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Ajouter une intrigue dans votre langueIn a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.In a dystopian future Australia, a health nut and his tag-along girlfriend become trapped in a drive-in cinema that has become a concentration camp for delinquent youths and refugees.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Desirée Smith
- Tracey
- (as Desiree Smith)
Avis à la une
I really enjoyed Dead End Drive In. This is a sci-fi film with great looking sets, decent acting and an illogical story line. Put it all together and add a few explosions and you have a fantastic ride.
The film tells the story of Crabs a young man who borrows his brother's car and goes to the drive in with a date. Then the government steals his tires and he is forced to live at the Drive In with about a hundred other teens who are also stuck there. It is never clearly explained WHY the government wants them to stay there (or even which government). Director Brian Trenchard-Smith makes the most of the story and pulls off some rather clever camera work. An aside from a racism subplot that is never really resolved, the story never drags. The sets are very extravagant and include some very funny touches (a poster for Rambo 8 hangs in one scene). Overall, the film is fun and is really good for anyone who likes futuristic, tongue in cheek sci-fi flicks.
The film tells the story of Crabs a young man who borrows his brother's car and goes to the drive in with a date. Then the government steals his tires and he is forced to live at the Drive In with about a hundred other teens who are also stuck there. It is never clearly explained WHY the government wants them to stay there (or even which government). Director Brian Trenchard-Smith makes the most of the story and pulls off some rather clever camera work. An aside from a racism subplot that is never really resolved, the story never drags. The sets are very extravagant and include some very funny touches (a poster for Rambo 8 hangs in one scene). Overall, the film is fun and is really good for anyone who likes futuristic, tongue in cheek sci-fi flicks.
Brian Trenchard-Smith is probably not a house-hold name even for B-movie fans, however, this Australian director has created among the wackiest and most original movies ever. While his work may not be of high quality (his two "Leprechaun" films are a good example of this), they are always creative as his wild imagination seems to be set loose every time he sits at the director's chair. "Dead-End Drive In", probably his best film, is a perfect example of this: writer Peter Carey constructs a very intelligent tale set in an apocalyptic wasteland, and Trenchard-Smith takes fully advantage of the plot to construct one of the best Australian b-movies. A cult-classic.
After the world's economy collapsed, Australia was turned into a wasteland where the unemployed youth uses the street as a battlefield and the law is forgotten. To fight this, the Government uses a Drive-In to lock them and keep them controlled using fast food and movies. A young man named Crabs (Ned Manning) is trapped in this way, but instead of becoming a conformist member of the nihilistic youth, he decides to fight back and escape no matter the cost.
Hidden under this sci-fi/horror tale of an apocalyptic society is a very well-written plot with social commentary included. "Dead-End Drive In" is a great story against the conformism. Crabs is trapped in an apparent paradise where he can get all the fast food he wants and do nothing but live each day, but instead he chooses to fight back and try to escape from the Drive-In and to return to his family. He knows this "paradise" is false, and that the only thing worth fighting for is real freedom.
Stretching the budget to the max, Trenchard-Smith manages to create very well done scenes with the very few resources he has. He makes a great use of his locations and the film is packed with high-octane action and a healthy dose of humor. Still, the film remains focused on its message and Carey makes a portrait of present-day society, as racist, conformist and violent as the youth depicted in the film. It is not a horror movie in the sense of being scary, but it is haunting in the sense that even when it is a fictitious scenery, it is not hard to believe that humanity will behave the way the conformist teenager do in the film.
Ned Manning is very good as Crabs, as he has the looks of a common young man trapped unfairly in a living tomb. His character is very likable and his performance makes the most of it. Natalie McCurry, playing Crab's beautiful girlfriend Carmen is also an important character, as she begins to lose hope in Crabs' idea and starts to behave just as the rest of the cattle. The rest of the cast is very good, but really nothing memorable.
The films's biggest flaw is the sad fact that the film looks terribly dated. The film has that distinct 80s feeling and look and it can't come up as "futurist" anymore. Anyways, that is not really a serious flaw as it adds up to the charm the film has. The movie still manages to be quite entertaining and some effects (like the use of explosives) still look great after 20 years.
