Cash-cash

I first saw this at a Drive-In. It made me laugh so hard that I fell to the floor. As a 6'3" driver, slipping beneath the steering wheel, this was no minor accomplishmen (nor was disentangling myself and escaping so i could sit up again). I felt the movie delivered one pleasant surprise after another, presenting unpredictable and hilarious situations. The pace seemed to start deliberately slow so that it could steadily build. What some considered uneven pacing stuck me as a gift that allowed me to occasionally catch my breath. Now, if it would only be released on DVD!

Richard Lester is one of the great comedy directors, but amidst the brilliance there was always this sloppy, cheap-feeling shlockiness peeking out from underneath, balanced out because it was still often funny.

Finders Keepers magnifies Lester's worst tendencies without the counterbalancing humor. Not only isn't the movie funny, but often I couldn't figure out why the movie expected us to find it funny. The movie seems to think Beverly D'Angelo calling everyone she meets by a slur for gay people funny, but even if you don't apply modern social norms to an ancient movie, it's just not funny.

I watched the first half hour, and then, since some people claim it gets better towards the end, I watched the last 20 minutes. It's basically a bad 80s comedy with forced silliness (an angry mob of roller derby women) and unconvincing sex (woman pulls a gun on the protagonist then takes a bath with him).

Richard Lester made a lot of terrific movies. This wasn't one of them.

Despite a fairly well-known cast, this one never made too many waves. I recommend you give it a try, however, in the interest of having a very good time. Even more mistaken identities, boomeranging cons, and wild coincidences that you ever thought you'd see punctuate this slambang farce, but the tone is so wifty and lighthearted you never lose faith. Great lead performances by O'Keefe, Gossett, and D'Angelo are teamed with great supporting performances by Dennehy, Lauter, and an early one by Jim Carrey. The funniest one of all, however, is David Wayne as the oldest conductor in America. Do yourself a favor and see this.

Richard Lester is an American-born director who was a quiet architect of a certain type of English screen comedy, working on early TV experiments with members of radio's "Goon Show" (Peter Sellers and Spike Milligan), then the first couple of Beatles movies, then some movie stuff which parallelled the surreal comedy of the TV Monty Python, inc "The Bed-Sitting Room" (from a play co-written by Milligan) and "How I Won The War". This is a nice little film which has some of the gagsmanship of his old stuff, and kind of a "What's Up Doc" type plotline, with money from a heist, plenty of screwball characters, and general old-fashioned movie farce confusion. Doesn't probably get the momentum it wants to, but it's low-key affable loopyness is pretty watchable. As the Maltin review suggests, in a pretty decent little comedy cast, the David Wayne turn as the antique, shambolic train conductor is the real highlight, with laughs pretty much every time he turns up. In Lester's career, it's not a "Hard Day's Night", "Three Musketeers", "Cuba", or even "Juggernaut", but it's different and enjoyable enough on its own terms for comedy movie addicts to take a look.

I saw this movie on HBO in 1985, taped it and watched it again and again over the years. It's a wonderful screwball comedy, and Michael O'Keefe is great as the con man character who's trying to pass himself off as a soldier taking his dead buddy's casket home for burial.

I would have thought it would have found its way to DVD long before this, even if only because it was Jim Carrey's first real movie role. His part is small -- only a couple of scenes -- but it was easy to see he was going to be a big comic star.

Other great actors in it were Beverly D'Angelo, Louis Gossett Jr, Ed Lauter and Brian Dennehy. And who could ever forget Dennehy's great line when he says the mother of the dead soldier is "prostate with grief?" It's also the only movie I can remember that used Don McLean's "American Pie" over the closing credits.

Please, let's get this out on DVD.