[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Split Image, l'envoûtement

Titre original : Split Image
  • 1982
  • Tous publics
  • 1h 51min
NOTE IMDb
6,3/10
1,3 k
MA NOTE
James Woods and Michael O'Keefe in Split Image, l'envoûtement (1982)
DramaRomance

Split Image est un film américain réalisé par Ted Kotcheff, sorti en 1982.Split Image est un film américain réalisé par Ted Kotcheff, sorti en 1982.Split Image est un film américain réalisé par Ted Kotcheff, sorti en 1982.

  • Réalisation
    • Ted Kotcheff
  • Scénario
    • Scott Spencer
    • Robert Kaufman
    • Robert Mark Kamen
  • Casting principal
    • Michael O'Keefe
    • Karen Allen
    • Peter Fonda
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    1,3 k
    MA NOTE
    • Réalisation
      • Ted Kotcheff
    • Scénario
      • Scott Spencer
      • Robert Kaufman
      • Robert Mark Kamen
    • Casting principal
      • Michael O'Keefe
      • Karen Allen
      • Peter Fonda
    • 18avis d'utilisateurs
    • 15avis des critiques
    • 57Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos94

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 90
    Voir l'affiche

    Rôles principaux45

    Modifier
    Michael O'Keefe
    Michael O'Keefe
    • Danny 'Joshua' Stetson
    Karen Allen
    Karen Allen
    • Rebecca…
    Peter Fonda
    Peter Fonda
    • Kirklander
    James Woods
    James Woods
    • Charles Pratt
    Elizabeth Ashley
    Elizabeth Ashley
    • Diana Stetson
    Brian Dennehy
    Brian Dennehy
    • Kevin Stetson
    Ronnie Scribner
    Ronnie Scribner
    • Sean Stetson
    Pamela Ludwig
    Pamela Ludwig
    • Jane
    John Dukakis
    John Dukakis
    • Aaron
    Lee Montgomery
    Lee Montgomery
    • Walter
    Michael Sacks
    Michael Sacks
    • Gabriel
    Deborah Rush
    Deborah Rush
    • Judith
    Peter Horton
    Peter Horton
    • Jacob
    Ken Farmer
    Ken Farmer
    • Collins
    Cliff Stephens
    • Hall
    • (as Cliff Stevens)
    Brian Henson
    Brian Henson
    • Jerry
    • (as Brian Hinson)
    David Wysocki
    David Wysocki
    • Gymnast
    • (as David Wallace)
    Kenneth Barry
    • Big Wig
    • Réalisation
      • Ted Kotcheff
    • Scénario
      • Scott Spencer
      • Robert Kaufman
      • Robert Mark Kamen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    6,31.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    lampmuz

    Great cast and film score!

    This 1982 film is supported by a great cast and film score by Bill Conti (Rocky, FX.) Filmed largely in Dallas and Texas, this anti-cult film deals with basically the same subject as a Canadian film released the previous year. Ticket To Heaven (1981) also has a great cast and for me is a much more entertaining and realistic film. TTH deals with the true story of a depressed young man getting caught up in the cult of Sun-Yung Moon, while Split Image portrays the identity crisis of a young man who is seeking answers beyond the sometimes shallow lives of his family and friends. His confusion leads him to a new-age cult, where he finds the leader to be even more sinister and devoid of answers than those he runs away from. While many of life's questions can be answered by the Bible, proper spiritual guidance and direction is essential, particularly for those who are not mature enough to seek God on their own.
    7botfeeder

    good movie

    Gripping story to watch, and Fonda and Woods are both perfect fits for their roles here.

    And this movie is uncanny in its parallels to politics here in year 2019.

    Today's analogue to Fonda's cult would be contemporary political "progressivism". A veneer of sentiment of love and utopian hopes for mankind masks an underbelly of self-righteous smugness and dangerous naivite about human societies and the destructive consequences of public policy based on wishful thinking.

    The populist conservative movement is the analogue to the cult deprogrammers. Offering a crude and harsh sounding message in an attempt to dissuade people from succumbing to the cult's suicidal dogma.

    And the icing on the cake is that Woods and Fonda both are activists today that parallel their roles in this movie.

    Progressives will no doubt be aghast at this opinion.
    4sheepdater

    Ultra Simplistic "Cult-splotation" Flick

    This film comes across more as a made for TV movie than an actual piece of Hollywood cinema. The biggest flaw takes place in the first act with the very lazy telling of the Olympic hopeful gymnast's conversion to a cult.

    We are expected to believe a pampered spoiled upper middle class athlete training for the Olympics can be brainwashed to join a cult over a 3 day weekend. His home life is happy and comfortable until he hits on a cute cult groupie. It's clear he went to the commune only in the hopes of bedding down the cute chick with issues. After spending the first two days being appropriately appalled at the clear cult activity, somehow on the 3rd day he has drunk the kool-aide.

    It's a bit silly to think after 3 days of singing Kumbaya around the campfire and abstaining from masturbation is enough to make even the most disenfranchised youth shave his head and change his name. Yet there was no back story to suggest he was even slightly unhappy with his normal life.

