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5,1/10
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Un scientifique et son assistant s'enfoncent dans les entrailles de la Terre à l'aide de leur foreuse appelée « La Taupe ». Là, ils découvrent la cité de Pellucidar, dominée par les Mahars, ... Tout lireUn scientifique et son assistant s'enfoncent dans les entrailles de la Terre à l'aide de leur foreuse appelée « La Taupe ». Là, ils découvrent la cité de Pellucidar, dominée par les Mahars, de gigantesques reptiles volants télépathiques.Un scientifique et son assistant s'enfoncent dans les entrailles de la Terre à l'aide de leur foreuse appelée « La Taupe ». Là, ils découvrent la cité de Pellucidar, dominée par les Mahars, de gigantesques reptiles volants télépathiques.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
5w00f
Make no mistake, this is a very silly movie. Peter Cushing knew it; he gives one of his most over-the-top, ham it up performances.
Generally speaking, this movie has awful production values. Flying rubber pterodactyl creatures ruling the underworld. Piggish humanoid servants of said pterodactyls. A vapid, vacant-eyed Caroline Munro. An oh-so-macho leading man who, when you really look at him, doesn't look all that tough.
Still, At the Earth's Core has a charming innocence about it that gives it a bit of appeal. Best viewed by 10 year old boys on rainy Saturday afternoons, it's all in good fun.
Generally speaking, this movie has awful production values. Flying rubber pterodactyl creatures ruling the underworld. Piggish humanoid servants of said pterodactyls. A vapid, vacant-eyed Caroline Munro. An oh-so-macho leading man who, when you really look at him, doesn't look all that tough.
Still, At the Earth's Core has a charming innocence about it that gives it a bit of appeal. Best viewed by 10 year old boys on rainy Saturday afternoons, it's all in good fun.
Hi! I'm Doug McClure. You may remember me from such other cheesy adaptations of Edgar Rice Burroughs works as, The Land that Time Forgot and The People that Time Forgot.
This movie is hysterical. Even allowing when it was made, the monsters are just bad, bad, bad, bad, bad! All rubber suited things with people inside. There's even a fire-breathing beastie, but don't look at it's mouth too close or you'll see the flame-thrower nozzle poking out. Couple that with Peter Cushing's wonderfully useless "old professor" routine and Doug's stoic hero performance and you'll laugh the whole way through. Carolyn Monroe plays Dougies love interest, though I did wonder where she got cosmetics from, living deep in the Earth. Perhaps the Avon lady calls there.
The flying monsters at the end are particularly silly. They have all the aerodynamic properties (and believability) of a concrete block. Just a bunch of fat blokes in rubber suits. All they do is sit on a ledge and hypnotise people. It's only when that fails, or it's feeding time, that they "swoop" down to attack. And when I say swoop, I mean someone prods the rubber thingy in the back and it swings down on a cable.
Total B-Movie delight. Watch it and be amused. Be very amused.
This movie is hysterical. Even allowing when it was made, the monsters are just bad, bad, bad, bad, bad! All rubber suited things with people inside. There's even a fire-breathing beastie, but don't look at it's mouth too close or you'll see the flame-thrower nozzle poking out. Couple that with Peter Cushing's wonderfully useless "old professor" routine and Doug's stoic hero performance and you'll laugh the whole way through. Carolyn Monroe plays Dougies love interest, though I did wonder where she got cosmetics from, living deep in the Earth. Perhaps the Avon lady calls there.
The flying monsters at the end are particularly silly. They have all the aerodynamic properties (and believability) of a concrete block. Just a bunch of fat blokes in rubber suits. All they do is sit on a ledge and hypnotise people. It's only when that fails, or it's feeding time, that they "swoop" down to attack. And when I say swoop, I mean someone prods the rubber thingy in the back and it swings down on a cable.
Total B-Movie delight. Watch it and be amused. Be very amused.
Man, what isn't there to like about this movie? Sure the SFX are kinda low-budget and some of the actors sort of ham it up, but imagine if this film was made today with CG and bland actors whom take everything seriously, it just would not be the same movie.
The movie follows, well, two scientists whom drill beneath the Earth's core, run into bizarre monsters (whom looked like they were kicked out of Daiei's Gamera films BTW), become slaves, and explore the strange world and so on. I don't remember the novel very well, but I sure know that this movie is one of those "so cheesy and wild, it's hard to forget" type of movies.
BTW, check out the part with Jubal the Ugly one! PRICELESS!
The movie follows, well, two scientists whom drill beneath the Earth's core, run into bizarre monsters (whom looked like they were kicked out of Daiei's Gamera films BTW), become slaves, and explore the strange world and so on. I don't remember the novel very well, but I sure know that this movie is one of those "so cheesy and wild, it's hard to forget" type of movies.
