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6,2/10
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MA NOTE
Une jeune femme protégée de la haute société rejoint l'armée des États-Unis sur un coup de tête. Elle se retrouve dans une situation plus délicate qu'elle ne l'avait imaginé.Une jeune femme protégée de la haute société rejoint l'armée des États-Unis sur un coup de tête. Elle se retrouve dans une situation plus délicate qu'elle ne l'avait imaginé.Une jeune femme protégée de la haute société rejoint l'armée des États-Unis sur un coup de tête. Elle se retrouve dans une situation plus délicate qu'elle ne l'avait imaginé.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 1 victoire et 6 nominations au total
Avis à la une
This film is about a unfortunate young lady whose husband dies on their wedding night. She copes with her sorrow by mistakenly enlisting in the United States army.
"Private Benjamin" is very funny! Even the film is already thirty years old, the jokes are timeless. The scene that Goldie Hawn explaining that she is sent to the wrong army is hilarious. Well, actually the whole section about her adjusting to the fact that Army life is not a holiday is hilarious. Even though I have seen similar story lines before, it is still hilarious. If only all the comedies stood the test of time like "Private Benjamin"!
"Private Benjamin" is very funny! Even the film is already thirty years old, the jokes are timeless. The scene that Goldie Hawn explaining that she is sent to the wrong army is hilarious. Well, actually the whole section about her adjusting to the fact that Army life is not a holiday is hilarious. Even though I have seen similar story lines before, it is still hilarious. If only all the comedies stood the test of time like "Private Benjamin"!
Goldie Hawn and I are the same age. Well she is actually 4 months older. I first saw her in the 1960s TV show "Laugh In" which we all enjoyed in college.
Here she is Judy Benjamin, in a great stroke of bad luck her husband dies on their wedding night. Distraught and not sure what to do with herself she goes to the Army recruiting office. In a good performance by Harry Dean Stanton (as the recruiter) he tells her this tall tale of what she would look forward to, a private room, a selecting of jobs, and if she didn't like it she could quit any time she wanted.
With that vision she showed up for 6 weeks basic training totally unprepared. The comedy kicks into high gear as she tries to cope, almost washing out, ultimately deciding to tough it out and become an exemplary military woman. Back then, in her early 30s, Hawn was unique and this military comedy fits her talents well.
Here she is Judy Benjamin, in a great stroke of bad luck her husband dies on their wedding night. Distraught and not sure what to do with herself she goes to the Army recruiting office. In a good performance by Harry Dean Stanton (as the recruiter) he tells her this tall tale of what she would look forward to, a private room, a selecting of jobs, and if she didn't like it she could quit any time she wanted.
With that vision she showed up for 6 weeks basic training totally unprepared. The comedy kicks into high gear as she tries to cope, almost washing out, ultimately deciding to tough it out and become an exemplary military woman. Back then, in her early 30s, Hawn was unique and this military comedy fits her talents well.
Hawn's string of successes in the 1980's, Swing Shift, Overboard, Protocol, Seems Like Old Times, and Private Benjamin, are among my favorite comedies of all time. She has timing, presence, and character galore, and this one may just be at the top of my Goldie Hawn list.
The cast is extraordinary. Eileen Brennan is a showstopper as the, shall we say, less than feminine company commander and Benjamin's nemesis, but that's not the start of it. There's an embarrassment of talent here. Craig T. Nelson as the amorous Capt. Woodbridge, Armand Assante as the even more amorous Henri Tremont who sexes Benjamin up, and the still more amorous Albert Brooks, the husband who dies sexing her up, are all stellar. But Sam Wanamaker (see The Competition) and Robert Webber (both sadly deceased) are male role models who may not exactly set the bar very high as father figures, but add a delightful pseudo-machismo as counterpoint to all the talented women.
Mary Kay Place seems so young as a fellow recruit, even more so than in Mary Hartman, Mary Hartman, which is a nice segue to the fact that this, like many Hawn movies, draws from a distinguished television pedigree to deliver its surprising success.
This is one of those perfect little movies that I pull out of the DVD closet several times a year like visiting with an old friend, and it just occurred to me why. It's not nihilistic or deconstructionist or multi-plotted or any of the other crap that has supplanted story and dialog in too many movies since. It's sad that the only available version of the DVD is in pan and scan, as with some other great movies of this era, but I keep hoping for a widescreen release.
Favorite Line: "There are mine fields out there. Most of them are inert. However, some are ert." My recommendation: Enlist with Judy. You could use a good laugh.
The cast is extraordinary. Eileen Brennan is a showstopper as the, shall we say, less than feminine company commander and Benjamin's nemesis, but that's not the start of it. There's an embarrassment of talent here. Craig T. Nelson as the amorous Capt. Woodbridge, Armand Assante as the even more amorous Henri Tremont who sexes Benjamin up, and the still more amorous Albert Brooks, the husband who dies sexing her up, are all stellar. But Sam Wanamaker (see The Competition) and Robert Webber (both sadly deceased) are male role models who may not exactly set the bar very high as father figures, but add a delightful pseudo-machismo as counterpoint to all the talented women.
Mary Kay Place seems so young as a fellow recruit, even more so than in Mary Hartman, Mary Hartman, which is a nice segue to the fact that this, like many Hawn movies, draws from a distinguished television pedigree to deliver its surprising success.