    A bit of real mind control factors are briefly explored. The athlete being initially approached by an attractive girl takes a page from the real practice of "flirty fishing" from the Children of God child molester cult known as The Family. They also briefly touch upon sleep deprivation and starvation (proven mind control techniques) but only in the briefest sense.

    Everything else that follows is as lazy. The deprogramming is just as over the top and poorly executed as the original conversion. Cults and mind control are a very real thing and this movie does not educate or inform. It's a very cartoonish depiction of a very real thing.

    This movie was released in 1982. This was an era when the original flower children of the 1960s grew into young urban professionals. It is truly a representation of the boogeyman that the baby boomers (who had now become parents) thought would come in the night to steal the American dream. This movie is best enjoyed only as a cultural snapshot of what parents feared in the halcyon days of Ronald Regan.
    icreeem

    Brilliant and yet still obscure

    Anyone who is unfavorably commenting about Peter Fonda's performance seems to forget just how much of a trippy hippie he himself was in the 60's. His role here was absolutely brilliant as the manipulative Neil Kirklander. James Woods; well, as usual, simply stellar! My favorite roles for him are exactly personified in this one: sleazy, unrefined, unkempt, easily angered and irritable, and doesn't care what the world thinks. He makes being disgusting look like such fun (when he spits on Kirklander's picture as a sort of de-programming method for Danny). O'Keefe and Dennehy are equally superb and convincing. Karen Allen is as we always expect; vulnerable and adorably sensitive. Fonda takes it all on this one for me, the man who gave John Lennon "I know what it's like to be dead." Excellent!
    9Jay_Rusty

    Very good movie, and scarily realistic!

    This is a very good movie and scarily realistic even in 2023! I love that Danny 'Joshua' Stetson starts out as a smarmy cynical young man and his transformation feel quite credible.

    A few things about the cult are implied but never made really explicit, e.g. How they use hard labour and malnutrition as tools for control. How they use religion as substitute for sex. I wondered if Kirklander was drugging his disciples because Danny 'Joshua' Stetson mentioned that he doesn't shave anymore and no longer has any sex drive, and Rebecca mentioned that she and the other girls no longer get their period. Was this physical transformation induced by drugs or was it a psycho-somatic phenomenon? Other topics were mentioned in passing but not fully explored, e.g. When Charles Pratt mentions that Homelanders are in fact collecting money for charities that don't exist.

    The theme of duality - foreshadowed earlier in the movie by Dr Jekyll and Mr Hyde - continues here by making us ask the question: Who are the 'good' guys? And who are the 'bad' guys? Is Homeland really such a horrible place compared to the materialistic world outside? Is Kirklander really such a bad guy compared to Charles Pratt?

    The de-programming scenes were the best part of the movie! Especially the scene where the cult attacks the safe house and the aftermath of that; the exchange that Charles Pratt has with Danny 'Joshua' Stetson's family is very powerful & revealing stuff!

    Vous aimerez aussi

    Der Fan
    6,6
    Der Fan
    Ladies and Gentlemen, the Fabulous Stains
    6,7
    Ladies and Gentlemen, the Fabulous Stains
    État de choc
    6,1
    État de choc
    Fast-Walking
    6,3
    Fast-Walking
    Joshua Then and Now
    6,5
    Joshua Then and Now
    L'apprentissage de Duddy Kravitz
    6,7
    L'apprentissage de Duddy Kravitz
    Spaceship Earth
    6,4
    Spaceship Earth
    Blue-Jean Cop
    6,0
    Blue-Jean Cop
    Ticket to Heaven
    6,9
    Ticket to Heaven
    Promised Land
    5,7
    Promised Land
    Confessions of a Serial Killer
    5,8
    Confessions of a Serial Killer
    Monsieur Saint-Ives
    6,2
    Monsieur Saint-Ives

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Michael O'Keefe did some of his own high bar stunts (giant swings and back flip dismount) but the more difficult high bar skills and full twisting double back dismount was done by gymnast Frank Thompson who later competed for Houston Baptist University.
    • Citations

      Danny 'Joshua' Stetson: My head, my head, my head!

      Charles Pratt: It hurts?

      Danny 'Joshua' Stetson: It hurts!

      Charles Pratt: Good!

    • Connexions
      Referenced in The Tonight Show Starring Johnny Carson: Martin Mull/James Woods/Peter Billingsley (1981)
    • Bandes originales
      He's Got The Whole World In His Hand
      (uncredited)

      Traditional Negro Spiritual

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ

    • How long is Split Image?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 mai 1985 (France)
    • Pays d’origine
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Split Image
    • Lieux de tournage
      • Mesquite, Texas, États-Unis(setting: Homeland compound)
    • Société de production
      • Polygram Filmed Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 263 635 $US
    • Montant brut mondial
      • 263 635 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.39 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    James Woods and Michael O'Keefe in Split Image, l'envoûtement (1982)
    Lacune principale
    By what name was Split Image, l'envoûtement (1982) officially released in India in English?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.