La diagonale du fou

A well filmed movie of the tense contest for the World Championship between Soviet player Akiva Liebeskind (undoubtedly modeled after International Grandmaster Akiba Rubenstein, a magnificent master of the endgame, originally a rabbinical student in Poland who never quite made it to the World Championship level and declined into mental illness), and Liebeskind's challenger, Grandmaster Pavius Fromm (almost certainly named after "From" of the From's Gambit in chess). Fromm, a Lithuanian political exile from behind the Iron Curtain, is an arrogant dislikeable pawn of the Soviets who have kept his wife prisoner. Virtually unrecognizable are their wives, the once lovely Leslie Caron and Swedish star Liv Ullman who have little more than bit parts.

Personally, as a chessplayer who has been struggling to find the secret of chess for almost 30 years, it was made clear that Grandmasters of chess see farther than us ordinary mortals when Liebeskind analyzes his strategy to win the next game with the final coup by moving a Rook to the square G10! (The chessboard has only 8x8 squares.) Many incidents from the real history of chess are keyed into the script. When analyzing a game with his team, he objects to a player putting a cigarette to his mouth. "But it is not lit!" his friend replies. "Yes," says Liebeskind, "but it is well known that in chess the threat is greater than the execution". A quote right from Emmanuel Lasker, World Champion for 27 years. And this actualy occurred in a top level chess match when a player put an unlit cigar in his mouth, and his opponent protested.

When each player's team brings in a parapsychologist to stare down or even hypnotize his the opponent, there are vigorous protests. Exactly what happened in a match in Baguio City, the Phillipines when World Champion Anatoly Karpov's team brought parapsychologist Dr. Zharkov from Moscow to stare down the challenger, dissident and escapee from the Soviet Union, Viktor Korchnoi. (Korchnoi lost the match.)

In the end, I found the script of this move poorly written, disappointing in the ending, well acted and portraying the world of chess and a World Championship contest reasonably well. One jarring note was the large number and rows of empty seats in the auditorium where the World Championship was being played. In the real world, every seat would have been taken and overflow audiences would have been in auxiliary rooms watching on TV with commentary from other GM's unheard by the players. Did the producers just try to save a few pennies but not hiring enough extras to fill the seats? Hard to understand when clearly this was an expensive and lavish film portrayal of a World Chess Championship.

Almost a good movie. As a long time chessplayer, I am glad I watched it. I cannot recommend it as worthwhile for general audiences.

Hey, I'm sure there's a way to make chess somewhat exciting in a movie, but this approach ain't it.

Dangerous Moves won an Oscar for best foreign film and has an impressive cast, but it was strangely kind of a bore to watch; even enough to feel like it was a bit of a challenge to finish. There's two people who are rivals and they play chess and there are good actors and they are kind of wasted. That's all there is and now I'm sleepy.

I guess there's a level of basic competency on offer in Dangerous Moves, but that's not enough to make it good, or even passable. It's more of a Dangerous Snooze, really.

Disputing the world title of chess, sit down in chairs opposite two soviets. However, none of the two is Russian: one of them, the champion, is Jewish. The other, the challenger, is a Lithuanian, political exile that is refugee in another country. This game will be a mirror of the Cold War: each movement is dangerous, each play is strategically important. Who is the best? The communist Jew, obedient to the Soviet state, or the Lithuanian traitor, enemy of the proletarian revolution? A beautiful end, where the game in itself has, for both, a larger importance than the world title and they consequences. A good film, with reasonable tension, great representative of the rare Swiss movies.

I saw this film when it came out in 1984, and since then, have been unable to forget it. I have been looking for it everywhere, from shops to the Internet without success. It seemed to have disappeared from the surface of the Earth. Finally, ARTE, a French/German TV channel, decided to broadcast it two months ago...and of course, I recorded it. It is based around a very simple storyline. A chess match. The two main players in the world. Both russians. Two generations fighting against each other, and also two visions of the world. The oldest generation who stayed and endured the last 50 years of Russian history. The younger one who left, but not unscathed. For them, only one thing matters : Chess, but for the outside world, and their entourage, many other things come into account: propaganda, money etc... From the actors to the plot, I cannot find any default with it. It is soberly and superbly played by Michel Piccoli (it is probably the only film where I really liked him) and the whole cast is a marvel. To be seen absolutely !!!

Or not?"La diagonale du fou " was extremely well received at the time of issue -it won the prestigious "prix Louis Delluc" and AA- . With hindsight,it's now difficult to understand what the enthusiasm was all about.Heavily symbolic,the movie had high pretensions :the cold war on a chessboard.I must admit that for someone like me who cannot play chess at all,it's pretty tedious.But the biggest bomb is the female parts:what's the point of casting two legendary actresses (Leslie Caron,star of Minelli's musicals " an American in Paris" and "Gigi"and Walters' "Lili",and Bergmanian Liv Ullmann) and giving the first one barely five or six lines ,and the Swedish thespian a fifteen-minute walk -on part?