BTW, check out the part with Jubal the Ugly one! PRICELESS!
This film begins with a wonderful piece of music and an excellently tense and edge-of-seat sequence in which Victorian scientists (played by Doug McClure and Peter Cushing) drill into the depths of the earth in their 'Iron Mole'. You truly believe you're going to see a great film to rival 'The Land That Time Forgot'. But then the two companions arrive in the underground world and encounter their first monster, which is quite obviously a man in an outfit which looks like a dinosaur with a parrot's face. From here it's downhill all the way as the intrepid scientists encounter ovens with tentacles on strings, fire-breathing critters with clearly visible flame-thrower nozzles and pterodactyl-people who, when they fall down, explode for no apparent reason. It's a shame the special-effects are so awful, as the storyline is quite interesting with some good situations and the music is excellently atmospheric. But what we have here is a good script let down by poor execution. All I can say in this film's favor is it's watchably bad. But I'd have been a lot happier if it was watchably good.
Dr. Abner Perry (Peter Cushing) is a Victorian era scientist who is about to take his revolutionary vehicle, capable of boring through the Earth, on its maiden voyage. Accompanying him is former student turned businessman David Innes (Doug McClure). The vehicle is more powerful than they thought, and they end up deep inside the Earths' core. Here they encounter a nonstop assortment of monsters, a kingdom named Pellucidar, a tribe of primitive people, and their subhuman captors / tormentors, who pray to dinosaur gods.
Now how can you resist any hokum featuring those elements? Produced by Amicus, and scripted by Milton Subotsky (based on the novel by Edgar Rice Burroughs), this is decently executed by director Kevin Connor, who was a real go-to filmmaker for this kind of fantasy material in the 1970s. McClure is a jut jawed hero, and Cushing seems to be relishing a rare opportunity to ham it up. His performance may not be one of his most accomplished, but it's certainly a fun one. Caroline Munro is *extremely* alluring as cave girl Dia. Also performing this amiable nonsense with straight faces are Cy Grant as the helpful Ra, Godfrey James as the stolid Ghak, and Sean Lynch as the devious Hoojah (just to be sure we get the point, Hoojah is nicknamed "The Sly One").
The movie begins in grand style, with some striking opening titles and a beautiful, rousing piece of music. It promises a solid diversion, and that's what it delivers. The understandable criticisms often leveled at the production are its obvious budget issues, and rubber monsters. But these monsters are just so damn amusing, especially the exploding fire breathing frog. All of this is done in an agreeable tradition of the Saturday matinée feature. The sets and the visuals are reasonably impressive, and Connor keeps things moving along nicely (the movie hits the ground running), and building to an exciting and destructive finale.
"At the Earth's Core" does put a goofy smile on *this* viewers' face.
Seven out of 10.
Now how can you resist any hokum featuring those elements? Produced by Amicus, and scripted by Milton Subotsky (based on the novel by Edgar Rice Burroughs), this is decently executed by director Kevin Connor, who was a real go-to filmmaker for this kind of fantasy material in the 1970s. McClure is a jut jawed hero, and Cushing seems to be relishing a rare opportunity to ham it up. His performance may not be one of his most accomplished, but it's certainly a fun one. Caroline Munro is *extremely* alluring as cave girl Dia. Also performing this amiable nonsense with straight faces are Cy Grant as the helpful Ra, Godfrey James as the stolid Ghak, and Sean Lynch as the devious Hoojah (just to be sure we get the point, Hoojah is nicknamed "The Sly One").
The movie begins in grand style, with some striking opening titles and a beautiful, rousing piece of music. It promises a solid diversion, and that's what it delivers. The understandable criticisms often leveled at the production are its obvious budget issues, and rubber monsters. But these monsters are just so damn amusing, especially the exploding fire breathing frog. All of this is done in an agreeable tradition of the Saturday matinée feature. The sets and the visuals are reasonably impressive, and Connor keeps things moving along nicely (the movie hits the ground running), and building to an exciting and destructive finale.
"At the Earth's Core" does put a goofy smile on *this* viewers' face.
Seven out of 10.
Le saviez-vous
- AnecdotesActor/stuntman Bobby Parr lost a finger during a fight sequence with Doug McClure that went wrong.
- GaffesThe guards in front of the White House are dressed in British police uniforms.
- Citations
Dr. Abner Perry: You cannot mesmerise me! I'm British!
- ConnexionsFeatured in Troldspejlet: Épisode #1.12 (1989)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- At the Earth's Core
- Lieux de tournage
- Pinewood Studios, Iver Heath, Buckinghamshire, Angleterre, Royaume-Uni(studio: made at Pinewood Studios, London, England)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 500 000 $US (estimé)
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By what name was Centre Terre : 7ᵉ Continent (1976) officially released in India in English?
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