Staying Alive
- 1983
- Tous publics
- 1h 33min
NOTE IMDb
4,8/10
18 k
MA NOTE
Cinq ans plus tard, la fièvre du samedi soir de Tony Manero fait toujours rage. Maintenant, il avance en se pavanant vers son plus grand défi à ce jour: réussir en tant que danseur sur la sc... Tout lireCinq ans plus tard, la fièvre du samedi soir de Tony Manero fait toujours rage. Maintenant, il avance en se pavanant vers son plus grand défi à ce jour: réussir en tant que danseur sur la scène de Broadway.Cinq ans plus tard, la fièvre du samedi soir de Tony Manero fait toujours rage. Maintenant, il avance en se pavanant vers son plus grand défi à ce jour: réussir en tant que danseur sur la scène de Broadway.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 nominations au total
Sarah M. Miles
- Joy
- (as Sarah Miles)
Avis à la une
Continuing my plan to watch every Sly Stallone movie in order, I come to Saturday Night Fever.
Plot In A Paragraph: In this sequel to Saturday Night Fever, former disco king Tony Manero (John Travolta) has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor by day and as a waiter at a dance club on a night, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and swear words. However, certain things have not changed, as with his most recent girlfriend, who's a dancer and also the singer of a band. He feels free to pursue other women, but gets very jealous if someone looks at her too long.
Stallone has Travolta looking the heat he ever looked, the movie movies at a good pace and is entertaining enough, while not getting close to the first movie. Despite a critical mauling, this was one of the 1983 top ten most successful films at the box-office.
To date this is the only movie Sly has directed, that he didn't star in. Which I think is a shame, as he is a talented director.
Plot In A Paragraph: In this sequel to Saturday Night Fever, former disco king Tony Manero (John Travolta) has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor by day and as a waiter at a dance club on a night, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and swear words. However, certain things have not changed, as with his most recent girlfriend, who's a dancer and also the singer of a band. He feels free to pursue other women, but gets very jealous if someone looks at her too long.
Stallone has Travolta looking the heat he ever looked, the movie movies at a good pace and is entertaining enough, while not getting close to the first movie. Despite a critical mauling, this was one of the 1983 top ten most successful films at the box-office.
To date this is the only movie Sly has directed, that he didn't star in. Which I think is a shame, as he is a talented director.
Seeing this film on TV again the other night made me wonder how amazing the human body is.... or more specifically John Travolta's body.
In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.
It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.
Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!
7/10
In Michael and Get Shorty he had a tremendous girth for the character's roles yet the films before and after Phenomenon and Broken arrow show a different size. and then we have the extreme end of the scale in this film. Sly Stallone trained Travolta for 3 months to get him into the rippling muscled fat free condition he displays in this film.
It just goes to show you that your fat levels aren't really THAT predetermined by birth and genetics afterall. All you have to to is be committed to attaining a the shape you want to be. Travolta can be slim, medium or large build, muscled, fat or average depending on the film role his ability in this regard is second only to Robert deNiro of raging Bull and Cape fear physique abilities.
Travolta wil never be out of work while he is able to mold himself into his characters. The charcter of Tony would not have been believeable in this film in any shape other than the one depicted by John Travolta in this film. he got it spot on --- in appearance, line delivery and overall feeling!
7/10
I don't understand why critics always scorn this film. OK, it doesn't have the magic of its predecessor "Saturday Night Fever", but it works as an "80's point of view" of the original film. The thing is that you should watch this film as a single one, not a 'sequel'. It has nothing to do with "Saturday Night Fever" but the main character Tony Manero (once again played by John Travolta) and his mother (Julie Bovasso) in a brief appearance. Fast forward from 1977 to 1983. Now Tony wants to be a Broadway star and keeps his struggle for a more mature purpose, as he himself is more mature. Manero's "moody girl" here is Laura (Finola Hughes, not so convincing), who also looks down on him. The funniest thing about "Staying Alive" is that it is directed by Sylvester Stallone! (No one remembers...) The soundtrack is one of my favorite, although it didn't received the deserved attention at the time of its release, nor did the movie itself. (I think people were afraid of another 'Bee Gees fever'). After this film, Travolta's career fell out of the spotlight only to be retaken in late 80's with "Look Who's Talking". Summarizing, in my opinion it is a very good movie, but don't expect this to be another "Saturday Night Fever".
The original writer of Saturday Night Fever Norman Wexler gets a co-writer credit for the sequel.
Staying Alive was directed and co-written by Sylvester Stallone. The story owes a debt to A Chorus Line. Some of the clunky dialogue and scenes are likely to be the fault of Stallone.
However Stallone also got John Travolta into shape. Here he looks like a dancer with rippling muscles.
