Les cavaliers de l'ombre

If I were to describe the Louis L'Amour novel-based television film "The Shadow Riders" in two words that might seem to contradict each other, they would be: dimwitted and fun. No, this is not a great Western or a great movie by any stretch of the imagination. Intellectually and screenplay-wise, it's mediocre at best. But in terms of the entertainment that one receives from viewing it, especially fans of the old-fashioned Westerns like myself, it both promises and delivers. There is not a single smart line or moment in "The Shadow Riders", but it's thoroughly entertaining and I was not bored with a single moment of it. I was not mightily impressed either, but I had the time of my life.

I have not read the original novel by Louis L'Amour, but judging from my research, the basic plot remains the same. The film stars Tom Selleck and Sam Elliott as brothers who fought on opposite sides of the Civil War and return to their home in Texas only to find that their sisters, brother, and Elliott's girlfriend (played by Elliott's real-life spouse Katharine Ross) have been taken by renegade Confederate soldiers led by a bloodthirsty, revenge-seeking colonel (Geoffrey Lewis), who plans to sell them as slaves in Mexico in return for guns and ammunition to continue a war he feels has not ended.

If somebody had come up to me after viewing "The Shadow Riders" and told me that it was made in the 1950s or 60s, I would have believed it. That could very well be the magic that works in this otherwise dimwitted Western. It has the same spirit, the same style, the same manner and rhythm of dialogue and story that the old, action-packed classics had. Yes, it's an old-fashioned Western, but that's not a bad thing at all.

Yes, the film also has many moments where disbelief must be suspended. Just like in the old Westerns, when there's a shootout, the good guys score a direct hit every time and the bad guys, no matter how many shots they fire, always seem to miss. There's a scene where Selleck and Elliott are charging into an enemy camp trying to stampede their stolen cattle and are firing three to five shots from their six-guns into the air instead of wisely saving ammunition for fighting the enemy that's rousing in front of them. And I also thought it was silly how Geoffrey Lewis and the always competent Gene Evans—as well as everybody else it seems—was drawn relentlessly and vulnerably to a middle-aged Katharine Ross. Not to mention that the attitudes of several characters seem written for actors of an adolescent age even though the film was meant for adult actors.

You get my point. "The Shadow Riders" is not an intelligent film. And like I said earlier, it's not a very well-made one either. But it's most certainly entertaining in the guilty pleasure range and it's eye candy with its all-star cast, many of whom are veterans from the old Western period like Harry Carey Jr., R.G. Armstrong, and Ben Johnson, who steals every scene he's in as the brothers' renegade uncle. If you're not a Western fan, there's really no big reason to see "The Shadow Riders". But if you are, or if you want to see Dominique Dunne in her last film role, then by all means, see it. You will have the time of your life.

The Shadow Riders is directed by Andrew V. McLaglen and adapted to screenplay by Jim Byrnes from the novel written by Louis L'Amour. It stars Tom Selleck, Sam Elliott, Katharine Ross, Dominique Dunne, Ben Johnson and Geoffrey Lewis. Music is by Jerrold Immel and cinematography by Jack Whitman.

A CBS TV production, The Shadow Riders has Selleck (Mac Traven) and Elliott (Dal Traven) as brothers, who even though they fought on different sides in the Civil War, there fondness for each other still exists. With the war now officially ended, the brothers meet up and head for the family home, here they find their parents telling of how their sisters and Dal's girlfriend Kate (Ross) have been abducted by Renegade Rebels. The men promptly set off in search of their loved ones...

It's all very much standard stuff, both in plot telling and production values. Exuding very much a family feel, it's a disappointingly bloodless and sexless picture, with some cliché'd dialogue, poor musical accompaniments to certain scenes (tonally way off) and filler sequences thrown in for good measure. That said, it's very much a harmless piece, with the two male leads good company to share some time with, while Johnson and Harry Carey Jr. offer up a welcoming presence. Location scenery is also well photographed, keeping things airy, and ultimately it's a decent enough time waster for Western fans not expecting an under seen gem. 6/10

Tom Selleck and Sam Elliott play Mac and Dal Traven, two amiable brothers who fought on opposing sides during the Civil War. Now, the war is over, but one revenge-crazed associate of Dals', Major Ashbury (Geoffrey Lewis), is intent on keeping the war going. To that end, he's made an alliance with a rascally gun runner, Holiday Hammond (Gene Evans). Meanwhile, Ashbury and his men have gone on a spree of crimes including the kidnapping of members of the Traven family.

This Louis L'Amour adaptation (by executive producer Jim Byrnes) amounts to agreeable entertainment, with the expected stunts, action scenes, and lovely scenery. The story is nothing special, but it's not hard to follow, and it DOES kill time amiably. What really makes it work as well as it does is the able cast, including such Western veterans as Ben Johnson (as Mac and Dals' scoundrel of an uncle, Black Jack Traven), R.G. Armstrong, and Harry Carey, Jr. Elliotts' real-life longtime companion, Katharine Ross, is vibrant as Kate, and it's no surprise that the two of them share a natural chemistry. Jeff Osterhage co-stars as a scrappy Traven sibling. Other familiar faces include Dominique Dunne (in what was sadly her last role), Marshall R. Teague, and Jane Greer as Carey's wife. Selleck and Elliott look right at home in this genre, just as they always do, and show off plenty of charisma. Johnson clearly has fun getting to play a colourful role.

The writing might not be particularly sharp or witty, but these filmmakers, led by director Andrew V. McLaglen, *still* manage to show their audience a pretty good time. Nobody ever appears to take any of this very seriously, anyway. It's just "good", lighthearted, amiable, predictable TV-level Western storytelling.

Seven out of 10.

So in spite of the caste, this is a mediocre made-for-TV movie. The plot has promise but the uninspired dialog drags it down. The background music doesn't contribute at all, rather it conflicts with the actions on screen. Who puts music more fitted to a comedy in a drama? It would have helped this movie a lot to have the correct background music.

The "bad guys" were presumably hired because of their ability to shoot straight and protect their nasty leader. But when it comes to a gun fight, these guys can't hit anything. It's pathetic. And of course the "good guys" can't miss. Still targets, moving targets, riders on speedy running horses at a great distance. Doesn't matter. They hit them all. And do it with old black power pistols at that. And I know the big name movie stars can't take risks on the set, but sometimes the doubles just don't look much like the heroes. And wearing the same clothes doesn't really help. This is an entertaining movie and that's what its all about. I just wish Hollywood would try a little harder to add some realism.