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Hilarious campy cheesefest "Swamp Thing" is an interesting look on Wes Craven's work as a director. people call him a hit and miss director, but i think he just says once in a while "damn it, lets just have fun on this movie". or maybe when studio execs are breathing down his neck he just makes things the opposite of what he wants. a good example would be "Cursed", he hated the studio interference according to the man himself. and he made an in-joke gester about it in the film. the werewolf giving the finger. Hilarious. in my opinion Craven is a great director. sometimes he'll make deadly serious horrors and sometimes he makes them funny. And trust me Swamp Thing is funny!

Wes Craven shows off his genius once again in the 1982 film Swamp Thing. The movie is based on the DC Comics character of the same name and is considered one of Craven's first big-budget films.

The movie tells the story of a scientist named Alec Holland who transforms into a mysterious creature in the swamp. After being poisoned in the swamp during an assassination attempt, Holland's body parts combine with nature to create a new being known as "Swamp Thing." This new entity fights to protect the swamp and its inhabitants.

Beyond being a typical horror movie, Swamp Thing offers a profound perspective on the relationship between nature and humanity. Craven skillfully uses the film's visual effects to draw the viewer into the mysterious and eerie atmosphere of the swamp.

One of the most striking aspects of the film is the depth of its characters. Swamp Thing is not just a monster, but also a being who experiences emotions like love, loss, and revenge. The film draws the viewer into this emotional turmoil, allowing them to empathize with Swamp Thing.

Swamp Thing is considered one of Wes Craven's most important films and continues to impress viewers despite its age. The film offers a thought-provoking experience by exploring themes like respect for nature and the dark side of humanity, alongside horror and suspense.

From the mastermind behind such disturbing horror classics as "The Hills Have Eyes" and "Last House on the Left" comes a new dimension in terror… "Swamp Thing!"

Yes, "Swamp Thing." For real. Wes Craven really directed a "Swamp Thing" movie.

Showing the world that he was capable of handling more than just mutants and lowlifes, Craven set to adapting the comic series of the same name to film. The results? Well, let's just say there's some mutants, some lowlifes and a topless Adrienne Barbeau. Not a bad mix if one may say so.

Meet Dr. Alec Holland. Holland, played by the great Ray Wise, is a scientist who likes spending his free time bogged down in the swamp. On the verge of an ecological breakthrough, he is tragically transformed into a hideous yet unstoppable mutant. Treading water and stomping through the bayou, it's up to him to help save a beautiful colleague (Barbeau) from certain danger while trying to come to terms with his rubber suit…I mean his new body.

The film is mostly harmless fluff. Craven has his heart in the right place, and even when the film misfires (as it so often does) it's hard not to love it regardless. Barbeau absolutely steals the show and runs with it, although it must be noted that in the short time he spends on film, Ray Wise delivers a charming and wholly human performance. David Hess also pops in to do what he does best: playing a merciless thug. There's also a score by Harry Manfredini at hand that evokes images of Crystal Lake, but for the purposes of this film, let's just call it Crystal Marsh. Also, look out for a cameo from the elusive Manbearpig towards the end of the film.

In the end, "Swamp Thing" is far from the finest comic adaptation, but then again, it's not the worst either. Fact of the matter is that it's a harmless and enjoyable affair, provided one is in the appropriate state of mind. Filled to the brim with oddball characters (Jude deserves his own spin-off) and goofy monster antics, "Swamp Thing" is an odd creature that you can't help but adore.

If only the first half of Wes Craven's Swamp Thing had been as incredibly craptastic as the second: the latter part of the film sees a henchmen transformed into a disfigured dwarf, the villain of the piece becoming a sword-wielding wolf/pig creature with a really hairy back, and Adrienne Barbeau stripping off to take a skinny dip in a swamp (mind the leeches, deary).

Sadly, in order to get to this cheezy but still very fun stuff, the viewer has to trawl through lots of bland comic-book tosh including a dreary introduction to the characters, repetitive poorly staged fight and chase scenes featuring David Hess and his team of stereotypically dumb henchmen, and clumsily handled attempts at tragedy and pathos. It doesn't help either that the central character, The Swamp Thing, is so crap to look at—a man in a rubbishy rubber suit that buckles unconvincingly at the joints.

Worth a look if you're a big fan of the comics, Craven or Barbeau, but casual viewers will probably switch off before they even get to the most enjoyable bits.

This reminded me of the 1950s science-fiction/horror films with its primitive dialog, hokey action scenes and laughable makeup for the monsters. Oh, man, does this look bad as time goes on and we have been treated to 25 years of great special-effects since this was made.

What makes this more attractive to watch than those '50s films, however, are great swamp photography, Adrienne Barbeau's body and a story that moves fast. Barbeau, as she was prone to do, appears to be only this is to show off her massive chest. However, it's pretty harmless fun, very tame compared to the horror movies of the past generation regarding gore and profanity. It's also pretty tame for a Wes Craven-directed film.

In the end, it's a good Class B film, usually fun to watch for a number of reasons.