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IMDbPro

Doing Time on Maple Drive

  • Téléfilm
  • 1992
  • 1h 32min
NOTE IMDb
7,0/10
2,5 k
MA NOTE
Jim Carrey, William McNamara, and Lori Loughlin in Doing Time on Maple Drive (1992)
Drame

Ajouter une intrigue dans votre langueA young college student, his family's "golden child," brings his fiancee home to meet them.A young college student, his family's "golden child," brings his fiancee home to meet them.A young college student, his family's "golden child," brings his fiancee home to meet them.

  • Réalisation
    • Ken Olin
  • Scénario
    • James Duff
  • Casting principal
    • James Sikking
    • Bibi Besch
    • William McNamara
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,5 k
    MA NOTE
    • Réalisation
      • Ken Olin
    • Scénario
      • James Duff
    • Casting principal
      • James Sikking
      • Bibi Besch
      • William McNamara
    • 55avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Primetime Emmys
      • 1 victoire et 3 nominations au total

    Photos27

    Voir l'affiche
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    + 21
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    Rôles principaux22

    Modifier
    James Sikking
    James Sikking
    • Phil Carter
    • (as James B. Sikking)
    Bibi Besch
    Bibi Besch
    • Lisa Carter
    William McNamara
    William McNamara
    • Matt Carter
    Jayne Brook
    Jayne Brook
    • Karen
    David Byron
    • Tom
    Lori Loughlin
    Lori Loughlin
    • Allison
    Jim Carrey
    Jim Carrey
    • Tim Carter
    Philip Linton
    Philip Linton
    • Andy
    Bennett Cale
    • Kyle
    Richard Israel
    Richard Israel
    • Student Actor
    Mark Chaet
    Mark Chaet
    • Nick
    Janice Lynde
    Janice Lynde
    • Judy
    George Roth
    • Dr. Norman
    Parker Whitman
    • Gene
    Danielle Michonne
    • Cindy
    Toni Sawyer
    • Millie
    Bodhi Elfman
    Bodhi Elfman
    • Joe
    Mike Marikian
    • Kevin
    • Réalisation
      • Ken Olin
    • Scénario
      • James Duff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs55

    7,02.5K
    1
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    10

    Avis à la une

    dave_panepinto

    DToMD Coming to DVD

    Finally, this great TV movie is being released on DVD. Won't be out (pardon the pun) until September 7, 2004, same date as HBO's "Angels in America."

    I really liked this when it first aired. It hit home for me, as a gay man who contemplated suicide in my youth. Often a part of the process of accepting yourself, despite the hatred and violence inflicted on GLBT persons. A test, I suppose. Failing at that attempt is the only way to pass. Truth must prevail, even if others--including those people you hold dear--do not wish to hear it. As though listening yourself is ever that easy.

    Jim Carrey was amazing in this, and should have gotten him more serious roles. "Man in the Moon" was the closest to serious that he's done since this film. I hope he does more, since comedy can only take you so far. Oscars are won for dramas, typically.

    Dave
    khohen1

    Went in expecting one thing... coming out with so much more...

    Some major plot line details are mentioned... don't read any further if you haven't seen this and don't want to spoil the fun.

    Okay, I am one of the biggest Jim Carrey fanatics out there. The only reason I bought this movie (on eBay) was to see Jim Carrey in his "first dramatic role". It cost me $26!!! So, obviously, I went in only to see Jim. But then the title character came on, Matt, and I was like, hey, I know him... I like him. And then Laurie Laughlin (Becky from Full House, don't know how to spell her real name) came on, same reaction. And I also recognized the sister and the father. So I was like, hey, maybe it'll even be a good movie anyway.

    Well, let me tell you, Jim Carrey was secondary as of twenty minutes into the film. While I wished that Tim would have been a bigger part of the story, I was completely taken into the story of Matt and being gay. I think they tackled the pressures of being gay, and hiding secrets to a "too perfect to be true" family. I think there should have been three storylines...the back stories of the sister and of Tim's were way too big to be back stories... but the movie was already 94 minutes long and I don't think any scenes preexisting should have been taken out... I guess I just think it shoulda been three different movies... I don't know. Every single actor in this movie does a beautiful job. The storys are sympathy envoking and the characters are likable, exept for the mom and for the father until about ten til the end. And speaking of the end... it was too wrapped up for my taste. A little hasty about face for the Father to go through... but anyway, it was a TV movie right?