"Dead-End Drive In" is a very interesting sci-fi movie from Australia that it's definitely worth a rent. With its 80s feeling, high-speed action and social commentary it still delivers the goods. This film is more than a cheap "Mad Max" rip-off, it is a terrific (and hopefully not prophetical) vision of the future. 7/10
After the world's economy collapsed, Australia was turned into a wasteland where the unemployed youth uses the street as a battlefield and the law is forgotten. To fight this, the Government uses a Drive-In to lock them and keep them controlled using fast food and movies. A young man named Crabs (Ned Manning) is trapped in this way, but instead of becoming a conformist member of the nihilistic youth, he decides to fight back and escape no matter the cost.
Hidden under this sci-fi/horror tale of an apocalyptic society is a very well-written plot with social commentary included. "Dead-End Drive In" is a great story against the conformism. Crabs is trapped in an apparent paradise where he can get all the fast food he wants and do nothing but live each day, but instead he chooses to fight back and try to escape from the Drive-In and to return to his family. He knows this "paradise" is false, and that the only thing worth fighting for is real freedom.
Stretching the budget to the max, Trenchard-Smith manages to create very well done scenes with the very few resources he has. He makes a great use of his locations and the film is packed with high-octane action and a healthy dose of humor. Still, the film remains focused on its message and Carey makes a portrait of present-day society, as racist, conformist and violent as the youth depicted in the film. It is not a horror movie in the sense of being scary, but it is haunting in the sense that even when it is a fictitious scenery, it is not hard to believe that humanity will behave the way the conformist teenager do in the film.
Ned Manning is very good as Crabs, as he has the looks of a common young man trapped unfairly in a living tomb. His character is very likable and his performance makes the most of it. Natalie McCurry, playing Crab's beautiful girlfriend Carmen is also an important character, as she begins to lose hope in Crabs' idea and starts to behave just as the rest of the cattle. The rest of the cast is very good, but really nothing memorable.
The films's biggest flaw is the sad fact that the film looks terribly dated. The film has that distinct 80s feeling and look and it can't come up as "futurist" anymore. Anyways, that is not really a serious flaw as it adds up to the charm the film has. The movie still manages to be quite entertaining and some effects (like the use of explosives) still look great after 20 years.
"Dead-End Drive In" is a very interesting sci-fi movie from Australia that it's definitely worth a rent. With its 80s feeling, high-speed action and social commentary it still delivers the goods. This film is more than a cheap "Mad Max" rip-off, it is a terrific (and hopefully not prophetical) vision of the future. 7/10
Yes this movie stinks with 80s pompous acting and tackiness, yet from another perspective it becomes an interesting time-capsule into the resent past, and for someone who did not experience the 80s I watched the film with an anthropological curiosity. Though this film suffers from logical loopholes. They are easy to overlook since the plot holes are there for the purpose to present a socially satirical world. Overall the acting was fine and the message interesting, though what really stood out in this movie to me are the great set designs and first class cinematography. Also the story is engaging and the characters charming in a comic way. I recommend this movie to the already fans of the genre and to those who are like movies that are offbeat and satirical.
The opening of 'Dead-End Drive In' quickly sets out its world. There's been a series of disasters that have led to society struggling to survive. A food crisis, a financial crisis, and then an unemployment crisis. And Australia is suffering with the rest of them. Gangs of punks are fighting authority and crashing cars. As an Aussie movie, there's shades of 'Mad Max' to this, but it's given a more populated feel. Instead of empty streets, there's a bunch of people in 'Dead-End Drive In'. Despite the lack of budget for the movie, Brian Trenchard-Smith gives a real sense of lots of people suffering from the consequences of economic failure.
The movie follows Crabs and his girlfriend Carmen, who end up stranded in an almost post-apocalyptic drive-in cinema after their tires are stolen by the police. The drive-in cinema has nearly 200 people in a similar situation, lighting fires and glaring at each other. The stranded are given food vouchers to eat takeaway from the on-site greasy restaurant.
Crabs is a very engaging character. He wants to become a tough guy, but no matter how much he works out, runs and eats, Crabs is still regarded as a "scrawny b*****d". Yet, as soon as he's stranded in the drive-in, he wants to get away. He wants this so badly, he irritates his girlfriend and also incurs the wrath of people spray painting "Crabs can't get it up" on his car. Carmen, incidentally, is so attractive I spent the movie slightly slack jawed.
For a supposedly trashy movie, it's actually very cleverly done. The car crashes are spectacularly choreographed. Don't expect a special-effects laden movie - it's not that - but when effects are used they're used well. Sparks fly up as cars speed through large fires. Bullets ping off the walls and cars with some canny squib effects.