This is one of those perfect little movies that I pull out of the DVD closet several times a year like visiting with an old friend, and it just occurred to me why. It's not nihilistic or deconstructionist or multi-plotted or any of the other crap that has supplanted story and dialog in too many movies since. It's sad that the only available version of the DVD is in pan and scan, as with some other great movies of this era, but I keep hoping for a widescreen release.
Favorite Line: "There are mine fields out there. Most of them are inert. However, some are ert." My recommendation: Enlist with Judy. You could use a good laugh.
I struggle a bit with the plausibility of the premise in Private Benjamin. I simply found it hard to believe that army recruiters would be so brazen about lying to people in order to get them to enlist. However, I'm all for an unlikely story of a screw-up being whipped into shape by the military. It is fodder for a lot of comedy, and I think that's where this movie shines. Those early scenes where we see her struggling through boot camp, and the contentious relationship with her drill instructor (played to perfection by Eileen Brennan) are rife with good laughs. It's kind of sad that the movie seems so anxious to move on from that storyline. There is some serious fast-forwarding through the fun of the movie thanks to needless montages.
The real problem with Private Benjamin is that it is a movie which should be about a spoiled-rotten rich girl learning to be useful, but instead it seems more interested in exploring her love life. The entire opening is an exploration of her new marriage and all that comes with that relationship, and then the final act is entirely about another romance that seems clearly doomed from the start. Pretty much everything after she leaves boot camp was disappointing for me, and I was struggling to figure out who thought that was a good idea. I still enjoy Goldie Hawn in any comedy setting, though. She has great timing, and tells a lot of the story with just her exaggerated expressions. My memory of Private Benjamin was that it was hilarious and all about her boot camp experience. Turns out that's what I thought because that is the only memorable part of a film which drags on through more plot than it needed.
The real problem with Private Benjamin is that it is a movie which should be about a spoiled-rotten rich girl learning to be useful, but instead it seems more interested in exploring her love life. The entire opening is an exploration of her new marriage and all that comes with that relationship, and then the final act is entirely about another romance that seems clearly doomed from the start. Pretty much everything after she leaves boot camp was disappointing for me, and I was struggling to figure out who thought that was a good idea. I still enjoy Goldie Hawn in any comedy setting, though. She has great timing, and tells a lot of the story with just her exaggerated expressions. My memory of Private Benjamin was that it was hilarious and all about her boot camp experience. Turns out that's what I thought because that is the only memorable part of a film which drags on through more plot than it needed.
Judy Benjamin (Goldie Hawn) is a picky superficial newlywed who loses her husband (Albert Brooks) during wedding night sex on the bathroom floor. She's 28, married twice, and trained for nothing. Lying recruiter Jim Ballard (Harry Dean Stanton) tricks her to join the army. She's in for a rude awakening and wants to go home. Captain Lewis (Eileen Brennan) is her tough trainer. After being belittled by her father, she decides to stay rather than go home getting taken care of. She becomes a great private and rout the opposition in a war game. While on leave in New Orleans, she meets french doctor Henri Tremont (Armand Assante). Later, he would propose but he isn't prince charming.
Goldie Hawn is fun and Eileen Brennan is terrific. They are both great and the movie is actually uplifting. The movie should probably stay with basic training. The second half isn't quite as compelling and the comedy dries up. The movie is better off expanding on the first half and cut out the second half.
Goldie Hawn is fun and Eileen Brennan is terrific. They are both great and the movie is actually uplifting. The movie should probably stay with basic training. The second half isn't quite as compelling and the comedy dries up. The movie is better off expanding on the first half and cut out the second half.
Le saviez-vous
- AnecdotesGoldie Hawn signed onto Private Benjamin in June 1979 and went through boot camp training for six weeks.
- GaffesWhen the girls are in the war games and capture the Red Team truck the Sgt throws the keys away. Army vehicles do not require keys to start. The ignition is hardwired to a start button on the dash. EDIT: Every vehicle in the Army then required a key. If the vehicle did have a starter button (a switch on floor akin to the old headlight dimmer switches in cars) it would still be secured when parked by a chain welded to the floor and running up through the steering wheel and secured with a padlock. You can start it, but you can't steer it unless you have the key. Throwing away the key isn't a factual mistake.
- Citations
Judy Benjamin: I think they sent me to the wrong place.
Capt. Doreen Lewis: Uh-huh.
Judy Benjamin: See, I did join the army, but I joined a *different* army. I joined the one with the condos and the private rooms.
- Crédits fousOpening credits prologue:
When Judy Benjamin was eight years old, she confessed her life's desire to her best friend.
"All I want," Judy whispered, "is a big house... nice clothes, two closets, a live-in maid, and a professional man for a husband."
Today, all of Judy's dreams come true.
- Versions alternativesIn the 1997 VHS and DVD prints, the 1984 Warner Bros. Pictures logo was used as the opening plaster and the film rating that originally appears following the film is removed.
- Bandes originalesHava Nagila
(uncredited)
Israeli Folk Song
[played at Judy and Yale's wedding reception]
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- How long is Private Benjamin?Alimenté par Alexa
Détails
Box-office
- Budget
- 9 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 847 348 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 739 769 $US
- 12 oct. 1980
- Montant brut mondial
- 69 847 348 $US
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