NOTE IMDb
6,1/10
661
MA NOTE
Ajouter une intrigue dans votre langueSherlock Holmes investigates the case of a string of mysterious deaths with no apparent causes and the case of a missing German Prince that could cause war between England and Germany.Sherlock Holmes investigates the case of a string of mysterious deaths with no apparent causes and the case of a missing German Prince that could cause war between England and Germany.Sherlock Holmes investigates the case of a string of mysterious deaths with no apparent causes and the case of a missing German Prince that could cause war between England and Germany.
- Réalisation
- Scénario
- Casting principal
Avis à la une
Am a huge fan of Sherlock Holmes and get a lot of enjoyment out of Arthur Conan Doyle's stories. Also love Basil Rathbone's and especially Jeremy Brett's interpretations to death. So would naturally see any Sherlock Holmes adaptation that comes my way, regardless of its reception.
Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'The Masks of Death', especially one with such a great idea with Sherlock Holmes in his twilight retirement years.
There are better Sherlock Holmes-related films/adaptations certainly than 'The Masks of Death', the best of the Jeremy Brett adaptations and films of Basil Rathone fit under this category. It's also not among the very worst, although one of the lesser ones overall, being much better than any of the Matt Frewer films (particularly 'The Sign of Four') and also much better than the abominable Peter Cook 'The Hound of the Baskervilles'.
By all means, 'The Masks of Death' is not without imperfections. The story is not always focused, with a few too many abrupt shifts and characters coming and going. Some of the pace could have been tighter.
Ray Milland to me also seemed ill at ease and out of place, ill health showing and not gelling with the period.
However, 'The Masks of Death' looks handsome in period detail and is filmed nicely if not lavishly. Roy Ward Baker's direction gets the best out of the cast and keeps the mystery interesting, while the writing is intelligent, literate and probes though.
While not perfect in execution, the story is intriguing with a quiet nostalgia and subtle tension. Most of the pacing is swift. The ending is chilling.
Peter Cushing is an excellent Holmes and shares a charming chemistry with John Mills' equally good Watson. A legendary literary partnership done justice. Anne Baxter's Irene Adler beguiles. Cast is fine on the whole, with the only reservation being Milland.
Overall, well done. 7/10 Bethany Cox
Furthermore, interest in seeing early films based on Conan Doyle's Sherlock Holmes stories and wanting to see as many adaptations of any Sherlock Holmes stories as possible sparked my interest in seeing 'The Masks of Death', especially one with such a great idea with Sherlock Holmes in his twilight retirement years.
There are better Sherlock Holmes-related films/adaptations certainly than 'The Masks of Death', the best of the Jeremy Brett adaptations and films of Basil Rathone fit under this category. It's also not among the very worst, although one of the lesser ones overall, being much better than any of the Matt Frewer films (particularly 'The Sign of Four') and also much better than the abominable Peter Cook 'The Hound of the Baskervilles'.
By all means, 'The Masks of Death' is not without imperfections. The story is not always focused, with a few too many abrupt shifts and characters coming and going. Some of the pace could have been tighter.
Ray Milland to me also seemed ill at ease and out of place, ill health showing and not gelling with the period.
However, 'The Masks of Death' looks handsome in period detail and is filmed nicely if not lavishly. Roy Ward Baker's direction gets the best out of the cast and keeps the mystery interesting, while the writing is intelligent, literate and probes though.
While not perfect in execution, the story is intriguing with a quiet nostalgia and subtle tension. Most of the pacing is swift. The ending is chilling.
Peter Cushing is an excellent Holmes and shares a charming chemistry with John Mills' equally good Watson. A legendary literary partnership done justice. Anne Baxter's Irene Adler beguiles. Cast is fine on the whole, with the only reservation being Milland.
Overall, well done. 7/10 Bethany Cox
The story is a little on the thin side, if decidedly chilling at the climax. But the pleasure of watching a first-rate assortment of mature actors go through their paces makes this a show worth watching again and again. Peter Cushing's Holmes is severe, ascetic and all business, John Mills' Watson cheerful and worth having in a tight spot, and Anne Baxter's Irene Adler a genuinely charming and intelligent lady.
'The Masks of Death' was Peter Cushing's swansong as Sherlock Holmes, a character he had played opposite Andre Morell in a Hammer 'Hound of the Baskervilles' and then in a television series for the BBC opposite Nigel Stock.
Here his Watson is an elderly John Mills, and the two make a charming pair presenting Holmes in his later life as a beekeeper who is tempted out of retirement to help an old friend, policeman McGregor (Gordon Jackson). It soon becomes apparent that more urgent matters require the intervention of the great detective when the Home Secretary (Ray Milland) comes to call with a foreign dignitary (Anton Diffring). And to complicate things, still further, The Woman has returned to London (Irene Adler of course, played by Anne Baxter).
As a plot goes, 'The Masks of Death' is rather pedestrian and not that involving. But with a cast like this, who can complain? Cushing is more crotchety than he had been in his previous outings in the role, but Mills proves a fine foil - his Watson is definitely the army man, a man of action. Baxter is luminous, and even when the solution is staring us in the face there's still enough going on in the interplay between the actors to keep us interested.
