Still the Beaver

You can't reproduce the charm of the original 1950s/1960s series, Leave it To Beaver, but why would you want to? It was a product of its times, and Still The Beaver is just as well. With the exception of the late Ward Cleaver, the entire cast is there, and except for Whitey, are portrayed by their original actors.

Theodore Cleaver is an adult version of his child self... and it's led his wife to divorce him. Beaver wants to be a good father to his two sons, but he can't channel the stern but warm guidance that his father provided. After advice from his brother, Wally, now a lawyer married to this high school sweetheart, Mary Ellen, he decides that he wants custody.

Everyone in the cast is there, and most of them are adult reflections of their childhood selves... except a surprising comedic twist with Beaver's friend Larry, which I shall not spoil here. June Cleaver continues to provide the family the nurturing warmth required to keep them going. It's a reunion updated for the theme of the new era, covering topics as divorce, relationships, dealing with children with behavioral issues, and more. Plus, it's nice to see what has changed in the Cleaver residence, and in their lives, and what hasn't.

Still The Beaver is not expected to be able to compete with its own series, now with classic status. It's also not expected to be an award-winning piece of filmmaking with deep symbolism and subtle character traits. But as a new installment of a beloved series, seeing Beaver still struggling with confidence issues decades later, the movie should find a heartwarming sweet spot in the audience's heart. And seeing Eddie Haskell, character unchanged, is worth the time to watch!

Growing up in the early sixties, I always believed that the Cleavers were just like my family. Ward was like my dad in many ways, June was like mom, and Wally was like my older brother. The mannerisms, attitudes, clothes and even the hairstyles were all too similar.

Forty years later, the similarities and relevance remains strong. Since my dad passed, mom has become the matriarch of the family, just as June has become the matriarch of the Cleavers. What's more relevant than Ward Cleaver passing away, as my dad did, leaving a legacy, affecting the hearts and minds of his wife and kids?

I believe there is something seriously twisted about an individual who can knock this 1983 pilot of "Still The Beaver". There is so much garbage on TV and in the movies that is much better off not paying any attention to. There is truly something creepy about some of the post on this thread knocking the black and white episodes or the 1983 movie memorializing Hugh Beaumont.

Perhaps these people would prefer dorks like Cedric "The Entertainer" and Martin Lawrence playing Wally and The Beaver!

It was a pleasure for me to see this movie when it was first released. Unfortunately, I did not get my first VCR until 1984, so I was not able to tape it.

While I believe that the movie was a wholesome update, I feel that the absence of Hugh Beaumont (who passed away a year earlier) detracts from the 'luster' of the movie somewhat.

Nevertheless, Barbara Billingsley as the matriarch June Bronson Cleaver, does a good job of holding the family together.

I have to agree with jwalsh67 on this. Why couldn't we have been allowed to rest in the fantasy that our favorite characters grew-up to be better than they were? There was simply no reason for the makers of this to have insisted that "Beaver" Cleaver's character not be allowed to do so.

And they didn't. Indeed, he's still whining, still clueless. And as has been noted, towards the end of the original series, Beaver was already on the road to maturity.

If I remember correctly, in the last episode Ward says to June, "We've either raised them right or we haven't." The answer to this was a resounding "You failed" from the producers.

This was simply awful. Jerry Mathers is a chumpy twit as the "grown" Beaver who still wears his goofy baseball cap and windbreaker coat despite being well into his 30's. He trudges home glumly to his mommy after losing his job and wife, and the cute Beaver we all remember is brought back to life. He hasn't changed a bit--all the dopey mannerisms are still in effect, and big brother Wally still has the upper hand in intelligence, strength, and female magnetism. Director Steven Stern seems to have forgotten that in the final seasons of the old Leave it to Beaver series, Beaver had grown up quite a bit and was well past the bumbling twirp we recall from the early days. I was looking forward to seeing the adult Beaver in some adult situations with some casual references to the past. Instead, the producers try to cash-in by heaping on the corny treacle with all the characters being much older yet none wiser.