Fame

A recent survey of children in the UK re-enforced the notion put forth by this film 27 years ago. That being more than anything else, young people want to grow up to be somebody famous. It used to be doctors and firemen that kids wanted to be. Now, everyone wants to be famous. Fame is a story of a group of kids accepted into the High School for Performing Arts in New York City. We seen them first audition, then take classes and learn about life for the next four years. The film has a lot of fine qualities, but ultimately leaves you feeling a little unsatisfied.

Alan Parker's bold directorial style fits the story pretty well. The film has been classified as a musical, but more than anything it is a drama. Musical numbers and dance routines break out here and there, and Parker keeps them as close to realistic as they really could have been filmed. The acting is for the most part top-drawer with a few exceptions. The pacing is a little off, particularly toward the end of the film, but by that point, the story has already taken a few wrong turns anyway.

First off, the auditions at the beginning of the film should have weeded a couple of the principle characters out. It seems unlikely that anyone would show up and audition for one department, then stumble their way through admissions to another. Some of these people just don't look that talented or interested to begin with. Once the first year of classes gets going, the film settles into a nice groove. The interaction between students and teachers is very well handled, and it leaves you wanting more. The film begins to lose itself later on as we see more and more of the students' lives out of school. Some of these people just aren't worth caring about.

The film's biggest mistake is making the Ralph Garcy character so prominent. This guy is a boorish; self-centered jerk. A "professional a-hole" as he proudly declares on stage during his comedy routines. The audience is supposed to somehow feel for this guy and his tragic personal situation, but I was just hoping they'd throw his butt out of school. Irene Cara, Maureen Teefy, Paul McCrane and the late Gene Anthony Ray are the people you'll care about by the time this film is over. Try as I might, I still can't develop abs like Gene Anthony Ray had in this film.

Overall this film is good. It is memorable, interesting, and full of daring scenes and performances. It runs maybe a little too long, and perhaps some of the wrong characters get fully developed while others kind of hover in the background. The musical numbers are great, and there is even a surprise or two waiting to be discovered by the time the film is over. Though not perfect, Fame will be a film that lives on in one way or another for many years to come.

7 of 10 stars.

The Hound.

Alan Parker's 'Fame' beautifully showcases college-life of eight aspiring artistes. Many seem to have a problem with the open ending and ponder on questions like what happened to Coco after the porn shoot or what happened to Ralph and Doris etc. However, I think this works well as it points to the uncertainty of their future as that's how life is. The point was to show their struggles during the college years and Parker captures that very well making it easy for the viewers to relate to and bringing a nostalgic feel.

'Fame' starts with some audition scenes which are hilarious. Then it shows which candidates are selected and that's when the story starts. Though it is labelled a musical drama, it doesn't follow the traditional musical genre. The songs do not appear out of nowhere. They are well situated within the context of the film and quite nice to listen to. 'Fame' also has that wild 70's feel. If this movie is the last of the 70s then it 'rounds' up the decade well.

The actors, most of them in their 20s, do a fine job. There are those who are shy, naive and afraid, those who are wacky, wild and a little reckless and those who put a front but all these characters are striving for their dream which is to become an artiste. The actors brilliantly demonstrate this. I particularly liked Barry Miller, Paul McCrane and Maureen Teefy who play the three close friends and Irene Cara who as the vulnerable singer Coco.

I had heard a lot about 'Fame' but I was under the impression that it would be a flimsy musical. I got a chance to watch it last night and I was certainly under the wrong impression. Even though many won't appreciate it, To me it is great.

This movie showcases a LOT of incredible talent. Fantastic performances throughout. The movie also is a great story about potential and how people use, abuse or ignore it in themselves. This is a story about students who look like they are all headed for fame and fortune. It shows the pitfalls along the way. We learn that talent is not enough. We also learn that many fall short and give up along the way. As an adult who was a teenager back when this movie first came out, it is a very bittersweet look at potential in us all and has us examine what we did with it in our lives, are we where we thought we would be? Yes, this movie is dated, it is over 20 years old, it HAS to be in some regard. But the story is timeless and will rank among classics of teenage movies and also always have a warm spot in the hearts of adults who grew up in the era. Highly recommended. Would make a great double feature with "Gold Diggers of 1933" just to show contrast and to see how Broadway has changed over the years.

"Fame" is a very well done portrait of the students who inhabit New York City's High School of the Arts. The film focuses on a group of students who dream of making it big while they perfect their craft at the now famous school. Director Alan Parker allows each of the highlighted students to mature on screen, allowing you to feel a connection with each one. The music here is infectious and fun. The dancing is exciting and fresh. The film eventually became the basis for an Emmy-winning television series starring Debbie Allen and some of the other actors from the film. One of the more enjoyable "dance" films of the 1980's. Received Oscars for music. 8/10

High school. Years and decades later, some look back on it with fondness, others with embarrassment. But few find it easy to forget. It's one of the most critical phases of our lives, when changes come fast and furious whether we're ready or not. No longer children, not yet adults, irresistible forces buffet us, pushing and pulling us in every direction.

"Fame" did its best to capture this turbulent, chaotic period for its cast of young characters. For the most part, it succeeded. It meandered, but did feel like a slice of life. This movie holds a special place in the hearts of the Class of '80. We had just bid farewell to the sensational '70s, and soon to the end of three or four stimulating and sometimes difficult school years. We were headed out into the cold, cruel world, leaving home for college then parts unknown. As we approached our watershed event, this newly released movie was like a two-hour yearbook for us. We couldn't escape the titular song on the radio. That was us up there on the screen. Those were our friends, rivals and classmates as we had faced our own dreams, frustrations, successes and failures. Except that theirs were peppered and punctuated with lively tunes from Michael Gore.

It's especially poignant for those who attended any of New York City's other elite, top-tier high schools, especially Stuyvesant, Bronx HS of Science or Brooklyn Tech. Like the kids here, we were considered the best of the best. We had no auditions, but instead rigorous entrance exams. More than the Performing Arts kids, we were expected to change the world, although not necessarily become famous. Like them, not all of us made it. But the pressure cooker environment fostered extraordinary camaraderie and esprit de corps, not unlike the toe-tapping "Hot Lunch Jam" in the cafeteria. On our own graduation day, our spirits soared almost like the jubilant crescendo in the rousing finale. The film leaves us fittingly on a single, triumphant note at the end of "I Sing the Body Electric," pointing to the blindingly bright, boundless future and all the promise it held.

"Fame" couldn't have been set anywhere else. This story would never have worked in a small or suburban school. Los Angeles has a stronger identification with movies and television, but NYC is a mecca for all of the arts. Home not only to what was then called PA, but also world-renowned Juilliard, NYC is a cultural center unmatched by any other city in the world. "Fame" is also a time capsule of the rest of the city of the time, showing the seediness, grit and grime that was endemic of a New York still struggling back from the fiscal crisis that had nearly bankrupted it. But most of all, it showed the vitality, since muted by the inroads of Giuliani, Disney and tourism. Having it filmed in and around an actual NYC school - although not the real PA - helped give it a wonderful sense of verisimilitude.

What I wouldn't give to be young again. But with "Fame," at least I can remember what it was like.