Here his Watson is an elderly John Mills, and the two make a charming pair presenting Holmes in his later life as a beekeeper who is tempted out of retirement to help an old friend, policeman McGregor (Gordon Jackson). It soon becomes apparent that more urgent matters require the intervention of the great detective when the Home Secretary (Ray Milland) comes to call with a foreign dignitary (Anton Diffring). And to complicate things, still further, The Woman has returned to London (Irene Adler of course, played by Anne Baxter).
As a plot goes, 'The Masks of Death' is rather pedestrian and not that involving. But with a cast like this, who can complain? Cushing is more crotchety than he had been in his previous outings in the role, but Mills proves a fine foil - his Watson is definitely the army man, a man of action. Baxter is luminous, and even when the solution is staring us in the face there's still enough going on in the interplay between the actors to keep us interested.
Above all else, this TV movie was most welcome for giving Peter Cushing a chance to end his acting career on a high note and in one of his most celebrated roles (he appeared in one more film after this one but this was to be the last lead role of his long career). He'd first played Sherlock Holmes twenty-five years previously in a Hammer movie, and then in a 1968 BBC television series. Here, he revisits the character in a later stage of life and, accordingly, this time his rendition of the great detective is less agile and prone to moments of impatience and tetchiness. Cushing is just one of a number of senior actors in the cast, many of them sadly fast-approaching the end of their careers... Anne Baxter, Gordon Jackson, Anton Diffring... Ray Milland also sadly was not in great health at the time and it shows. Nevertheless, all give very good performances as one would expect from such distinguished names. The piece is nicely filmed with good location work and the music is okay too but unfortunately everything is let down by the plot. Much of the narrative involves Holmes and Watson investigating a supposed kidnapping which ultimately proves to be nothing more than a red-herring, conceived to keep Holmes distracted from another more important matter. One can't help wondering if it would have been easier for the villains to have simply assassinated Holmes if they were so worried about him bringing them to justice. And once this duplicity is discovered, the characters involved just vanish from the action and the story suddenly shifts to a climax that is, in itself rather unsatisfying. Why do Holmes and Watson, two ageing men, risk their lives in flushing the villains out of their lair when the police apparently have the whole place surrounded anyway?
It was a nice idea to see a more elderly Holmes in action for once and even better to have Peter Cushing playing him once again, and it's a shame that plans for a proposed follow-up never came to fruition, because a better story might have worked wonders. A good attempt that just doesnt quite come off.
It was a nice idea to see a more elderly Holmes in action for once and even better to have Peter Cushing playing him once again, and it's a shame that plans for a proposed follow-up never came to fruition, because a better story might have worked wonders. A good attempt that just doesnt quite come off.
One of the main reasons for purchasing this movie on VHS was because Peter Cushing is in it, who makes a good Sherlock Holmes.
Sherlock Holmes comes out of retirement to investigate some strange murders in London's sewers. He teams up with Dr Watson once again. The the case takes them to Buckinghamshire. They end up back in London and down the sewers again, they discover a lab where poison gas is being made and these people are responsible for the murders and are arrested.
This movie is worth having just for the cast alone, many of them ageing: Peter Cushing (The Curse Of Frankenstein, Star Wars), Sir John Mills (Scott of the Antarctic, Tiger Bay), Ray Milland (The Man With X-Ray Eyes), Anton Diffring (Circus of Horrors, The Beast Must Die), Gordon Jackson (The Great Escape, The Ipcress File), Anne Baxter (I Confess) and Susan Penhaligon (The Land That Time Forgot). All play good parts. Of these people, only Sir John Mills and Susan Penhaligon are still alive today.
I enjoyed this movie ans is worth looking at.
Rating: 3 stars out of 5.
Sherlock Holmes comes out of retirement to investigate some strange murders in London's sewers. He teams up with Dr Watson once again. The the case takes them to Buckinghamshire. They end up back in London and down the sewers again, they discover a lab where poison gas is being made and these people are responsible for the murders and are arrested.
This movie is worth having just for the cast alone, many of them ageing: Peter Cushing (The Curse Of Frankenstein, Star Wars), Sir John Mills (Scott of the Antarctic, Tiger Bay), Ray Milland (The Man With X-Ray Eyes), Anton Diffring (Circus of Horrors, The Beast Must Die), Gordon Jackson (The Great Escape, The Ipcress File), Anne Baxter (I Confess) and Susan Penhaligon (The Land That Time Forgot). All play good parts. Of these people, only Sir John Mills and Susan Penhaligon are still alive today.
I enjoyed this movie ans is worth looking at.
Rating: 3 stars out of 5.
Le saviez-vous
- AnecdotesThis was Peter Cushing's final television appearance before his death on August 11, 1994 at the age of 81.
- Citations
Dr. John H. Watson: No sane man wants war.
Sherlock Holmes: That is the trouble, Watson. There are otherwise sane men who do want war.
- ConnexionsReferenced in The Nostalgia Critic: The Great Mouse Detective (2023)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Sherlock Holmes and the Masks of Death
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 18min(78 min)
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant