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Evita

  • 1996
  • Tous publics
  • 2h 15min
NOTE IMDb
6,3/10
39 k
MA NOTE
POPULARITÉ
4 150
1 444
Antonio Banderas and Madonna in Evita (1996)
Regarder Official Trailer
Lire trailer1:44
3 Videos
99+ photos
Rock MusicalBiographyDramaHistoryMusical

La comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme l... Tout lireLa comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme la plus aimée et détestée d'Argentine.La comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme la plus aimée et détestée d'Argentine.

  • Réalisation
    • Alan Parker
  • Scénario
    • Tim Rice
    • Alan Parker
    • Oliver Stone
  • Casting principal
    • Madonna
    • Jonathan Pryce
    • Antonio Banderas
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    39 k
    MA NOTE
    POPULARITÉ
    4 150
    1 444
    • Réalisation
      • Alan Parker
    • Scénario
      • Tim Rice
      • Alan Parker
      • Oliver Stone
    • Casting principal
      • Madonna
      • Jonathan Pryce
      • Antonio Banderas
    • 237avis d'utilisateurs
    • 60avis des critiques
    • 45Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 19 victoires et 44 nominations au total

    Vidéos3

    Official Trailer
    Trailer 1:44
    Official Trailer
    Evita: 15th Anniversary Edition
    Clip 1:17
    Evita: 15th Anniversary Edition
    Evita: 15th Anniversary Edition
    Clip 1:17
    Evita: 15th Anniversary Edition
    Evita: 15th Anniversary Edition
    Clip 1:29
    Evita: 15th Anniversary Edition

    Photos110

    Voir l'affiche
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    + 104
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Madonna
    Madonna
    • Eva Perón
    Jonathan Pryce
    Jonathan Pryce
    • Juan Perón
    Antonio Banderas
    Antonio Banderas
    • Ché
    Jimmy Nail
    Jimmy Nail
    • Agustín Magaldi
    Victoria Sus
    • Doña Juana
    Julian Littman
    • Brother Juan
    Olga Merediz
    Olga Merediz
    • Blanca
    Laura Pallas
    Laura Pallas
    • Elisa Duarte
    Julia Worsley
    Julia Worsley
    • Erminda
    María Luján Hidalgo
    • Young Eva
    • (as Maria Lujan Hidalgo)
    Servando Villamil
    • Cipriano Reyes
    Andrea Corr
    Andrea Corr
    • Perón's Mistress
    Peter Polycarpou
    Peter Polycarpou
    • Domingo Mercante
    Gary Brooker
    Gary Brooker
    • Juan Bramuglia
    Maite Yerro
    • Julieta
    • (as Mayte Yerro)
    Adrià Collado
    Adrià Collado
    • Carlos
    • (as Adrian Collado)
    Gabriel Kraisman
    • Cinema Manager
    Martín Drogo
    • Young Juan
    • (as Martin Drogo)
    • Réalisation
      • Alan Parker
    • Scénario
      • Tim Rice
      • Alan Parker
      • Oliver Stone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs237

    6,338.6K
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    Avis à la une

    8Johnny B

    The first great musical movie after nearly 20 years

    Excellent Lloyd Webber-Rice musical is finally brought to the silver screen twenty years after the release of its concept album. Being used to watching flashy, colourful musicals, namely from MGM, full of catchy tunes and full of breathtaking dance routines, "Evita" left me quite shocked. It was the first (and last) "political" musical I saw. The music impressed me at once, however the story and the setting did not quite do so at first sight. It was only later, when I read something about the life story of Eva Peron did I really appreciate the excellent work Lloyd Webber and Rice did. Even though they were not 100% faithful to the real story, the bio-musical gave a somewhat clear picture of what type of woman Eva Peron was. The movie was great with its re-enactments of the 1940s-1950s Argentine elections, however, having personally performed in the stage version (playing a descamisado, a waiter, a policeman and one of Eva's lovers), I cannot but point out the several drawbacks it had. It is true that the funeral, the electoral campaign and the terrorism were by far better on screen than on stage, yet the stage musical had a certain charm which was lost in the film. It could be due to the fact that on stage there was some dancing involved while the movie had none; it could be because one was live and one was playback; it could be because some of the harmonies were lost in the movie; it could be simply due to the fact that in one I participated while in the other I was just a spectator. I don't know, still the stage version was more "alive". Nonetheless, in order to be fair, I have to admit that the movie version did have some improvements as regards to the play. The best one of them was the song "You Must Love Me". Apart from finally re-uniting composer and lyricist after more than 10 years of cold war, it presents the First Lady of Argentina as a woman who has some feelings, who is afraid in front of her approaching death, who is not only interested in becoming vice-president, as the stage production tends to hint. How much this is historically true is beyond me, yet it is good to give some human element to the heroine.

