The First Turn-On!!

One of Troma's first entries in the teen sex comedy genre, it is average at best. "The First Turn On!!" is about a bunch of idiot teen campers and a female counselor get stuck in a cave and "describe" their first sexual encounters.

This is a pretty subaverage fare for even Troma films. In the world of teenage sex romps it pales in comparison to recent films such as "American Pie" and "Road Trip."

There are some highlights in this film. This was a first film for Vincent D'Onofrio (Full Metal Jacket, Feeling Minnesota, Men in Black, Steal this Movie!) as a fat loser and a funny cameo by comedian and all-around nice guy Rondell Sheridan as a gang member.

The real gem of this movie is the sound track from the seminal new wave band "Shrapnel" featuring some of their best (and unreleased) stuff. Hearing the song "Sleep Over" and the goofy performances by Sheridan and D'Onofrio are worth giving this film a watch on cable or a $1.00 rental (but not much else).

The first turn on is a sexy comedy directed by Lloyd Kaufman & Michael Herz and stars Georgia Harrel, Michael Sanville, Googy Gress? John Flood, Heidi Miller, Sheila Kennedy and Vincent D'onofrio

The movie is based on the stories of first sex experience of campers stuck in a cave.

This is not a good movie in any context but a fun sex comedy. It's has it's own good punch lines and humour but disappoints majorly.

The acting is nice but editing and screenplay is bad. So as the background music which is sometimes too high and doesn't supports the original screenplay. The pace of the movie is good.

Overall a ok movie which could've good provided with more refined work of editing and screenplay. You can watch if you are fan of adult sex comedies

Even though this movie is an "80s" movie, it still stands out a bit on its own. It's a raunchy sexually charged teen flick that has grown adults who are hard pressed to pass as teenagers, well, acting as teenagers.

This flick is a mindless, offbeat teen entertainment sprinkled with sexual stimulus throughout. It does what it does. They don't hand out Academy awards for this type of movie.

This was probable the 1st rated R movie I ever saw. I was about 9 years old at the time. And cable tv then had a button on the remote that would unscramble whichever 'Pay Per View' movie you wanted to see and it charge your monthly bill. However, I had discovered if you didn't watch more than 30 seconds at a time, you would never get charged. This movie had me coming back in 30 second bits until I saw it all. My only complaint was how they got out of the cave. Just when things were getting the most interesting. I the movie could have been 5 minutes longer at the end.

I see a few reviewers mentioning how ugly the women are in the movie. Not only do I disagree, I find that just an excuse to be mean to people. These women rock it on camera. This movie holds a special place in my erotic comedy heart. And I come back to it from time to time. I don't do that with a lot of movies.

I used to hate 80's teen movies (it was bad enough actually BEING a teenager in the 80's without having to watch a bunch of crappy movies about it). But now a warm glow of nostalgia (or incipient senility) has set in and I kind of like some of them. I still don't care for some of the more famous ones ("The Breakfast Club", "Dirty Dancing", etc.), but I like some of the ones that are kind of realistic (if somewhat depressing) like "Fast Times at Ridgemont High" and "The Last American Virgin", or, on the other hand, films like this one that are so ridiculous you can't take them seriously at all. Since this film was made by Lloyd Kaufman and Michael Herz of Troma, it is of course very self-consciously campy (if not quite as much as their more famous "Toxic Avenger" series). It takes place at a strange camp where the "campers" all seem to be in their early twenties. A counselor and four "campers" get trapped in a cave and decide to pass the time by telling each other stories of their "first time".

The stories are all REALLY dumb, but this movie uses an interesting device where the flashbacks on screen often contradict the story the character is telling. I remember a few years later a mainstream critic practically wetting himself when overrated film genius Steven Sodeberg did this in "sex, lies and videotape". Of course, this device is much more incompetently rendered here and a plot twist near the end really makes hash of it (but then again "sex, lies, and videotape" doesn't end in a big orgy like this one does).

But I'm sure nobody but me cares about any of this so let's get to the two most important things--the "T", and of course, the "A". There's plenty of it here naturally as in any Troma movie. Most of the girls, however, aren't stunningly attractive except for Sheila Kennedy, who was a former Penthouse Pet and years later appeared in the TV "reality dreck "Big Brother" (and I don't which of these is the skeleton in her closet). This movie is definitely a skeleton in the closet of Emmy and Academy Award-nominated actor Vincent D'nofrio. I certainly don't agree with Lloyd Kaufman's introductory comment that Sheila Kennedy is better in this than D'nofrio was in "Full Metal Jacket", but she's better than he is in this movie (of course, she doesn't have to stretch herself too much since she's actually playing a Penthouse Pet here). Anyway, those that enjoy this kind of celebrity early-career embarrassment will certainly enjoy Vince here.

This is the last straight comedy produced by Troma before they found their niche in action/horror spoofs and the only film directed mostly by Michael Herz. Its a very sophomoric and amateur take off on Porky's and Meatballs 2 designed to be zany and irreverent. Troma's early comedies all suffer from sleaze, grime and laziness, but they usually have a redeeming sly sense of satire and a fun cartoon logic thanks to Lloyd Kaufman. "Turn On" then is very interesting Troma fans as they can see just what Herz' contributions were before he stopped teaming with Kaufman. Herz directs "Turn On" with a humanist energy. His actors are happy and free and he pays no attention to blocking or coverage. He's all about performances. The later Troma films are missing this naturalistic acting style and the sensuality Herz seems obsessed with. Kaufman is definitely a better director of action and comedy but maybe Troma would've grown stronger with Herz's style still complimenting Lloyd's.