L'as de coeur

Burt Reynolds goes through the motions as an absurdly-named stock car driver in this dull, deeply unfunny 'comedy' directed by long-time buddy Hal Needham. Nonsensical plot concerns Reynold's efforts to get out of a sponsorship contract (what, he doesn't want to be on a competitive team?) while trying to woo Loni Anderson's PR flack/Sunday school teacher, over the course of a seemingly endless racing season.

Big hair, cornpone accents and superficial performances abound, with particularly annoying turns from Jim Nabors (as Reynolds' crew chief) and Ned Beatty (as a fried chicken magnate). Only potential points of interest are the period racing scenes (including some of the top NASCAR drivers), and the vast cleavage displayed in the few female roles: Anderson, Cassandra "Elvira" Peterson, Debbie Casperson and the legendary Linda Vaughn.

For racing movie fans, "Stroker Ace" is hard to beat. It's definitely better than Driven and far less effective than Days of Thunder. It offers a comical, honest view of the sport through the life of Stroker Ace, who has secured a ride from a novice car owner intent on leveraging every ounce of Stroker's fame to sell chicken. It's the only race film to cover sponsorship honestly. Few know, Burt Reynolds was a stunt man before making it as an actor. He has always had an affinity for stunt men and this is homage to these icons that entertain us at grave risk to themselves. Hooper is a stunt packed film that is entirely over-the-top in scope from Westerns to bar brawls to cars, you've never seen all of this in one flick. It's a solid movie after all.

Overall rating: 7 out of 10.

Stroker Ace (Burt Reynolds) grew up with moonshining Seegles being chased by the cops in the backwoods. He is a reckless arrogant womanizing three-time NASCAR champ. Aubrey James (Parker Stevenson) is his ambitious young rival. Lugs (Jim Nabors) is his crew chief. He is taken with virginal Pembrook Feeney (Loni Anderson). She's Clyde Torkle (Ned Beatty)'s new employee. When Stroker loses his sponsor, he signs up with untrustworthy Fried Chicken king Torkle as The Fastest Chicken in the South. He grows to hate his contract and tries to get out of it.

This is Burt Reynolds at his most Burt Reynolds. As a kid, I didn't really mind the bad writing and didn't get some of the jokes. It wasn't my favorite racing movie but I didn't know the critical panning this received. I love Cannonball Run and I knew this is inferior. Watching it again recently gave me a few more problems. Loni is a big robotic problem. Her innocent act does not work. The writing is not that funny either. It's just a lot of camp from the cast. I don't actually hate this but it's not good.

Ever notice how in his later movies Burt Reynolds' laugh sounds like screeching brakes?

Must have been hanging out with Hal Needham too much.

And from the looks of "Stroker Ace", WAY too much.

Can you believe this was based on a book? Neither could I, but it was. And probably not a best-seller, I'll wager.

Burt's another good-old-boy in the NASCAR circuit who hitches up with Beatty as a fried chicken magnate with designs on his team. Anderson provides what love interest there is and Nabors does his umpteenth Gomer Pyle impression as faithful mechanic/best friend Lugs.

A lot of people here are friends of Burt's or Hal's. Others must have needed the work. And even real NASCAR drivers get in on the act, and look to have more talent than those with SAG cards.

As far as laughs go, Bubba Smith (pre-"Police Academy") gets them as Beatty's chauffeur. And Petersen, in full Elvira mode, gets lots of appreciative leers as a lady who wants to get to know Lugs real well. REAL WELL.

It's a shame that Burt threw away as much time and effort in a film like "Stroker Ace" where it didn't matter whether he bothered to act or not. They didn't bother to write a character for him, why bother to act?

Two stars. Mostly for Petersen, and for the out-takes at the end. Now THEY'RE funny.

NASCAR driver Burt Reynolds signs a contract with Ned Beatty to drive his car and hates it. He also courts nice girl Loni Anderson and has an on-track rivalry with Parker Stevenson.

Burt Reynolds was a fine actor, but you'd never know it from his career choices. He passed on the Jack Nicholson role in TERMS OF ENDEARMENT because he had a handshake agreement with director Hal Needham to make this; it seems it didn't occur to him to ask Needham to wait. Instead he made this lazy movie, with no dramatic tension and no energy in the comedy bits. It looks like Needham assembled all his friends, made a movie, and cut in some race-track sequences, with no one putting in much effort to learn their lines. If you want to see Reynolds in a chicken suit, or Loni Anderson lying on a bed in her clothes, her eyes shut, and looking like a Barbie doll, this is the movie for you. Not for me.