Vendredi 13, chapitre V : Une nouvelle terreur
Titre original : Friday the 13th: A New Beginning
NOTE IMDb
4,8/10
47 k
MA NOTE
Toujours hanté par son passé, Tommy Jarvis, qui a tué Jason Voorhees, se demande si le tueur en série est lié à une série de meurtres brutaux survenus autour de la maison isolée où il vit ma... Tout lireToujours hanté par son passé, Tommy Jarvis, qui a tué Jason Voorhees, se demande si le tueur en série est lié à une série de meurtres brutaux survenus autour de la maison isolée où il vit maintenant.Toujours hanté par son passé, Tommy Jarvis, qui a tué Jason Voorhees, se demande si le tueur en série est lié à une série de meurtres brutaux survenus autour de la maison isolée où il vit maintenant.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Bob DeSimone
- Billy
- (as Bob De Simone)
- …
Jere Fields
- Anita
- (as Jeré Fields)
Miguel A. Núñez Jr.
- Demon
- (as Miguel A. Nunez Jr.)
Avis à la une
The killings were unimaginative and "kid-friendly" and I didn't like the time jump, it wasn't really necessary, takes away from the 80s vibe. But overall this sequel isn't so bad as it's rating. It is very entertaining, and has some memorable characters. Although the setting isn't a camp, the acting of many was very campy.
I honestly wish they would've ended this series after the 4th installment, which was a pretty good note to end on. However, studios are money hungry in Hollywood, and they wanted to continue to cash in on the horror craze that was still in full swing in the 80's. In order to put some life into an aging series they decided to do something different with the 5th installment of this series. For the most part this works and in my opinon it works a hell of a lot better than the zombie jason featured in 6-10.
I honestly don't know why fans hate this entry so much. It's slightly and i do mean slightly more original than most of the sequels in the series and they had to do something fresh to make the series interesting again. This is an interesting shift and i appreciate the attempt to make something different.
In that aspect i appreciate the film and it's probably the last Friday the 13th film i liked for more than its making fun of it value. However, in the end this is more of the same. Bad acting, characters just in it to be killed, and the same stalk/chase scenes to be presented in all films of this sort. The only thing original about the film is the concept, and that's about it.
The only performance worth mentioning is the lead. His acting goes beyond that of a horror film. He should be in better movies, not in something like this. Other than this performance all the rest are just there for the kill and bring nothing interesting to there characters. The setting in the institution is a nice touch but it's handled so unrealisticly that it becomes hilarious to watch. Jason is a bit of a threat in this film only because the new direction the character takes in this film.
I appreciate this film for the new idea alone. I think the filmmakers knew what they had to do to make something after a 4th film called THE FINAL CHAPTER. The same slasher antics are used which prevent the film from becoming a really good horror film but it wasn't a bad way to waste 90 minutes, unlike the next sequels that followed it.
I honestly don't know why fans hate this entry so much. It's slightly and i do mean slightly more original than most of the sequels in the series and they had to do something fresh to make the series interesting again. This is an interesting shift and i appreciate the attempt to make something different.
In that aspect i appreciate the film and it's probably the last Friday the 13th film i liked for more than its making fun of it value. However, in the end this is more of the same. Bad acting, characters just in it to be killed, and the same stalk/chase scenes to be presented in all films of this sort. The only thing original about the film is the concept, and that's about it.
The only performance worth mentioning is the lead. His acting goes beyond that of a horror film. He should be in better movies, not in something like this. Other than this performance all the rest are just there for the kill and bring nothing interesting to there characters. The setting in the institution is a nice touch but it's handled so unrealisticly that it becomes hilarious to watch. Jason is a bit of a threat in this film only because the new direction the character takes in this film.
I appreciate this film for the new idea alone. I think the filmmakers knew what they had to do to make something after a 4th film called THE FINAL CHAPTER. The same slasher antics are used which prevent the film from becoming a really good horror film but it wasn't a bad way to waste 90 minutes, unlike the next sequels that followed it.
