Héros ou salopards

It's one of the most delightful experiences to watch a movie you know completely nothing about and it turns out to be one of the best surprises in a long time. This was the case with "Breaker' Morant". I dont even know why I bothered to watch it, since it sounded like a truly boring Australian war movie, but boy was I wrong and consequently glad I DID bother. Some of the acting and the script are truly Oscar-worthy and the photography and camera movements were truly outstanding on many occasions, taking the whole movie onto another level of experience. And not to forget, the poetry recited through the movie is brilliant. I wonder if it truly got published. 8/10

This movie shows what a truly hellish thing war can be. Where no rule but rule `3-0-3' exists. A lot of films show war in one slant or another, glorious or horrific. This one just shows it for what it is. A damned horrible mess. Many of the actors are some of Australia's finest and this movie is a credit to their skill and talent. It has simple production values but it is elevated by their acting abilities and the great script. A definite must for those who favor the war genre in films, and a measuring point for those who seek to make a film about war and the people caught up in it.

This is a remarkable film that remains as fresh as when it was produced. Edward Woodward has always been a favorite of mine and he was masterful as the title character. He seems incapable of giving any less than a strong performance in a variety of roles. "The Wicker Man" comes to mind, as well as the many episodes of "The Equalizer."

It is easy to imagine the conflicts that inevitably occur between military superiors and the men on the front, and this film clearly shows that, in those days, command personnel were much more likely to be obeyed without question, even as the enlisted men suffered for their mistakes, errors of judgment or even criminality.

For me, the frosting on the cake was using Woodward to sing "Soldiers of the Queen" during the roll of the credits. His clear and fine singing voice seemed to taunt the military brass. It is a crackerjack movie and NOT a tear-jerker, despite the story line.

After first encountering "Breaker" Morant during a bout of insomnia in 1984 on cable, I have repeatedly come back to this film as one of my all-time classics--covering war, politics, tactics, transitions to manhood involved in all wars--and injustice.

Although set during the Boer War, the account of three officers tried for murder during a war in which the opponents were dressed as civilians has its obvious parallels to the 21st Century. It is absolutely amazing how similar a court marshal can be out on the "velt" of South Africa, in Washington, D.C., or during a purely uniformed war in which all protagonists are easily identifiable.

Three Australian volunteers for the "Bushvelt Carbineers", recruited to fight against civilian-clad commandos (reportedly the first use of the term), find themselves charged with murder, and set as an example by the British in order to prevent Germany from entering the war on the side of the Boer (Dutch) inhabitants of South Africa. In one incredulous encounter between a British officer and Lord Kitchener, the officer spouts the British line "they lack our altruism" (referring to German interests in the gold and silver mines of South Africa), to which Lord Kitchener grudgingly responds, "Quite." A sham trial from start to finish, the Australians are defended by military attorney with experience in "land conveyancing and wills" to which one of those charged, "the latter might come in handy." The film is replete with irony and tragicomic circumstances, as this "new war for a new century" presages many of the conflicts that would come later in the 20th century, and many of the clear paradoxes and trying aspects of the war against terror--again, in which one side is not uniformed, does not conduct war according to any known "rules" of "civilized warfare" (an oxymoron if ever there was one). It has lost none of its cutting edge in the 25-odd years since its release.

Edward Woodward, better known to American audiences as the Equalizer, plays the title role in this military courtroom drama set during the Boer War. Woodward who had a well known reputation as a rollicking writer of the Australian frontier was one of three men charged with murdering several prisoners during the Boer War, one of them happened to be a German missionary. That got Kaiser Wilhelm's back up and the British were not looking for intervention from him on the Boer side. One must remember that the Germans did have a presence in Africa at the time. The diplomatic situation was not unlike the Korean War before the Chinese intervened.

What to do, but find someone to take the fall. Certainly not Lord Kitchener the commander of British forces in South Africa who let it be known quite unofficially and not on paper for attribution that he really wouldn't care if Boer Prisoners were shot. Edward Woodward, Bryan Brown and young Lewis Fitzgerald, get selected for a court martial. This is not unlike the more famous incident in the French Army during World War I as depicted in Paths of Glory.

The Australians to this day feel that these men were singled out because they were Australians and not British. Wouldn't do to have His Majesty's subjects, let alone the commander be held responsible. While the Boer War was going on, the various colonies on the Australian continent coalesced and formed a nation. Why the Australian government didn't protest more vigorously is something I'm not quite understanding.

That however does not detract from Breaker Morant being the fine film it is with sterling performances all around. Jack Thompson is the defense attorney in this court martial and does a splendid job in the face of a stacked deck.

Alan Cassell is a bloodless Kitchener covering his own rear at all costs and Vincent Ball plays Sir Ian Hamilton who was Kitchener's aide at the time. Australia would meet these two later on under far worse circumstances as Kitchener was War Minister in the Asquith cabinet during World War I and Ian Hamilton was the commander-in-chief of the Gallipoli Expedition where so many ANZACS died in another foreign battlefield for another cause not really their concern. Hamilton is shown as quite the rat here, helping to cover his boss's complicity.

I recommend Breaker Morant mostly for those who are not Australian so they can acquaint themselves with a sad and bitter chapter in that nation's life.