La bataille pour Anzio

This War movie contains crossfire , thrills , large-scale action , battles , shots of troops , tanks and amphibious landings . This average film never pulls things together enough to rise above continuous images of military marches , tanks , smoke and shootouts . This would-be blockbuster is not a description of such an important event but it is a context in which the battle in Italy offers the concrete development , life and death , a few men in the first days after the Allied landing on the beaches of Anzio . Nothing memorable , nonsense scenes and undistinguished recounting with all-star cast though frankly wasted such as Peter Falk as Cpl. Jack Rabinoff , Earl Holliman as Sgt. Abe , Mark Damon as Wally Richardson , Arthur Kennedy as Maj. Gen. Jack Lesley , Robert Ryan as Gen. Carlson , Reni Santoni as Pvt. Movie and Giancarlo Giannini as Private Cellini , among others . Furthermore , a hackneyed screenplay and full of cliché . Evocative cinematography in Panavision by Giuseppe Rotunno, Federico Fellini's usual cameraman ; location filming for this movie was conducted in and around the environs of Rome, Italy . Atmospheric as well as thrilling musical score by Riz Ortalani , including an enjoyable leitmotif . The motion picture was middlingly directed by Edward Dmytryk and Duilio Coletti .

The motion picture was partially based on real events : As Operation Shingle (January 22, 1944) was an Allied amphibious landing in the Italian Campaign against German forces in the area of Anzio, Italy. This operation was aimed at outflanking the German army on the Winter Line and as such allow for an assault on the capital city of Rome . It was one of WWIIs bloodiest battles as the Allies smash through the German lines which have enclosed the Anzio beachhead . The operation was commanded by American Major General John P. Lucas (Arthur Kennedy) and was intended to outflank German forces of the Winter Line and enable an attack on Rome. The resulting combat is commonly called the Battle of Anzio.The success of an amphibious landing at that location, in a basin consisting substantially of reclaimed marshland and surrounded by mountains, depended completely on the element of surprise and the swiftness with which the invaders could move relative to the reaction time of the defenders. Any delay could result in the occupation of the mountains by the defenders and the consequent entrapment of the invaders. Lieutenant General Mark Clark (Robert Ryan as General Carson) , commander of the U.S. Fifth Army, understood that risk, but Clark did not pass on his appreciation of the situation to his subordinate, General Lucas, who preferred to take time to entrench against an expected counterattack. The initial landing achieved complete surprise with no opposition and a jeep patrol even made it as far as the outskirts of Rome. Despite that report, Lucas, who had little confidence in the operation as planned, failed to capitalize on the element of surprise by delaying his advance until he judged his position was sufficiently consolidated and his troops ready. While Lucas consolidated, Field Marshal Albert Kesselring (Wolfgang Preiss) , the German commander in the Italian theatre, moved every spare unit to be found into a ring around the beachhead, where his gunners had a clear view of every Allied position. The Germans also stopped the drainage pumps and flooded the reclaimed marsh with salt water, planning to entrap the Allies and destroy them by epidemic. For weeks a rain of shells fell on the beach, the marsh, the harbour, and on anything else observable from the hills, with little distinction between forward and rear positions. After a month of heavy but inconclusive fighting, Lucas was relieved , sent home and replaced by Major General Lucian Truscott. The Allies finally broke out and turned his forces north-west towards Rome which was captured on 4 June. As four months and 30,000 casualties before the Allies finally march to Rome . As a result, the forces of the German Tenth Army at Cassino were able to withdraw and rejoin the rest of Kesselring's forces north of Rome, regroup, and make a fighting withdrawal to his next major prepared defensive position on the Gothic Line

Waste of a good cast. Though large in scope, battle scenes are at times laughable. Americans run up in waves upright and close up towards machine gun nests. I thought only asian armies did that. In one laughable scene, during a full fledged battle, Mitchum is lying down playing dead "so they'll stop shooting at him". This I can understand, but then this other G.I. comes and sits next to him (upright as well) and starts CALMLY talking to him about how stupid he looks until an explosion rudely interupts their conversation. The real story of Anzio has yet to be told.

American director Edward Dmytryk headed to Italy to shoot "Anzio", one the most lopsided World War II epics to come out of the 1960s. Despite some good intentions, this film fails as both an anti-war drama and an action piece.

The film stars Robert Mitchum ("The Enemy Below") as Dick Ennis, a cold and cynical war correspondent that does his work on the front lines with the infantrymen. When the squad he is accompanying gets cut off behind the German lines due to an ambush, he must pick up a gun and help them fight their way back to Allied lines.

The movie has a lot going for it, right from the start. Every actor looks comfortable, especially Mitchum. Robert Mitchum has never been one of my favorite American actors, simply because he always seems to be acting – despite the dimensionality of the part, Mitchum can never seem to break out of a box. Here, he looks to be having plenty of fun and seems quite natural in the role. Mark Damon ("Between Heaven and Hell") provides the necessary dramatic opposite as an infantryman who can't seem to agree with Ennis on his policies. Arthur Kennedy ("Attack and Retreat") is the exact opposite of Ennis' character as the incompetent General Lesley, who takes too much time establishing a solid beachhead and allows the Germans to launch an offensive, pinning his men down on the beach. Peter Falk ("Situation Normal, All Fouled Up"), on the other hand, is totally wasted as Corporal Rabinoff, a soldier who has become addicted to combat. Earl Holliman ("Armored Command") is the Sergeant in command of the squad, and he makes the most out of a clichéd-role by giving his character personality. Be sure to watch for Robert Ryan, Anthony Steel, Arthur Franz and Patrick Magee as Allied Generals.

