a class by itself, a sports/prison movie. A film that created it's own genre. That has to count for something.

After seeing this flick again last year after I don't know how long, at first I wondered why I used to really like this film. But after watching the whole thing to the end, I remember why. This is one of those films that generated a whole bunch of "copy-cat" movies, none which are even worth remembering (or seeing). Sure, it's a macho-man movie, but it works, and to see the talent (both actors and ex-pro ball players) on the screen, this is a movie you can watch over and over. By the way, it was refreshing to see the widescreen DVD version which was just released.

You just can't get away with this stuff anymore. In the first ten minutes, Burt Reynolds has beaten his girlfriend, stolen her car, gone on a massive police chase, dumped the sportscar off a bridge, then attacked two cops. Oh, and he's the hero of the movie, too.

Nowadays the remake -- starring Adam Sandler -- is rated PG-13 and he's a total wimp. Back in the '70s you could get away with being vicious, sexist, homophobic and racist and live to tell about it. In 2005, Adam Sandler says the F-word in one of his movies and parents are banning the film companies.

Yup, this film is clearly racist, homophobic and misogynist. Women are treated as sexual objects throughout, from the opening to the part where a prison warden's intern requests sexual favors from Burt Reynolds in return for handing him a movie-reel he needs.

African-Americans are portrayed as racist tough guys who are better than the whites at football, and they call whiteys "honkies" and other such words. In return all the whites are racist towards the blacks and it creates an interesting tension.

The homophobia sneaks into play when it's suggested one of the inmates is in love with Burt Reynolds. Quite a funny scene, actually.

"The Longest Yard" was one of Robert Aldrich's most successful films and many claimed it was him "selling out," but viewed 30 years later this really does stand apart from many of the other sports-comedy films of the decade. What is so special about "The Longest Yard" is probably that it plays like a mix between "Cool Hand Luke," "One Flew Over the Cuckoo's Nest" and "Smokey and the Bandit" -- it's got car chases, it's got sports, it's got funny stuff, BUT it also spends a lot of time developing its characters and creating some very dramatic sequences.

This is well directed, gritty, and fun -- not as much a "comedy" as you might expect, it is actually more serious. By the end of the film we've come to root for a bunch of murderers and rapists and even Burt Reynolds, and let's face it -- when was the last time you saw Burt Reynolds in a movie and actually LIKED his character?! A classic of the genre.

Burt Reynolds plays Paul Crewe, a reprehensible character discovering, in a prison, dignity and esteem… You see him, at the beginning of the movie—as a rising star—beating up a woman, stealing her car, drunken driving, insulting cops in a bar, resisting arrest… He's seen so funny when he insulted the miniature cop who's about to arrest him, while the cop's partner is laughing openly…

Eddie Albert was very charming when he meets Paul Crewe at his arrival to Citrus State Prison… Aldrich wanted to play Warden Hazen as the guy who had the veneer of normalcy, the veneer of being a good executive, the veneer of keeping it all together till it starts unraveling… He really was just a despicable, oily, warden type… In one game scene, we see him over and over again, getting up just with that same look of shock on his face…

Ed Lauter (Captain Knauer) is wonderful… He runs the football team… He is a bad guy and he represents everything that is wrong with that prison system and everything else… He changes as a result… And to see that is just so delightful… He's got the classic Ed Lauter's scene at the end… James Hampton plays Caretaker, the character who brings the team all together and pushes Burt's character ahead to win the game…

Ray Nitschke plays the toughest, meanest linebacker in football… Richard Kiel, Bob Tessier, Charles Tyner, Michael Conrad, and Harry Caesar give the film a certain veracity, you almost thing you are in jail