Young Tommy, the kid who defeated Jason in The Final Chapter, has grown into a troubled young man who is haunted by nightmares and visions of his nemesis. His arrival at a home for troubled teens coincides with the start of a series of bloody murders which suggest that he might have somehow inherited Jason's bloodlust. There are so many characters in this edition of the long-running horror franchise that director Danny Steinmann doesn't even get time to show all their murders on screen, and the rate at which the bodies pile up becomes a little farcical by the final reel.
There are a few "Friday" fans out there that can actually enjoy this film for what it is instead of complaining about what it's not.
Yes, the plot is a big departure from the previous films, but once you get over it, it's a pretty fun '80s slasher film with plenty of creative kills and some great chase sequences.
The acting is surprisingly solid for a series' fifth entry as well. I really never understood the complaints about the acting in these films, as to me it's always been passable and certainly above most of the slasher rip-offs the decade was littered with.
This time, the action takes place at a halfway house in the sticks where Tommy Jarvis, survivor of the previous bloodbath, comes to stay after an undetermined amount of time in a mental hospital. But Tommy can't seem to catch a break, as the bodies of the troubled kids soon begin piling up after his arrival. Is it Jason? Tommy? One of the locals who has a grudge against the disturbed kids? I won't spoil that here.
This film has the highest body count in the series, with barely enough time to breathe before the next murder is set up. Thankfully, the series retains its creative flair when it comes to dispatching the victims. Some highlights include a head crushed against a tree with a leather strap, a road flare being improperly used, and a death in an outhouse. There's also a nice moment you can only get in '80s horror involving a girl doing the Robot dance in her bedroom to Pseudo Echo's catchy song "His Eyes." Terrific.
If there's anything that sets this sequel apart from its brothers and sisters, it's the overall tone of the film, which is much darker this time around. This can be good or bad, depending on what you prefer: a fun slasher sequel like part 3, this is not.
The final 20 minutes really get the action going as well. Fans of nudity will also rejoice, as this has the most pair of breasts shown in a "Friday the 13th" film to date.
I found this better than part four, which I realize puts me on a chopping block with other fans. But I call it like I see it.
Yes, the plot is a big departure from the previous films, but once you get over it, it's a pretty fun '80s slasher film with plenty of creative kills and some great chase sequences.
The acting is surprisingly solid for a series' fifth entry as well. I really never understood the complaints about the acting in these films, as to me it's always been passable and certainly above most of the slasher rip-offs the decade was littered with.
This time, the action takes place at a halfway house in the sticks where Tommy Jarvis, survivor of the previous bloodbath, comes to stay after an undetermined amount of time in a mental hospital. But Tommy can't seem to catch a break, as the bodies of the troubled kids soon begin piling up after his arrival. Is it Jason? Tommy? One of the locals who has a grudge against the disturbed kids? I won't spoil that here.
This film has the highest body count in the series, with barely enough time to breathe before the next murder is set up. Thankfully, the series retains its creative flair when it comes to dispatching the victims. Some highlights include a head crushed against a tree with a leather strap, a road flare being improperly used, and a death in an outhouse. There's also a nice moment you can only get in '80s horror involving a girl doing the Robot dance in her bedroom to Pseudo Echo's catchy song "His Eyes." Terrific.
If there's anything that sets this sequel apart from its brothers and sisters, it's the overall tone of the film, which is much darker this time around. This can be good or bad, depending on what you prefer: a fun slasher sequel like part 3, this is not.
The final 20 minutes really get the action going as well. Fans of nudity will also rejoice, as this has the most pair of breasts shown in a "Friday the 13th" film to date.
I found this better than part four, which I realize puts me on a chopping block with other fans. But I call it like I see it.
That wily rascal Jason Voorhees is at it again....or is he? Yes, this is the installment in the interminable "Friday the 13th" series that thought it would be a good idea to do without its only reason for existence...the hockey-masked Jason. Though you hardly notice the loss, since you don't KNOW it's not Jason until the film's final moments, and the copycat killer dresses like Jason anyway, so what's the difference? If you've seen one axe-wielding psycho in a hockey mask, you've seen them all.