    I was quite impressed by the actors' interpretations. Madonna has finally showed the world that she is able to look great without taking her clothes off, that she is more than just voice, boobs and scandal. Jonathan Pryce was excellent as the Argentine president - such a pity he had so little to sing, having such a great voice. Antonio Banderas impressed me - I did not know he was that good at singing. The role of the narrator was quite a breakthrough after his ‘tough-guy' parts, and he did it quite well. Some critics said that this movie would set the way for future film versions of musicals - I hope they were right!
    7deebater

    For Tulane class, Zach Schurkman

    The movie Evita, starring Madonna, Antonio Banderas and Johnathan Pryce is a musical account of the life of Eva Peron. An adaptation of the original rock opera by Tim Rice and Andrew Lloyd Webber, the film is told as a flash back with the narrator, Antonio Banderas as Che, recounting the events that have lead to the opening scene: the announcement of Evita's death.

    Evita, played by Madonna, was born into poverty in rural Argentina. She was able to climb the social ladder through her numerous male relationships and acting career. Eventually she marries Juan Peron, played by Jonathan Price, who is an up and coming Colonel in the Argentine military. Evita then becomes the first lady when a military lead coup makes Peron President. As first lady, Evita is extremely popular with the general Argentinean population because she is considered to understand the needs of the lower class, as she came from a poor background herself. Peron exploits his wife's popularity by having Evita tour the world and run charitable foundations. As the story develops the narrator portrays Evita as increasingly more negative and aloof to her husband's repressive actions and policies.

    From a historical standpoint Evita has many inconsistencies, however, the general storyline is factual and based on Mary Main's biography of Eva Peron. Unfortunately, Mary Main's biography has been criticized as biased because much of her evidence was attained from anti-Peron sources. As a result the movie also shares this historical criticism, and many of the events and portrayals in the film have been disputed. The films' suggestion that Evita was a terrible actress who slept her way to the top has been disproved by historians. Likewise, the film's portrayal of Evita's arrival in Buenos Aires as mistress of a married man has also been proved false. Nonetheless, the core historical events portrayed in the film are on the whole extremely accurate. The movie does a particularly good job of illustrating the social unrest and governmental corruption rampant in Argentina during the 1940's and 1950's. The film also correctly addresses the large gap between the rich and poor during the time period and its relative implications on society. All the dates, events and characters are based on historical fact, except for Che the narrator. This gives the movie a pseudo-realism that is unique from other musicals. As an educational film, Evita could be very helpful in depicting the events surrounding Peron's rise to power, as long as one notes the biases and alleged inconsistencies ahead of time.

    From an entertainment perspective, Evita is thoroughly enjoyable. Antonio Banderas in particular, does a fabulous job in his role of Che. Madonna, in the role she was "born to play", is spotty at times, but on the whole is very commendable. The music, already famous from the play, is well incorporated into the movie and generally well sang by the cast. The simple cinematography allows the movie to progress very smoothly and incorporate Che in scenes the play never could. The story is widely held as a classic and is quite entertaining. Evita's realism allows viewers to associate themselves with aspects of Evita or any of the other characters lives, while the music makes the movie easy to follow and family friendly.

    Clearly Evita is worth watching as it is both entertaining and educational, a rare combination. Although, one must be preemptively warned that the movie has been criticized from a historical viewpoint as being unfairly negative toward Evita. The movie also portrays the many charitable and positive actions lead by Evita. The movie makes no claims to be entirely historically accurate, and subsequently must be understood as entertainment first, and history second. Still, the movie provides a strong background in Argentine history and politics that are relevant even today. On a scale of one to ten I would rate the movie a nine for entertainment and a seven for historical accuracy.
    jeffws

    A lavish operatic adaptation of the musical

    Surely Madonna was made for this role, that of Eva Duarte de Peron, a young girl from the country who rises to the top with a combination of brains, wits, political savvy and sexuality. Sure she used men to attain her dreams, but what was a girl to do in 1930s-40s Argentina? Antonio Banderas is superb as Che, the "narrator" critic, perhaps the soul of the Argentinian peasants. Banderas' background is stage musicals, and he matches Madonna in every way. Jonathan Pryce is also excellent in his role as the dictator who rises to power only with the talents of Eva. This is not your ordinary musical. Almost every word is sung, as in opera, and the whole thing works. Andrew Lloyd Webber proves himself again a master tunesmith. Besides "Don't cry for me Argentina," all the other songs (if you can call them that) are beautiful, ranging from sweet ballads to waltz and rock. The film is lavish in breadth and depth, with thousands of extras just like the old Hollywood spectaculars. No f/x here, but real people. The cinematography is also superb. This is truly a triumph, a glorious experience, totally unique in film. Highly recommended. *****
    Shree

    It is a musical worth seeing!

