NOTE IMDb
7,8/10
15 k
MA NOTE
Trois lieutenants australiens sont traduits en cour martiale pour avoir exécuté des prisonniers afin de détourner l'attention des crimes de guerre commis par leurs supérieurs.Trois lieutenants australiens sont traduits en cour martiale pour avoir exécuté des prisonniers afin de détourner l'attention des crimes de guerre commis par leurs supérieurs.Trois lieutenants australiens sont traduits en cour martiale pour avoir exécuté des prisonniers afin de détourner l'attention des crimes de guerre commis par leurs supérieurs.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 13 victoires et 8 nominations au total
Charles 'Bud' Tingwell
- Lt. Col. Denny
- (as Charles Tingwell)
Avis à la une
Truly great drama based on a real story. The camerawork is simple & not flashy, allowing the great script & magnificent ensemble cast to shine. There isn't one weak acting performance in this film, the standouts being Jack Thompson (in my opinion, his best ever performance)& Woodward in the role of "Breaker" Morant. Gripping drama that has aged well over 23 years. A must see 9/10.
It's one of the most delightful experiences to watch a movie you know completely nothing about and it turns out to be one of the best surprises in a long time. This was the case with "Breaker' Morant". I dont even know why I bothered to watch it, since it sounded like a truly boring Australian war movie, but boy was I wrong and consequently glad I DID bother. Some of the acting and the script are truly Oscar-worthy and the photography and camera movements were truly outstanding on many occasions, taking the whole movie onto another level of experience. And not to forget, the poetry recited through the movie is brilliant. I wonder if it truly got published. 8/10
10davidg2e
This is a remarkable film that remains as fresh as when it was produced. Edward Woodward has always been a favorite of mine and he was masterful as the title character. He seems incapable of giving any less than a strong performance in a variety of roles. "The Wicker Man" comes to mind, as well as the many episodes of "The Equalizer."
It is easy to imagine the conflicts that inevitably occur between military superiors and the men on the front, and this film clearly shows that, in those days, command personnel were much more likely to be obeyed without question, even as the enlisted men suffered for their mistakes, errors of judgment or even criminality.
For me, the frosting on the cake was using Woodward to sing "Soldiers of the Queen" during the roll of the credits. His clear and fine singing voice seemed to taunt the military brass. It is a crackerjack movie and NOT a tear-jerker, despite the story line.
It is easy to imagine the conflicts that inevitably occur between military superiors and the men on the front, and this film clearly shows that, in those days, command personnel were much more likely to be obeyed without question, even as the enlisted men suffered for their mistakes, errors of judgment or even criminality.
For me, the frosting on the cake was using Woodward to sing "Soldiers of the Queen" during the roll of the credits. His clear and fine singing voice seemed to taunt the military brass. It is a crackerjack movie and NOT a tear-jerker, despite the story line.
After first encountering "Breaker" Morant during a bout of insomnia in 1984 on cable, I have repeatedly come back to this film as one of my all-time classics--covering war, politics, tactics, transitions to manhood involved in all wars--and injustice.
Although set during the Boer War, the account of three officers tried for murder during a war in which the opponents were dressed as civilians has its obvious parallels to the 21st Century. It is absolutely amazing how similar a court marshal can be out on the "velt" of South Africa, in Washington, D.C., or during a purely uniformed war in which all protagonists are easily identifiable.
Three Australian volunteers for the "Bushvelt Carbineers", recruited to fight against civilian-clad commandos (reportedly the first use of the term), find themselves charged with murder, and set as an example by the British in order to prevent Germany from entering the war on the side of the Boer (Dutch) inhabitants of South Africa. In one incredulous encounter between a British officer and Lord Kitchener, the officer spouts the British line "they lack our altruism" (referring to German interests in the gold and silver mines of South Africa), to which Lord Kitchener grudgingly responds, "Quite." A sham trial from start to finish, the Australians are defended by military attorney with experience in "land conveyancing and wills" to which one of those charged, "the latter might come in handy." The film is replete with irony and tragicomic circumstances, as this "new war for a new century" presages many of the conflicts that would come later in the 20th century, and many of the clear paradoxes and trying aspects of the war against terror--again, in which one side is not uniformed, does not conduct war according to any known "rules" of "civilized warfare" (an oxymoron if ever there was one). It has lost none of its cutting edge in the 25-odd years since its release.
Although set during the Boer War, the account of three officers tried for murder during a war in which the opponents were dressed as civilians has its obvious parallels to the 21st Century. It is absolutely amazing how similar a court marshal can be out on the "velt" of South Africa, in Washington, D.C., or during a purely uniformed war in which all protagonists are easily identifiable.
Three Australian volunteers for the "Bushvelt Carbineers", recruited to fight against civilian-clad commandos (reportedly the first use of the term), find themselves charged with murder, and set as an example by the British in order to prevent Germany from entering the war on the side of the Boer (Dutch) inhabitants of South Africa. In one incredulous encounter between a British officer and Lord Kitchener, the officer spouts the British line "they lack our altruism" (referring to German interests in the gold and silver mines of South Africa), to which Lord Kitchener grudgingly responds, "Quite." A sham trial from start to finish, the Australians are defended by military attorney with experience in "land conveyancing and wills" to which one of those charged, "the latter might come in handy." The film is replete with irony and tragicomic circumstances, as this "new war for a new century" presages many of the conflicts that would come later in the 20th century, and many of the clear paradoxes and trying aspects of the war against terror--again, in which one side is not uniformed, does not conduct war according to any known "rules" of "civilized warfare" (an oxymoron if ever there was one). It has lost none of its cutting edge in the 25-odd years since its release.
This movie shows what a truly hellish thing war can be. Where no rule but rule `3-0-3' exists. A lot of films show war in one slant or another, glorious or horrific. This one just shows it for what it is. A damned horrible mess. Many of the actors are some of Australia's finest and this movie is a credit to their skill and talent. It has simple production values but it is elevated by their acting abilities and the great script. A definite must for those who favor the war genre in films, and a measuring point for those who seek to make a film about war and the people caught up in it.
Le saviez-vous
- Anecdotes"We shot them under Rule 303" is a reference to the.0.303 inch (7.7 millimetre) cartridge used in British Army rifles.
- GaffesThe band plays an excerpt from Franz Lehár's The Merry Widow, which premiered three years after the trial took place.
- Citations
[last lines]
Harry Morant: Shoot straight, you bastards. - Don't make a mess of it!
- Crédits fousIntroducing Lewis Fitz-Gerald as George Witton.
- Bandes originalesAt Last
Traditional tune
Arranged by Jack Grimsley (uncredited)
Lyrics by H.H. Morant
Performed by Edward Woodward
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- How long is Breaker Morant?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 'Breaker' Morant
- Lieux de tournage
- Cactus Farm, Burra, South Australia, Australie(deserted farmhouse, Boer attack)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 800 000 $AU (estimé)
- Montant brut mondial
- 948 $US
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