Actually, I kind of like this entry. It provides the best nudity of the series....no fewer than three gratuitous boob shots, and nice boobs they are. And it's funny, sometimes intentionally so, as when the hillbilly mom calls her dufus son a dildo, sometimes unintentionally, as when the Michael Jackson look alike sings a duet with his girlfriend through an outhouse wall while he's on the crapper.
And the filmmakers outdo themselves with the body count this time around. By the end of the movie, there's no longer time to show them being killed off. Characters you've completely forgotten about just pop up as dead bodies. But what do you expect with all that plot to get through? Compared to the other films in the series, this is practically "War and Peace," what with the murder mystery story and the Tommy Jarvis plot line, which attempts to add a sense of continuity to the middle batch of movies (o.k. so Part 6 picks up Tommy's storyline in a completely different place and with a different actor, but for a series like this that's the best you can hope for in the way of consistency).
Grade: C
Actually, I kind of like this entry. It provides the best nudity of the series....no fewer than three gratuitous boob shots, and nice boobs they are. And it's funny, sometimes intentionally so, as when the hillbilly mom calls her dufus son a dildo, sometimes unintentionally, as when the Michael Jackson look alike sings a duet with his girlfriend through an outhouse wall while he's on the crapper.
And the filmmakers outdo themselves with the body count this time around. By the end of the movie, there's no longer time to show them being killed off. Characters you've completely forgotten about just pop up as dead bodies. But what do you expect with all that plot to get through? Compared to the other films in the series, this is practically "War and Peace," what with the murder mystery story and the Tommy Jarvis plot line, which attempts to add a sense of continuity to the middle batch of movies (o.k. so Part 6 picks up Tommy's storyline in a completely different place and with a different actor, but for a series like this that's the best you can hope for in the way of consistency).
Grade: C
Le saviez-vous
- AnecdotesFriday the 13th producer Frank Mancuso Jr. didn't get on with the film's director Danny Steinmann. Mancuso called Steinmann a pervert and called the film a soft core porn sex movie rather than a slasher horror film
- Gaffes(at around 1h 10 mins) When Pam is running through the woods, her sweater disappears then reappears.
- Versions alternativesThere is an alternate version of the film which runs 91 minutes and contains several small and mostly inconsequential differences. These are:
- "Version 2" is in the lower right hand corner throughout the movie.
- There is no close-up of Jason pulling the machete out of Neil's stomach during the opening sequence.
- Duke's (the paramedic) line is altered when he sees Joey's body. In the original version he says "Bunch of pussies..." while in Version 2 he says "I'll be damned...".
- There is a different angle briefly used in Pete's death.
- The scene in which Ethel yells at Junior as he is eating his stew is re-edited to remove the profanity, and uses some different angles.
- When Demon is about to open the outhouse door, an alternate camera angle is used and some of the profanity he uses is cut from the scene.
- After Junior is decapitated there is an alternate angle of Ethel in the kitchen, and her dialog is slightly altered.
- The scene of Robin going to bed is re-edited to exclude some of her nudity and some dialog.
- Before the above scene is a scene of Violet in her room which originally was part of a scene which occurred a few minutes later. When the scene happens a few minutes later, the footage that was previously used is not present.
- When Pam fights off Roy with the chainsaw, she hits him twice in shoulder. Only the second hit appears in the original version.
- When Roy dies, the camera stays on Pam, Tommy and Reggie instead of showing Roy falling on the spikes.
- ConnexionsEdited from Vendredi 13 : Chapitre final (1984)
- Bandes originalesThe Drowning - Part I
Written by Daniele Amfitheatrof
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Vendredi 13, chapitre 5 : Une nouvelle terreur
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 930 418 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 032 883 $US
- 24 mars 1985
- Montant brut mondial
- 21 930 418 $US
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