L'as de coeur

NASCAR driver Burt Reynolds signs a contract with Ned Beatty to drive his car and hates it. He also courts nice girl Loni Anderson and has an on-track rivalry with Parker Stevenson.

Burt Reynolds was a fine actor, but you'd never know it from his career choices. He passed on the Jack Nicholson role in TERMS OF ENDEARMENT because he had a handshake agreement with director Hal Needham to make this; it seems it didn't occur to him to ask Needham to wait. Instead he made this lazy movie, with no dramatic tension and no energy in the comedy bits. It looks like Needham assembled all his friends, made a movie, and cut in some race-track sequences, with no one putting in much effort to learn their lines. If you want to see Reynolds in a chicken suit, or Loni Anderson lying on a bed in her clothes, her eyes shut, and looking like a Barbie doll, this is the movie for you. Not for me.

When Bewitched was running on television half of the plots involved Darrin's job where he and Larry Tate every week contended with yet another egotistical company president. The plot of Stroker Ace hearkens back to those days of Bewitched and it has Burt Reynolds as a NASCAR driver doing everything possible to get out from under a contract with a sponsor who's a blithering idiot.

Although Burt certainly gets in his innings in Stroker Ace, especially seeing him in a chicken suit and driving his car in a race in one, the best one in Stroker Ace by far is Ned Beatty. Beatty got an Academy Award nomination for playing the all powerful, malevolent media mogul in Network. Here he takes the same character and plays it for laughs and he's absolutely hysterical. Beatty owns a fried chicken company and he could easily have been one of McMahon&Tate's clients from Bewitched.

If outrageous overacting lead by Ned Beatty isn't reason enough to watch Stroker Ace, than certainly the curvaceous Loni Anderson should do. Loni is giving out with her best Marilyn Monroe imitation as Beatty's advertising person who thinks that what Beatty is asking of Reynolds is tasteless and stupid. Of course she falls for Burt on the screen and in real life.

I'm not a NASCAR fan, but I don't think you have to be to watch Stroker Ace and enjoy it. I have however become a fan of the Professional Bull Riders in recent years and they have their sponsors set up in a similar fashion as does NASCAR for its various drivers. I don't think the PBR has any sponsors as outrageous as Ned Beatty. If this film was about the PBR I can just see Beatty insisting to Guilherme Marchi that he ride a bull in a chicken suit or something equally bizarre.

The film got bad reviews and I can't see why. It's not sophisticated comedy to be sure, but it's not all that bad. And Ned Beatty alone is worth seeing and appreciating Stroker Ace.

Stroker Ace,a film directed by Hal Needham (the same director of such souped-up hits,like Smokey and The Bandit and Hooper),is a real surprise for the audience!it offers a lot of fun and laughs,all of this accomplished by dangerous and incredible scenes of action,which make Speed look like a boring movie!the character was made for Burt Reynolds,and combines with his own personality and way of interpretation!it's a nice movie,that everybody should discover,specially because it symbolizes a time when what really counted in the box-offices was the protagonist's charisma,and not stupid special effects!good times,when Burt was the best...and this time is going to be back!

Burt Reynolds goes through the motions as an absurdly-named stock car driver in this dull, deeply unfunny 'comedy' directed by long-time buddy Hal Needham. Nonsensical plot concerns Reynold's efforts to get out of a sponsorship contract (what, he doesn't want to be on a competitive team?) while trying to woo Loni Anderson's PR flack/Sunday school teacher, over the course of a seemingly endless racing season.

Big hair, cornpone accents and superficial performances abound, with particularly annoying turns from Jim Nabors (as Reynolds' crew chief) and Ned Beatty (as a fried chicken magnate). Only potential points of interest are the period racing scenes (including some of the top NASCAR drivers), and the vast cleavage displayed in the few female roles: Anderson, Cassandra "Elvira" Peterson, Debbie Casperson and the legendary Linda Vaughn.

Normally I find myself defending Burt Reynolds' supposed lesser works but in this case I have to agree with the majority that this one's the pits. I want to like it much like I love the Cannonball Run and Smokey movies but this just isn't very funny. Jim Nabors has no comedic chemistry with Burt. Every line he utters I'm kind of annoyed. He actually makes me miss Dom Deluise which I never thought I'd say. Loni Anderson looks nice but brings nothing else to the table. I enjoyed her on WKRP so I know she's capable of better with a decent script. Ned Beatty is doing his best Charles Durning and failing miserably. As for Burt he's sleepwalking through this role, which he reportedly only took as a favor to director and friend Hal Needham. If true that he turned down Terms of Endearment for this then wow George Raft is no longer the actor with the worst decision-making skills in Hollywood history. If you like Burt's other 80s comedies then give it a shot but be warned it's not as much fun.