    I definately think this is right up there with Truman Show as far as Jim's acting goes... anyone who says my man can't act can't see. Thanksyou very much!!! ;)

    8/10
    10lgammaray2

    Jim Carrey At His Best

    One of the most incredibly honest family dramas I've ever seen. Exceptional writing and acting. Jim Carrey's (pre-fame) dramatic acting is his best to-date, in my opinion. This little film is underrated and should be aired more frequently, and at least released on video/dvd.
    Lechuguilla

    Wonderful Family Values

    At first, the characters in this family melodrama all seem so ordinary and well adjusted. The dad (James Sikking) is financially successful, competitive, and something of a perfectionist. Mom (Bibi Besch) is motherly and traditional. One son is getting married. The other son has just a slight fondness for alcohol. And the daughter and her husband have returned for a pleasant visit, and to attend the family wedding. Our ideal family lives in a two-story house with manicured lawn on Maple Drive. As in the 1950's sitcom "Leave It To Beaver", all is peaches and cream, comfy and cozy, a household that is the very archetype of American family values.

    But viewers are alerted to the shallowness of this overall image when the story's POV character tells another character: "See, he just has to be perfect. And if he isn't perfect, just keep it to yourself because I don't think anybody in this family wants to know". As secrets and anger surface, verbal conflict builds. And by the film's end, all these people are revealed to be complex, flawed, vulnerable, and hurting.

    "Doing Time On Maple Drive" gets off to a slow start. I think the script setup might be a tad too long. And the writers could have been a little clearer about who is related to whom. Other than that, the script is well written and highly thematic. With rich characterization, the story conveys a realistic view of contemporary America, with its penchant for shallow idealism that overlays deep social and psychological turmoil. Although the dialogue seems a bit dated, it nevertheless has some good subtext.

    Overall acting is quite impressive. I couldn't find any weak performances. It's nice to see Jim Carrey play a serious role; I wish he would do more drama. The film's color cinematography is adequate.

    I have two complaints. First, the score consists of dreary, nondescript elevator music; second, sets seem cheap. However, this is after all a made-for-TV movie; visual breaks show where the commercials were inserted. And I can imagine that the budget here was fairly low.

    But the film's strength is its script. "Doing Time On Maple Drive" is a poignant story that has genuine thematic depth. For what director Ken Olin set out to do, I think he succeeded quite well. Although there have been more recent films dealing with the same general topic, the high quality of this film makes it worth watching.
    8edwagreen

    No Sweet Sugar on Doing Time on Maple Drive ***1/2

    Who knew or remembered that Jim Carrey could be dramatic? He offers a genuine deep performance as a troubled youth, bright, but a high school drop-out who is unbearably harassed by his holier than thou parents, especially a father who is a perfectionist in every sense of the word.

    Ironically, the Carrey character soon takes a back seat to a brother, a closet homosexual, who breaks off with his fiancé, and a married sister, ready to abort her pregnancy because the father always believes in being financially prepared before starting a family.

    James Sikking and Bibi Besch are first rate as the parents out of the 1940s and 1950s who are living the 1990s as if that period never existed.

    This is a very well done film worth watching.

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    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Features an early, dramatic role by Jim Carrey.
    • Citations

      Tom: How does it feel, Captain?

      Phil Carter: What?

      Tom: How does it feel to almost lose your child? How bad does it feel?

      Karen: Tom...

      Phil Carter: I don't know what gotten into you, Tom, but I don't think this is none of your concern.

      Tom: I'm sorry, Phil, I'm 32 years old and you don't get to decide what concerns me. See, your standard of conduct might be the sufficient reason to lose your child, but I have to draw the line when it comes to losing mine.

      Phil Carter: What children? You don't have any children.

      Tom: No, I don't. I don't have any children. I don't have children, because my wife would rather have an abortion without telling me--without even telling me that she's pregnant--rather than risk upsetting you by having a baby at the wrong time. You have a son who drinks himself into a stupor every night...

      Tim Carter: [embarrassed by this] Oh, God, Tom!

      Tom: ...you've got a daughter who's ashamed of her husband...

      Karen: [cuts him desperately] I am not ashamed!

      Tom: [annoyed] Who's ashamed of her husband--you're ashamed of me, Karen--and you've got another son who almost killed himself rather than tell you he's not what you think he is. And I'm not prepared to be a parent? Because I can't afford it? It's about money?

      Phil Carter: Tom, we're not going to talk about this now.

      Tom: No? When are we going to talk about it? When someone actually dies? Would that be better? What's the military term for it? "Acceptable losses", isn't it? Well these are not acceptable losses. I can't accept them.

      Tom: [shakes his head in shame and leaves]

      Tom: I can't!

    • Connexions
      Featured in The 44th Annual Primetime Emmy Awards (1992)

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    Détails

    Modifier
    • Date de sortie
      • 16 mars 1992 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Faces in the Mirror
    • Société de production
      • FNM Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 32min(92 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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