Un ancien tueur à gages de la CIA qui fuit son passé découvre à quel point il est difficile de prendre sa retraite lorsqu'il tombe sur une petite ville contrôlée par des mercenaires et sur u... Tout lireUn ancien tueur à gages de la CIA qui fuit son passé découvre à quel point il est difficile de prendre sa retraite lorsqu'il tombe sur une petite ville contrôlée par des mercenaires et sur une famille qui résiste à leur emprise.Un ancien tueur à gages de la CIA qui fuit son passé découvre à quel point il est difficile de prendre sa retraite lorsqu'il tombe sur une petite ville contrôlée par des mercenaires et sur une famille qui résiste à leur emprise.
- Réalisation
- Scénario
- Casting principal
- Dr. Florian
- (as Don Mackay)
- Eli
- (as Tom Herton)
Avis à la une
Still what stood out to me just how closely it followed Clint Eastwood's formula in the 1985 western "Pale Rider", especially the connection the between the young impressionable girl (the delightful Cynthia Gibb) and the ex-CIA hit-man drifter who unwillingly gets caught up a small town drama. That was a western, but here it takes a modern-day approach but the western vibe of a mysterious stranger coming into town lingers heavily. Someone escaping their past, trying to get by to only find themselves bringing unwanted attention. The script is rather slapdash and some story arches are questionable (main character's ability to heal), contrived and incredibly silly. Like that of Hutton's assassin, in what feels like nothing more than to push the plot along and add motivation.
Malone was a CIA hit-man who suddenly calls it quits despite the disapproval of his bosses. This leads him to hitting the road to escape his past, but he finds himself stranded in a small town when his car breaks down. For the time being he stays with the mechanic and his daughter until its repaired, but its not a peaceful stay as he comes to blows with a pitiless land developer with very ambitious political interest in seeing America weed out its traitors.
For most part "Malone" is predictable, stoic and casually paced with quick bursts of brutal, heated violence. However this all changes when it becomes personal for Reynold's hit-man, as the crackerjack climatic showdown feels like something out of a comic book James Bond outing. Nonetheless some scenes do pack a punch and the striking sequence of Reynold's coming out of the shadows to confront Cliff Robertson's callously patriotic bad-guy is a marvellous touch. You gotta love his paranoid ramblings and the extreme lengths he goes to. Robertson nails down the puppeteer character with great intent, despite a certain hammy glee to his grandeur viper illustration. There's some good support from the likes of Scott Wilson, Lauren Hutton, Kenneth McMillan, Alex Diakun, Phillip Anglim, Dennis Burkley and character actor Tracy Walter who has a very memorable encounter with the title character.
Director Harley Cokeliss' plain direction is sturdy without showing much style, despite his use of slow-motion and capturing shots of an attractive valley backdrop.
Going back to serious roots, Reynold's "Malone" is sober, tough and mindless action.
"Are you so important?"
In the film there is action , exciting pursuits , shootouts , thrills , suspense and a little bit of violence . From the beginning to finish the noisy action-packed and fast-moving are continued and that's why it results to be entertaining . The great climax of the film is the final confrontation between the starring and the enemies that's stimulating and moving . The story is an adaptation from the novel "Shotgun," by William Wingate and script by Christopher Frank .Film attempts hard but doesn't succeed in being believable. Burt Reynolds acting is wooden but likeable , as being habitual in his roles as a merciless revenger . As he plays a burnt-out agent with secret missions stumbles into a real state swindle/murder plot in Oregon and sets out to stop it . This picture represents one of a handful of films starring Burt Reynolds playing tough and brave agents or cops or avengers in which he exacts his assignments by violent and expeditive ways , such as Rent-a-Cop, Sharky's Machine , Stick ,White Lightning , Fuzz , Gator , Hustle , Shark , among others . Reynolds is well accompanied by a good cast such as : Clift Robertson as a right-wing extremist plotting a secret revolution , a young Cynthia Gibb , Scott Wilson as her good father , Kenneth McMillan as a corrupt sheriff , Lauren Hutton , Philip Anglim , Tracey Walter , Dennis Burkley , Duncan Fraser , and Dennis Burkley.
It contains an enjoyable and moving musical score by David Newman. As well as colorful and adequate Cinematography by Gerald Hirschfeld . The motion picture was professionally directed by Harley Cokeliss . This filmmaker is a good artisan directing some decent films such as : Paris Connections , An Angel for May , Warlords of the 21st Century , Dream Demon , That Summer , , Black Moon , The Battle of Billy's Pond and making episodes of popular series, such as : Dark Knight , The Immortal , Xena and Hercules. Rating : 6.10 . Good , acceptable and passable movie. The pic will appeal to Burt Reynolds fans. Worthwhile seeing.
Le saviez-vous
- AnecdotesIn the closing credits, Malone is holding his Virginia driver's license as it slowly burns . The signature on the card of the Commissioner of Motor Vehicles reads "Alfred E. Newman", who is "Mad Magazine"'s goofy mascot.
- GaffesThe sheriff looks at Malone's drivers license which clearly has a street address in Baltimore, then immediately asks "Why do you have a post office box for an address?"
- Citations
Paul Barlow: When were you in Viet Nam?
Richard Malone: 1961.
Paul Barlow: [gives it some thought] That was a little early, wasn't it?
Richard Malone: Not for what I was supposed to do.
- Versions alternativesUK cinema and video versions were cut by 1 second to remove an ear clap.
- ConnexionsReferenced in The Tonight Show Starring Johnny Carson: Burt Reynolds/Dick Shawn (1986)
Meilleurs choix
- How long is Malone?Alimenté par Alexa
Détails
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 060 858 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 377 691 $US
- 3 mai 1987
- Montant brut mondial
- 3 060 858 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1