Témoin à Charge

Sorry but I find the original a bit slow. The original court case is probably more dramatic. However, I like the cast better in this newer rendition and wish it was available on DVD. Diana Rigg as always is great. Deborah Kerr and Donald Pleasance also turn in good performances.

Excellent TV version of the Agatha Christie classic with an amazing array of talent for this type of enterprise. This is the sort of high quality fare that was standard on American television in the 70s & 80s and is sadly missing today.

Bridges is okay but miscast. Leonard Vole needs to be played by someone with a slick charm as it was by Tyrone Power in the original, a persona like George Clooney projects now and Bridges while a capable actor doesn't have that quality.

Therefore he is easily put in the shade by the powerhouse team of Sir Ralph Richardson and Diana Rigg. Both give exceptional performances, Richardson sly, knowing and wise while Diana Rigg is perfect as the determined if misguided Christine. Deborah Kerr provides a nice light touch as Richardson nurse. Good fun all around.

This is a fine adaptation of one of Christie's best known works. When people rate and compare this I wonewoif they're comparing the Dietrich film, or the text. Let's face it the text is so short that the play lends itself so well to development and interpretation. It is one of her most ingenious plots, and relies on convincing characters.

This features, for the most part excellent performances, Ralph Richardson steals the show, closely followed by Diana Right, who manages to make Christine as cold as ice. Pleasance and Hiller are also fine.

The problem for me comes from Beau Bridges, whom was wildly miscast, lacking the emotional depth required to make Leonard convincing. I would have loved to see Simon MacKorkindale in the role, he had so much charm.

Some great scenes, some wonderfully dramatic moments, particularly the theatrical finale. I'd rank it third after, firstly 1957's classic, and secondly the BBC's deliciously dark adaptation from 2016.

A very enjoyable watch, 8/10

In 1954, when the efficient but bitter and stubborn barrister Sir Wilfrid Robarts (Ralph Richardson) returns to his office in London recovering from a heart attack, he is invited to defend Leonard Stephen Vole (Beau Bridges), who is the prime suspect in a murder case. Leonard is a former soldier that fought in World War II and is married with his beloved German wife Christine Helm Vole (Diana Rigg). He is unemployed and accused of seducing and murdering the wealthy middle-aged single woman Emily French (Patricia Leslie) to inherit 80,000 pounds. His unique alibi would be the testimony of Christine, which would not be accepted by the court, since she is his wife. Along the trial, Christine is surprisingly called to testify in court by the prosecution, when secrets about their lives are disclosed.

"Witness for the Prosecution" (1957) is another remarkable movie of Billy Wilder and one of the best about trial. Based on the play of Agatha Christie, the plot is perfectly tied-up without any flaw in the screenplay, which has many plot points and witty lines in a perfect combination of the caustic and sarcastic "British humor" with crime, drama and mystery. Despite being a good remake with great cast and performances, I do not understand the purpose of shooting frame-by-frame the masterpiece of Billy Wilder. The last time I had seen this film was on 14 June 2003. My vote is seven.

Title (Brazil): "Testemunha de Acusação" ("Witness for the Prosecution")

In 1958 Billy Wilder made one of the best film adaptations of an Agatha Christie story when he directed WITNESS FOR THE PROSECUTION, with Charles Laughton, Marlene Dietrich, Tyrone Power, Elsa Lanchester, and Una O'Connor. It is one of those mystery films that, even when you understand the trick, does not fail to remain entertaining. But it has to be done in a certain way, with a sense of decorum and tradition (personified by Laughton as Sir Wilfred Robarts - brilliant defense barrister but guardian of England's precious laws and sense of justice). It is infectious. Even Power as the seemingly helpless Leonard Vole is desperately hoping that the system of justice will save him.

But along comes this version of 1982. One would have thought it could not fail with a star like Sir Ralph Richardson as Robarts and Diana Rigg as Christine Vole. But it does fail. Even with Dame Deborah Kerr as Nurse Plimsoll and Dame Wendy Hiller as Janet Mackenzie (the Una O'Connor role)it fails. Richardson is too laid back for Sir Wilfrid. When Rigg testifies against her husband, after having previously given him an alibi for the murder, Richardson almost seems to tease her about her behavior. In the same situation in the Wilder film, Laughton's justifiable anger at this turnabout leads to a peroration point where he shouts out that she is a perpetual liar. It was far more affective with Laughton, although Richardson was (traditionally) a greater actor.

Similarly, Tyrone Power's Leonard Vole was (as I said when reviewing the 1958 film version)playing Leonard for all the part is worth, and created the most sinister part he played after his best performance in NIGHTMARE ALLEY as Stanton Carlyle. The last ten minutes of the film show what a totally amoral and vicious louse Power's Vole really is. Beau Bridges was as laid back as Richardson, making the mistake of making Vole seem a nice guy. Vole can be helpless in the arms of the British judicial system or he can be a louse. He can't be a guy you want to take out for a fishing expedition.

I give this film a "6" - barely because the cast tried. Their ideas were wrong in Richardson and Bridges' interpretations.