Une comédie romantique qui explore les pressions sur les policiers.Une comédie romantique qui explore les pressions sur les policiers.Une comédie romantique qui explore les pressions sur les policiers.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
IMO, this is one of the most underrated films ever. I love most of Joseph Wambaugh's cop stories and this one was sheer delight. From the opening scenes, when the drunken Robert Foxworth is shown swaying back and forth at a religious ceremony, until Harry Dean Stanton ends up in a Mexican hospital with his genitalia mutilated by a Doberman Pinscher, it's just one long belly laugh after another. The only jarring note in this otherwise splendid comedy is Foxworth's mental flashbacks to murdered children. I think this is one of the few movies I've seen where the screen version of a story surpasses the original book.
I have this movie on VHS and haven't watched it in quite awhile, but I wanted to leave a quick comment. I found this movie to be quite funny and to be appreciated for the great performances by Robert Foxworth, Paula Prentiss and Harry Dean Stanton. It's a quirky movie to be sure but full of small moments of laughter and sadness. It has just the right pace although some might find it a little slow at moments. If you enjoy a movie that relies on good acting and not special effects, this could be just the movie for scrunching up on the sofa with a bowl of popcorn and relaxing. Also the surprise appearance by a young James Woods supplies just the right amount of comic relief....Enjoy!
This movie has all the signs of a film that sat on the shelf for a while. When The Onion Field came out, this made Wambaugh (and James Woods) hot again, and they decided to release it -- that's my guess. Look at Woods, in the pre-stardom, almost extra role of the Fiddler.
The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.
The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.
Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.
The reason is simple. Robert Foxworth stinks it out. He delivers such a soft center in the role, the proceedings are even difficult to understand.
The other problem is that the dialogue is long long, pointless and drawn out. The action crawls along a foot a minute while the characters make small talk.
Paula Prentiss is fine, as is Harry Dean Stanton. But sometimes movies don't always jell, and this one sure doesn't either.
I saw the trailer for this movie in 1980 & it looked interesting. I had never seen it though until recently when I bought a copy for $2.99. I like Paula Prentiss, so I thought I'd like this movie. I didn't. I was very bored. Nothing interesting or exciting takes place. The romantic aspect of the story is tedious & mundane. I didn't find it amusing either. Paula looked great & the endearing, goofy qualities she conveyed in other films is toned down here. I was happy when this movie ended & I doubt I'd ever sit through it again.
The only thing wrong with this movie was the way they handled it upon release. I'm not into Wambaugh cop films, but this was different. Good performance from Robert Foxworth and a lovely, nuanced one from Paula Prentiss (who was NEVER nominated; believe it or not). These are some messed up folks in L.A. in 1980 from different culture, but good cops. Harry Dean Stanton is perfect as the dog-napper, but this flick has a rhythm.
You never really know where this film is going; all the Ukranian background of Foxworth and Prentiss' patience with this troubled over-worked mess of a guy, patiently works a semi-romantic tinge to this strange cop film. It's a 7 out of 10 for sure.
You never really know where this film is going; all the Ukranian background of Foxworth and Prentiss' patience with this troubled over-worked mess of a guy, patiently works a semi-romantic tinge to this strange cop film. It's a 7 out of 10 for sure.
Le saviez-vous
- AnecdotesJoseph Wambaugh won the 1981 Edgar Award for Best Motion Picture from the Mystery Writers of America for his screenplay for Flics-Frac! (1980).
- GaffesWhen Philo is talking to Mavis after she dismisses Pattie Mae, he is holding a cigarette in his right hand down by his side. In the next shot he is holding it up by his chest. Also, the dog being groomed is suddenly out of its harness.
- Citations
Philo Skinner: Don't tell me what's possible, you bitch! I warned you, I'm gonna start cutting on your Vicky, do you hear me, woman?
- ConnexionsFeatured in Sneak Previews: Take 2: Going to the Movies (1980)
- Bandes originalesOchi chyornye
(Dark Eyes)
Written by Florian Hermann and Adalgiso Ferraris
Meilleurs choix
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- How long is The Black Marble?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 500 000 $US
- Montant brut mondial
- 2 500 000 $US
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By what name was Flics-Frac! (1980) officially released in India in English?
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