Soif de sang

If you're looking for a vampire movie that's a little different, this is it. This movie is a total classic. It's about a cult of humans who keep a farm of other humans and milk them for their blood. This cult abducts a woman who is the direct descendant of their founder, Elizabeth Bathory. The poor woman is horrified at the vampirism and the cult continually tries to force her into drinking blood. It's a wonderful, creepy, scary, weird vampire film. This one is a must see for you vampire enthusiasts.

This murky oddity is great fun and well made on eerie locations in Victoria Australia at a real scary place that actually exists called MontSalvat 'castle' by 70s drive in auteur Antony Ginnane. He also made a very strong Carrie like thriller called Patrick. Other Aussie thrillers of the time include Summerfield and The Chain Reaction.

THIRST should be a cult film but lacks the 35mm availability for cinemas to make it exactly that. Like Rocky Horror, Legend Of Hell House or Phantom Of The Paradise, all part of a mad parochial horror cycle of the 70s. Find it and have a great time. You will love the, er, milking scenes.........Antony..your films are languishing! get em out there again!

This unconventional Australian vampire movie stars Chantal Contouri as successful businesswoman Kate Davis, who is abducted by a secret society of vampires and taken to a 'farm', where human livestock is drained of blood, which is then processed to remove contaminants before being packaged for consumption worldwide. Kate is informed that she is a descendent of OG vampire Elisabeth Bathory and must accept her birthright as an aristocratic blood-drinker, the plan being for her to marry a vampire from another noble family, thereby uniting two superior bloodlines. Naturally, Kate struggles to accept this (not surprising, since she already has a boyfriend, Derek, played by Rod Mullinar), so the vampires attempt to condition her to come around to their way of thinking. Kind vampire Dr. Fraser (David Hemmings) disagrees with the brainwashing process and attempts to help Kate escape.

Like Mary, Mary, Bloody Mary (1975) and Martin (1977), Thirst, Australia's first vampire film, does away with the gothic conventions associated with the genre: these vampires are not affected by sunlight (which is a good job, given where they live), do not possess real fangs, and have no aversion to garlic, holy water and crosses. While it's not an entirely successful effort to contemporise vampire cinema - the pace is rather slow, and the structure of the film, with its numerous dreamlike sequences, can lead to confusion - the good outweighs the bad: the blood-draining scenes are suitably bizarre and grotesque, the cast is solid, Brian May's score is great, and there are a few memorable moments, including Kate's 'blood shower', a vampire drowning in a vat of blood, and Henry Silva's character falling from a helicopter onto high-voltage power lines.

An Aussie vampire film? Never would have thought. Not to denigrate my country's film industry, but ... well, it's not known for producing bloodsucker flicks. The exception is this little oddity, released in 1979 and now hidden away in the 'horror' section of video stores across the country.

Having heard of the film for several yrs, and seen the cover at my local video store (Chantal Contouri drenched in gore), I decided to check it out. The result: one of the most genuinely horrifying films to emerge from Australia in recent decades. Not horrifying in the sense of 'The Delinquents', where it's horrifyingly bad and let's just sit back and have a good laugh. I am talking, this film is a recorded bad dream. Reality and nightmare blur, blood spurts, and Amanda Muggleton sneers as one of our screen's most genuinely evil villains. Contouri was fantastic, too, as the hapless young woman abducted and brought to a blood farm and made to honour her ancestor, Elisabeth Bathory - bloodsucker extraordinaire, and the figure at the heart of those other 70s horror films 'Countess Dracula' and 'Daughters of Darkness'. The scene where she sprouted fangs and kills a colleague really jolted this horror movie afficionado.

Visually, the film has dated: the hairstyles are tres out-of-date, and the colour cinematography was reminisce of those chocolate commercials I grew up watching on TV as a young boy in Melbourne. Problems also lay in the script's lack of depth. There was no psychological make-up to the characters, they had no history - and this made it very hard to relate to them on an emotional level (Contouri's character in particular). Nevertheless, this is an intriguing and eerie film that will appeal to fans of Australian cinema and horror films alike.

Kate (Chantal Contouri) is a beautiful, young business woman with an idyllic life. What Kate doesn't know is that she's being watched by a secret society of modern day vampires. These folks want Kate to join them, and are absolutely committed to obtaining her membership!

THIRST is a unique vampire movie, in that its bloodsuckers are all part of a sophisticated cult / organization called The Hyma Brotherhood, that has a plan for mass exsanguination. Kate's importance to the group is explained, and the layout of their operation is ingenious. The vamps themselves are normal-looking, rather than bug-eyed monsters. Shirley Cameron and David Hemmings are especially good as two members with differing ideas on how to best handle the Kate situation. Henry Silva is also on board. You will probably never see a vampire movie as original as this one! Another early, Aussie gem...