Evita
- 1996
- Tous publics
- 2h 15min
La comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme l... Tout lireLa comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme la plus aimée et détestée d'Argentine.La comédie musicale à succès basée sur la vie d'Eva Perón, actrice argentine de films de série B qui devint finalement l'épouse du président argentin Juan Domingo Perón, ainsi que la femme la plus aimée et détestée d'Argentine.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 19 victoires et 44 nominations au total
- Young Eva
- (as Maria Lujan Hidalgo)
- Julieta
- (as Mayte Yerro)
- Carlos
- (as Adrian Collado)
- Young Juan
- (as Martin Drogo)
Avis à la une
I was quite impressed by the actors' interpretations. Madonna has finally showed the world that she is able to look great without taking her clothes off, that she is more than just voice, boobs and scandal. Jonathan Pryce was excellent as the Argentine president - such a pity he had so little to sing, having such a great voice. Antonio Banderas impressed me - I did not know he was that good at singing. The role of the narrator was quite a breakthrough after his tough-guy' parts, and he did it quite well. Some critics said that this movie would set the way for future film versions of musicals - I hope they were right!
Evita, played by Madonna, was born into poverty in rural Argentina. She was able to climb the social ladder through her numerous male relationships and acting career. Eventually she marries Juan Peron, played by Jonathan Price, who is an up and coming Colonel in the Argentine military. Evita then becomes the first lady when a military lead coup makes Peron President. As first lady, Evita is extremely popular with the general Argentinean population because she is considered to understand the needs of the lower class, as she came from a poor background herself. Peron exploits his wife's popularity by having Evita tour the world and run charitable foundations. As the story develops the narrator portrays Evita as increasingly more negative and aloof to her husband's repressive actions and policies.
From a historical standpoint Evita has many inconsistencies, however, the general storyline is factual and based on Mary Main's biography of Eva Peron. Unfortunately, Mary Main's biography has been criticized as biased because much of her evidence was attained from anti-Peron sources. As a result the movie also shares this historical criticism, and many of the events and portrayals in the film have been disputed. The films' suggestion that Evita was a terrible actress who slept her way to the top has been disproved by historians. Likewise, the film's portrayal of Evita's arrival in Buenos Aires as mistress of a married man has also been proved false. Nonetheless, the core historical events portrayed in the film are on the whole extremely accurate. The movie does a particularly good job of illustrating the social unrest and governmental corruption rampant in Argentina during the 1940's and 1950's. The film also correctly addresses the large gap between the rich and poor during the time period and its relative implications on society. All the dates, events and characters are based on historical fact, except for Che the narrator. This gives the movie a pseudo-realism that is unique from other musicals. As an educational film, Evita could be very helpful in depicting the events surrounding Peron's rise to power, as long as one notes the biases and alleged inconsistencies ahead of time.
From an entertainment perspective, Evita is thoroughly enjoyable. Antonio Banderas in particular, does a fabulous job in his role of Che. Madonna, in the role she was "born to play", is spotty at times, but on the whole is very commendable. The music, already famous from the play, is well incorporated into the movie and generally well sang by the cast. The simple cinematography allows the movie to progress very smoothly and incorporate Che in scenes the play never could. The story is widely held as a classic and is quite entertaining. Evita's realism allows viewers to associate themselves with aspects of Evita or any of the other characters lives, while the music makes the movie easy to follow and family friendly.
Clearly Evita is worth watching as it is both entertaining and educational, a rare combination. Although, one must be preemptively warned that the movie has been criticized from a historical viewpoint as being unfairly negative toward Evita. The movie also portrays the many charitable and positive actions lead by Evita. The movie makes no claims to be entirely historically accurate, and subsequently must be understood as entertainment first, and history second. Still, the movie provides a strong background in Argentine history and politics that are relevant even today. On a scale of one to ten I would rate the movie a nine for entertainment and a seven for historical accuracy.
Andrew Lloyd Weber's musical genius is captured in this touching and historic portrayal of the life of Argentine First Lady Eva Peron. A peasant girl who used her charms and elegance as an aspiring entertainer and rises to become the wife of Argentina's most powerful politician is sequentially presented with song and dance that only a masterful musical producer such as Weber could create.(p)
I highly recommend this movie to anyone interested in learning about the life of an important poltical figure of the twentieth century and being delightfully entertained at the same.
She really surprised me. Not only did she do a wonderful job with the script as given, she also went so far as to watch footage of Eva Peron and got the hand gestures and facial expressions down.
I also heard that she is credited in obtaining permission from the Argentine government to film at the Casa Rosada. Eva Peron is STILL considered a saint, and they were worried the movie would show her in a bad light. Madonna proved to them (and then followed through on film) that she was going to give the role dignity...to show Eva Peron in a balanced way as a person with flaws, not an evil woman bent on destroying Argentina.
She actually made the movie for me to the point where I couldn't envision anyone else in the role.
Antonio Banderas was also a bit of a surprise for me. I didn't know anything about him and kinda considered him eye candy instead of a serious actor. I was pleasantly surprised when I found out he can sing as well as act.
Jonathan Price was good at portraying a Juan Peron. He could be gentle and kind to his friends, but also showed no remorse for "removing" anyone who opposes him. I read in another review of this movie that Price wasn't barbaric enough for the part. Juan Peron WAS very charismatic...he had to be, or else he would NEVER had been elected president.
One of the things I liked most about this movie was that all the people in it seemed real. The extras were neither overly good looking or freakishly ugly. They looked like anyone you would see walking down any given street.
The cinematography is splendid, and it's hard to beat the soundtrack.
It's an 8/10 for me.
Le saviez-vous
- GaffesDuring the Mass, when Evita is receiving Communion, she responds to the priest with "Amen". However, in a Tridentine Mass, nothing is said by the communicant before receiving the sacrament. The practice of saying "Amen" does not begin until the Second Vatican Council.
- Citations
Eva Perón: I want to tell the people of Argentina - I've decided I should decline all the honors and titles you've pressed me to take. For I'm contented - let me simply go on as the woman who brings her people to the heart of Perón. Don't cry for me, Argentina. The truth is I shall not leave you. Though it may get harder for you to see me, I'm Argentina, and always will be.
- Crédits fousIn the closing credits: "This story is fictional. Any similarity to the names, characters or history of any person, living or dead, or any actual events is entirely coincidental and unintentional."
- ConnexionsEdited into Madonna: Don't Cry for Me Argentina (1996)
- Bandes originalesA Cinema in Buenos Aires, 26 July 1952
(uncredited)
Written by Tim Rice and Andrew Lloyd Webber
Performed by Adrià Collado, Maite Yerro, and Gabriel Kraisman
Produced by Nigel Wright, Alan Parker, Andrew Lloyd Webber, and David Caddick
Meilleurs choix
- How long is Evita?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Thánh Nữ Evita
- Lieux de tournage
- Budapest, Hongrie(as Buenos Aires, Argentina)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 50 047 179 $US
- Week-end de sortie aux États-Unis et au Canada
- 195 085 $US
- 29 déc. 1996
- Montant brut mondial
- 141 047 179 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1