    As a person who is not a big fan of movie musicals, I was thoroughly impressed by the magnificent performance of Madonna playing the title role and singing the immortal hit "Don't cry for me Argentina." Jonathan Pryce and Antonio Banderas were also spectacular in their respective roles.(p)

    Andrew Lloyd Weber's musical genius is captured in this touching and historic portrayal of the life of Argentine First Lady Eva Peron. A peasant girl who used her charms and elegance as an aspiring entertainer and rises to become the wife of Argentina's most powerful politician is sequentially presented with song and dance that only a masterful musical producer such as Weber could create.(p)

    I highly recommend this movie to anyone interested in learning about the life of an important poltical figure of the twentieth century and being delightfully entertained at the same.
    wnterstar

    Wonderful adaptation of the play

    I liked this movie. I thought it kept it's edge and that was largely because of Madonna. I didn't want to like Madonna in the part...she seemed too flighty, too self-involved. I didn't hold out too much hope for her acting.

    She really surprised me. Not only did she do a wonderful job with the script as given, she also went so far as to watch footage of Eva Peron and got the hand gestures and facial expressions down.

    I also heard that she is credited in obtaining permission from the Argentine government to film at the Casa Rosada. Eva Peron is STILL considered a saint, and they were worried the movie would show her in a bad light. Madonna proved to them (and then followed through on film) that she was going to give the role dignity...to show Eva Peron in a balanced way as a person with flaws, not an evil woman bent on destroying Argentina.

    She actually made the movie for me to the point where I couldn't envision anyone else in the role.

    Antonio Banderas was also a bit of a surprise for me. I didn't know anything about him and kinda considered him eye candy instead of a serious actor. I was pleasantly surprised when I found out he can sing as well as act.

    Jonathan Price was good at portraying a Juan Peron. He could be gentle and kind to his friends, but also showed no remorse for "removing" anyone who opposes him. I read in another review of this movie that Price wasn't barbaric enough for the part. Juan Peron WAS very charismatic...he had to be, or else he would NEVER had been elected president.

    One of the things I liked most about this movie was that all the people in it seemed real. The extras were neither overly good looking or freakishly ugly. They looked like anyone you would see walking down any given street.

    The cinematography is splendid, and it's hard to beat the soundtrack.

    It's an 8/10 for me.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In the original album and stage play, there is a line referring to Evita as "the new world Madonna with the golden touch". In the film, it was changed to "she's Our Lady of the new world with the golden touch". This was done since the actress playing Eva is Madonna.
    • Gaffes
      During the Mass, when Evita is receiving Communion, she responds to the priest with "Amen". However, in a Tridentine Mass, nothing is said by the communicant before receiving the sacrament. The practice of saying "Amen" does not begin until the Second Vatican Council.
    • Citations

      Eva Perón: I want to tell the people of Argentina - I've decided I should decline all the honors and titles you've pressed me to take. For I'm contented - let me simply go on as the woman who brings her people to the heart of Perón. Don't cry for me, Argentina. The truth is I shall not leave you. Though it may get harder for you to see me, I'm Argentina, and always will be.

    • Crédits fous
      In the closing credits: "This story is fictional. Any similarity to the names, characters or history of any person, living or dead, or any actual events is entirely coincidental and unintentional."
    • Connexions
      Edited into Madonna: Don't Cry for Me Argentina (1996)
    • Bandes originales
      A Cinema in Buenos Aires, 26 July 1952
      (uncredited)

      Written by Tim Rice and Andrew Lloyd Webber

      Performed by Adrià Collado, Maite Yerro, and Gabriel Kraisman

      Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, and David Caddick

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    FAQ19

    • How long is Evita?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 janvier 1997 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Thánh Nữ Evita
    • Lieux de tournage
      • Budapest, Hongrie(as Buenos Aires, Argentina)
    • Sociétés de production
      • Hollywood Pictures
      • Cinergi Pictures Entertainment
      • Dirty Hands Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 55 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 50 047 179 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 195 085 $US
      • 29 déc. 1996
    • Montant brut mondial
      • 141 047 179 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 15 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.39 : 1

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