There is only one big battle sequence, which expertly staged and filled with tanks, extras and big explosions. However, its effectiveness is limited because of two key flaws. Primarily, American soldiers are seen to stand up in the open and rush German machine-gun nests, only to be mowed down by overwhelming enemy fire. Secondly, there's a ridiculous scene in which Ennis and a soldier engage in a discussion about the war right in the middle of a fight, despite the fact that bullets and artillery shells are landing all around them! The final, small-scale, climactic showdown with German snipers was much more suspenseful, due to some excellent editing and great music score.

One major flaw in the film is, unfortunately, the script. It's as if "Anzio" can't decide if it wants to be a gung-ho flag-waver, or a downbeat, anti-war story. The first half the film is filled with humorous, almost slapstick scenes, although some of Mitchum's dialog hints that this is going to change … and it does, in fact the focus turns around 180 degrees. Throughout the second half of the film, the action stops dead in its tracks so that the characters discuss issues of personal sacrifice, what constitutes above and beyond the call of duty, etc… until it's been repeated so much that you can't stand to hear anymore. For all of this discussion, the conclusion is pretty forced. Mitchum says something along the lines of, "Men kill each other because they like to. Maybe if we all sit back and realize it, we could stop the killing and get along." That statement defines over-emphasis. Instead of being a history lesson about the real Anzio campaign, the film turns into a social commentary on Vietnam.

The on-location shooting served the proceedings well, as the film looks like sunny Italy in every frame. The scene in the Italian house looked excellent, and Dmytryk uses wide angles throughout to show off the scope of the Italian locales. The score ranges from victorious and rousing to mournful and depressing, which contributes a great deal to the mood of some important scenes – such as the entry into liberated Rome and the significance of one character's death in the sniper sequence.

"Anzio" is a mixed bag, but despite a lack of focus on one theme, it manages to be entertaining and satisfying as a drama, with enough well-staged action scenes to hold it together and help obscure the muddled anti-war sentiments.

Anzio is a weird film. Made at the height of the Viet-Nam War, it's clear this Italian film is trying to be anti-war. Robert Mitchuim, who looks like he hadn't slept for a month, and was on a week-long drinking binge, rambles on about the waste of war. He sounds like a drunk at a upscale cocktail party. Yet, the movie also uses the basic Hollywood heroics to attract the viewing public. The sniper shoot-out is done realistically and is somewhat exciting. Aside from that, the film is way to talkative, way too long, and the action in general is dull.

The best thing about this movie are the performances of Mark Damon and Reni Santoni as two U.S. Army Rangers. Peter Falk was stereotyped with this type of anti-establishment role in the late 1960s and played the exact same role in Castle Keep. Falk also looks beat, drunk, and bored. Arthur Kennedy and Robert Ryan are totally wasted and it's clear they were hired for their names. Earl Holliman gives a modest performance.

When Winston Churchill was asked to appraise the Anzio operation he said that instead of hurling a wildcat on the beach and flanking the Germans the 36,000 allied troops at Anzio were nothing more than a stranded whale.

Of course the whole Anzio landing was Churchill's own idea, but to give him some credit it was an attempt to try and break the logjam of the Italian offensive. The Allies had landed back in 1943 at Salerno and Churchill's 'soft underbelly of Europe' proved to be armor plated. Progress was measured in yards. It wasn't like the trench warfare of the first World War, but it was enormous American, British, Canadian and other assorted allies casualties.

Anzio Beach was selected for a landing up the Italian coast near Rome to both outflank the Germans and maybe take Rome. It worked, but the American commander John P. Lucas moved too cautiously having remembered the 21 Day pitched battle at Salerno in those first landings in Italy. Field Marshal Kesselring was able to bring down reinforcements from the north and contain the Allies on that beach. There in fact they stayed until they linked up with the main offensive months later, just before the American Fifth Army liberated Rome officially on June 5, 1944.

The story of the military failure of Anzio is told with fictional names as Robert Ryan, Arthur Kennedy, and Arthur Franz play Mark Clark, John Lucas, and Lucian Truscott respectively. Truscott is the guy who relieved Lucas and kept the Allies from being driven off the beach, although to be fair to Lucas his priority was a secure beachhead and he certainly succeeded.

The other story of the film Anzio is that of Ernie Pyle like war correspondent Robert Mitchum who drives all the way to an unguarded Rome and then gets caught with a bunch of American GIs and one Canadian in trying to get back to Anzio beach.

Earl Holliman, Reni Santoni, and Peter Falk play some of the soldiers with Mitchum and they do well. This is definitely not a war for glory for them, they're just trying to survive out there. Falk particularly is riveting in playing an American who was wounded and invalided out of the American army from the Pacific Theater who then moved to Canada to join their army. Why you would ask, because he's grown to like it and has a real jones for combat.

Anzio unfortunately doesn't concentrate on either story long enough to tell it in the best possible way. It had potential to be a great film, but falls short. In addition Jack Jones's singing of the theme song is jarringly out of place.

What I would like is someday for someone to tell the story of the original landings in Italy at Salerno, Messina, and Brindisi. That would make a great motion picture if done right.

When you watch Anzio you are sad for the colossal waste of human life it was, especially since the objective wasn't obtained. And a great story needs better telling.