The story has moved on six years. Tony Manero is trying to hit it big as a bit part player in Broadway. He gets a long list of rejections and struggles on with the support of his girlfriend.
An abrasive relationship with the star of a new Broadway show, Laura (Finola Hughes) has not gone unnoticed by its director. Tony might have a girlfriend but he hits on Laura if it might help his career.
Travolta presents an older Tony Manero but he is still immature, shallow and self centred. Manero has a rawness and streetwise that attracts the attention of the director of the new Broadway show.
The film is let down by a thin uninvolving plot and too many songs that just does not fit in with the film. Whereas those Bee Gees songs became classics in Saturday Night Fever, they just are forgettable here. I thought Vince DiCola's composition blended better.
The real low point was the opening night of the campy Broadway show 'Satan's Alley' that Manero gets a starring role opposite with Laura. Conceptually is should had been reworked, maybe something more disco themed.
Travolta understands Manero but the film felt too different from Saturday Night Fever. Staying Alive did well at the box office when it was released but it was critically lambasted. It was a big task for it to even equal the original's success which had entered public consciousness in a big way. Looking at the movie again it does fit in well with the MTV aesthetics of the 1980s but it lacks the grittiness.
Staying Alive was directed and co-written by Sylvester Stallone. The story owes a debt to A Chorus Line. Some of the clunky dialogue and scenes are likely to be the fault of Stallone.
However Stallone also got John Travolta into shape. Here he looks like a dancer with rippling muscles.
The story has moved on six years. Tony Manero is trying to hit it big as a bit part player in Broadway. He gets a long list of rejections and struggles on with the support of his girlfriend.
An abrasive relationship with the star of a new Broadway show, Laura (Finola Hughes) has not gone unnoticed by its director. Tony might have a girlfriend but he hits on Laura if it might help his career.
Travolta presents an older Tony Manero but he is still immature, shallow and self centred. Manero has a rawness and streetwise that attracts the attention of the director of the new Broadway show.
The film is let down by a thin uninvolving plot and too many songs that just does not fit in with the film. Whereas those Bee Gees songs became classics in Saturday Night Fever, they just are forgettable here. I thought Vince DiCola's composition blended better.
The real low point was the opening night of the campy Broadway show 'Satan's Alley' that Manero gets a starring role opposite with Laura. Conceptually is should had been reworked, maybe something more disco themed.
Travolta understands Manero but the film felt too different from Saturday Night Fever. Staying Alive did well at the box office when it was released but it was critically lambasted. It was a big task for it to even equal the original's success which had entered public consciousness in a big way. Looking at the movie again it does fit in well with the MTV aesthetics of the 1980s but it lacks the grittiness.
It's five years later and Tony Manero is still dreaming of becoming a professional dancer.He may get his big break on Broadway.He has something going on with two girls, his girlfriend Jackie and an English dancer called Laura.Staying Alive (1983) is a sequel to the disco movie classic Saturday Night Fever.It has a new director, a fellow called Sylvester Stallone.You can see him giving a cameo as Man on Street.John Travolta is just as good here as he was in the original.The girls, Cynthia Rhodes and Finola Hughes are both great.Julie Bovasso is also in this part playing Tony's mother.Steve Inwood plays the part of Jesse.Kurtwood Smith plays Choreographer.Sly's brother Frank Stallone plays Carl.Music by the Bee Gees can be heard also in this movie, as was in the first part.From the brothers Gibb we sadly lost Robin on May at 62.This sequel doesn't get too close to the original, but I don't find it a bad movie.It's still entertaining, it has some cool dance scenes.The movie looks very 80's, so if you're allergic to the 80's, you shouldn't probably watch this movie.
Le saviez-vous
- AnecdotesJohn Travolta has claimed his favorite director to work with was Sylvester Stallone. He said Stallone knew how to make him look the best on screen.
- GaffesDuring the rehearsal segment, the camera crew is reflected in the mirrors.
- Citations
[last lines]
Tony Manero: Do you know what I wanna do? You know what I wanna do?
Jackie: What?
Tony Manero: Strut.
- Versions alternativesNBC edited just 30 seconds from this film for its 1987 network television premiere.
- ConnexionsFeatured in Bee Gees: Someone Belonging to Someone (1983)
- Bandes originalesThe Woman In You
Performed by The Bee Gees
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Produced by Barry Gibb, Robin Gibb and Maurice Gibb, Karl Richardson and Albhy Galuten
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- How long is Staying Alive?Alimenté par Alexa
Détails
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 64 892 670 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 146 143 $US
- 17 juil. 1983
- Montant brut mondial
- 64 893 329 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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