Allan Quatermain et les Mines du roi Salomon
- 1985
- Tous publics
- 1h 40min
Le chasseur de la Fortune Allan Quatermain fait équipe avec une femme ingénieuse pour l'aider à retrouver son père disparu perdu dans la nature sauvage de l'Afrique des années 1900.Le chasseur de la Fortune Allan Quatermain fait équipe avec une femme ingénieuse pour l'aider à retrouver son père disparu perdu dans la nature sauvage de l'Afrique des années 1900.Le chasseur de la Fortune Allan Quatermain fait équipe avec une femme ingénieuse pour l'aider à retrouver son père disparu perdu dans la nature sauvage de l'Afrique des années 1900.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Kassam
- (as Shai K. Ophir)
- Mapaki Chief
- (as Fidelis Chea)
- Shack
- (as Vincent Van Der Byl)
- Dari
- (as Bishop Mcthuzen)
Avis à la une
When I first saw this film (back in the '80s at my local Cannon flea-pit), I thought it was abominable, a shoddy Indiana Jones clone thrown together in a hurry to make a quick buck. I now realise my mistake: instead of being a cheap rip-off, it is in fact a sly send-up that mercilessly mocks the conventions of the genre, which explains the ridiculously hokey script, the incredibly far-fetched action scenes, the cruddy effects, and the camp performances from a cast who are obviously in on the joke. When viewed as such, one's enjoyment of the film is greatly enhanced.
Director J.Lee Thompson certainly keeps the bonkers action moving along at a decent lick, with a silly sequence aboard a speeding (NOT!) train, a ridiculous scene that has hero Quatermain hanging onto the wing of a biplane piloted by a petrified Jesse, a tribe that lives upside-down in the jungle, a hilarious moment involving a cannibal tribe's massive cooking pot, and a really unconvincing giant spider attack. The film also boasts a surprisingly decent score from Jerry Goldsmith, who effectively mimics John Williams' famous Raiders theme, and benefits throughout from the appealing sight of the pre-fame Stone in tight shorts (that get shorter and shorter as the movie progresses).
At the next gathering, I came over with a VHS copy I rented from a store. We watched it, and had to stop the movie several times because we were laughing so hard! We all agreed that this was the best worst movie we had ever seen! About two days later, my front door bell rang, and it was the boys there to give me a gift! I had been "accepted" into their gang! Many nights of "Cheese Fests" followed, but none were as successful as the night we watched "King Solomon's Mines"! The gift, by the way, was the very VHS copy of "KSM" (which we pronounce; "Chaos, Mmm") I had rented! I still have it to this day, and have shown it to many friends who thank me every time while wiping away a tear.
Of course you can't compare the effects to that of Raiders of the lost Ark. Raiders had a near unlimited budget for the day, how do you compete with something like that? And do you honestly think that they blatantly ripped off scenes without getting permission first? I wouldn't be surprised if Lucas is making a small royalty of these movies, or at least did back when it came out. Yes, they rode the Raiders wave. Why is it that we criticize someone for riding a winning wave? If I had the chance, I'd do it in a heartbeat. I would argue that any of these movies have more heart than most of what comes out of Hollywood these days. These were made back when, for the most part, budgets were tight and people made movies for the love of making movies.
Having a weakness for violent gore movies and foreign, B-Movies and foreign probably comprise 60% of my DVD collection and 70-80% of my VHS collection. Almost 600 movies combined. But I have a rare gift to be able to sit down and watch a movie without comparison to another and judge it on it's own. That's why my collection contains everything from Little Mermaid and Aladdin to Cannibal Holocaust(Uncut) and Salo: 120 Days of Sodom(Uncut), from The English Patient to, yes, King Solomon's Mines. (I do, however, have Lost City of Gold on VHS) So sit back, try to watch movies without any preconception of what you are about to watch. Critics, friends, rumors are just that. You are your own person, make up your own mind. If you can't do this, you are probably looking at the wrong movie. All you will see is a bad Raiders rip-off and you should stick to what you know or "reality" *Ya Right* TV.
And that's my 2 cents.
ME
Le saviez-vous
- AnecdotesThe movie was filmed concurrently with its sequel, Allan Quatermain et la Cité de l'or perdu (1986). Due to his film's lukewarm box office returns, the sequel went straight to video in most countries
- GaffesObviously fake railroad ties when Quatermain is dragged behind the train.
- Citations
Colonel Bockner: [Fritz enters quicksand] My gramophone; save my gramophone.
Fritz (German enlisted): I'm sinking. I'm sinking!
Colonel Bockner: Stop sinking. That's an order!
Dogati: I'm happy. No more Wagner.
- Versions alternativesAll DVD/VHS releases and TV versions in Germany were cut for violence to secure a "Not under 12" rating. In 2004 the film was re-released on DVD by MGM for the first time in its uncut form.
- ConnexionsFeatured in WatchMojo: Top 10 Movie Treasure Hunters (2014)
Meilleurs choix
- How long is King Solomon's Mines?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- King Solomon's Mines
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 057 465 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 005 788 $US
- 24 nov. 1985
- Montant brut mondial
- 15 057 465 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1