Above all, there are some great undercurrents to the movie. The way the drive-in deals with the unemployed seems to ring very true with the concept of ghettos. The controller of the drive-in cinema even provides them with drugs. Crabs becomes even more likable because - like us - he sees the drive-in as a huge prison infested with unfair racial divisions.
'Dead-End Drive In' is, naturally, a little rough around the edges. But by limiting the movie to the confines of a drive-in cinema, it creates a well realised world. It's also great to see everyone throwing their all into a movie. Maybe by focusing more on characters and a basic story of "me versus them" it simply doesn't overstretch. It's an enjoyable - and sometimes thought provoking - way to spend 92 minutes of your life.
The movie follows Crabs and his girlfriend Carmen, who end up stranded in an almost post-apocalyptic drive-in cinema after their tires are stolen by the police. The drive-in cinema has nearly 200 people in a similar situation, lighting fires and glaring at each other. The stranded are given food vouchers to eat takeaway from the on-site greasy restaurant.
Crabs is a very engaging character. He wants to become a tough guy, but no matter how much he works out, runs and eats, Crabs is still regarded as a "scrawny b*****d". Yet, as soon as he's stranded in the drive-in, he wants to get away. He wants this so badly, he irritates his girlfriend and also incurs the wrath of people spray painting "Crabs can't get it up" on his car. Carmen, incidentally, is so attractive I spent the movie slightly slack jawed.
For a supposedly trashy movie, it's actually very cleverly done. The car crashes are spectacularly choreographed. Don't expect a special-effects laden movie - it's not that - but when effects are used they're used well. Sparks fly up as cars speed through large fires. Bullets ping off the walls and cars with some canny squib effects.
Above all, there are some great undercurrents to the movie. The way the drive-in deals with the unemployed seems to ring very true with the concept of ghettos. The controller of the drive-in cinema even provides them with drugs. Crabs becomes even more likable because - like us - he sees the drive-in as a huge prison infested with unfair racial divisions.
'Dead-End Drive In' is, naturally, a little rough around the edges. But by limiting the movie to the confines of a drive-in cinema, it creates a well realised world. It's also great to see everyone throwing their all into a movie. Maybe by focusing more on characters and a basic story of "me versus them" it simply doesn't overstretch. It's an enjoyable - and sometimes thought provoking - way to spend 92 minutes of your life.
You'all, Yes it was a kind of silly movie...but I was in it!!! I was Shirl the Girl,dispensing contraception in the toilet block. Hey, we had such a hoot making this movie. The explosion scenes were fabulous and the people I worked with were great. My family hasn't seen the film (husband and kids) because I've always been embarrassed by it...but so many people found it so much fun so in that way it was a success albeit cultish. I think I'll try to pick it up on e-bay and try to watch it again after all these years. Thanks to all you international folk for being so adventurous and watching such an obscure flick!!!
Nikki McWatters
P.S All I remember about Brian Trenchard-Smith was that he kept talking about another actress who he thought was destined for big things - Nicole Kidman! So I guess he had an eye for talent!
Nikki McWatters
P.S All I remember about Brian Trenchard-Smith was that he kept talking about another actress who he thought was destined for big things - Nicole Kidman! So I guess he had an eye for talent!
Le saviez-vous
- AnecdotesThe drive-in location seen in this film had closed down when the movie was filmed in 1985. The drive-in has now been demolished and no longer exists.
- Crédits fousThe road from the point of view of the car as it is travelling after Crab's escape from the Star Drive In is shown during almost all the end credits.
- Versions alternativesThe original Australian theatrical version's runtime is 92 minutes. For international release, New World Pictures removed approximately five minutes of scenes for a new runtime of 87 minutes. The removed scenes are as follows: First is an extended scene of Thompson and Crabs talking about daily activities like cricket and mini-golf. Second is a scene of a discussion about sex performed upside down. Third is a scene of the guys taking Crabs, tying him to a merry-go-round and spinning him while spraying beer on him against his will, plus a scene with Carmen talking to the girls about Crabs. Fourth shows Crabs going through the Asian section of the drive-in. Finally there is an extended scene at the group meeting with the whites, wanting to stir up racial tension between the Asian groups.
- ConnexionsFeatured in Svengoolie: Dead-End Drive In (1997)
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- How long is Dead End Drive-In?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Placer sin límites
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 300 000 $AU (estimé)
- Montant brut mondial
- 1 259 $US
- Durée
- 1h 32min(92 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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