Conagher

Based on the novel by Louis L'Amour. Rustlers, a cattle baron or two, a homesteader who dies in an accident on his way to town, a bashful lonesome cowboy, a lonesome widow and her two lonesome kids, questions of loyalty and integrity, a stage line establishing its route through the district, and of course the laconic dialogue that marks the Western as a man's man type of movie. But this is really High Romance. Elliot plays the knight in tarnished armour, Ross is the Lady in need of rescue, and it all plays out with a minimum of gore and a maximum of historical realism. Good movie. ***

I can hardly put into words ,my love for this movie.I have seen it at least 50 times.I wore out the first video and have started on my second one.

I am a great fan of Louis L'amour and the making of this book into a film was one of the best things that could have happened,for me.

The cast and crew could not have been better picked. The roles of Evie and Conagher could not have been better done than with the husband and wife team of Sam Elliott and Katherine Ross.

I am transported to the old west every time I watch this movie.I suppose I like it so much because the book does the same thing when I read it.It is a movie to enjoy time and time again.

This was a solid lower-key Louis L'Amour-written western, meaning a little bit less action than the normal film of its genre. The action scenes they did have in here were short, too.

This is mainly a movie with several stories weaved in it: 1 - Cowhands slowly being sifted out as the times change and they are no longer needed; 2 - traitors among the main group, men who go to a competing gang of rustlers; 3 - a story of a lonely widow who has to take care of two kids after he husband disappears (killed).

Katharine Ross is the mother ("Evie Teale") who turns cook at a lonely stagecoach stop that also is being eliminated. She is a good woman, and it's nice to see the female star of "Butch Cassidy And the Sundance Kid" still looking good out there is the prairie over 20 years later. Also refreshing to see was her young boy "Laban," one of the nicest, most respectful kids I've ever seen on film: the exact opposite of the many brats I've seen on film in the last quarter of the 20th century. Cody Braun was excellent as the son, and, that's the only movie role he ever played.

The man "Evie" eventually falls for is the hero of the film, "Conagher," played by Sam Elliott. If anyone in the modern era of films ever looked like he was born to play a cowboy, it has to be Elliott. He has the weathered looks and the voice that go perfectly with westerns.

Overall, this is another beautifully-photographed, nice story and a real "keeper" for those who love a good fim of this genre.

As far as books that become movies go, this is arguably the most faithful adaptation I've ever seen. This film follows L'Amour's novel of the same name so close that most of the dialog is word for word with the book. Like HONDO, also a L'Amour, the only parts left out of this film are minor pieces that had to be omitted because the film would be 4-5 hours long if every single scene was included. Even HONDO though, which is a wonderfully faithful adaptation doesn't follow as close as CONAGHER. The parts from the book that are left out are explained rather than shown.

That being said, the film is in my opinion one of the great westerns of all time. Not THE best, but definitely worthy of mention among the best. Sam Elliott & real life wife Katherine Ross are excellent, as is the supporting cast, comprised of a who's who of western actors, including Barry Corbin, Buck Taylor, James Gammon, & Ken Curtis (who was actually one of John Ford's "boys"). I can't think of anything but praise for this film. If you're a fan of great westerns it's definitely for you, but also anyone who likes a good film of any kind where we have a hero not trying to be a hero, but rather just doing what he has to, you'll like it too.

Conagher is directed by Reynaldo Villalobos and adapted to teleplay by Jeffrey M. Meyer from the novel written by Louis L'Amour. It stars Sam Elliott, Katharine Ross, Barry Corbin, Ken Curtis, Buck Taylor, Dub Taylor and James Gammon. Music is by J.A.C. Redford and cinematography by James R. Bagdonas.

After her husband fails to return from a trip to purchase cattle, Mrs. Evie Teale (Ross) fights hard to raise her two children whilst also keeping the family homestead afloat. Conn Conagher (Elliott) is a honest and hardworking cowboy who also has his own life struggles to contend with. Both Evie and Conn find their lives intertwined by their struggles against the perils of the West...

You don't know what music is until you hear the wind in the cedars.

Beautiful and subtle in every respect, Conagher is a treat for the grown up Western fan. The story is literate off the page from the beginning, it's the sort of character study that often gets taken for granted due to its simplicity. Yet the emotional depth is mightily strong here, the lead characters not bogged down by clichés or badly constructed scenes. Both Evie and Conn are deftly etched people, both easy to get on side with, their strengths are many, their loneliness perfectly understandable and never once schmaltzy. Helps that it's the real life husband and wife team of Ross and Elliott in the roles, the chemistry set in stone, when they look into each other's eyes you see it's real. A fine couple they do make.

Even though Villalobos takes his time, rightly pacing it in steady and reflective beats, it's a film that doesn't lack for action. There's still gun play (Indian attack/rustler root outs) and a good round of knuckles (Elliott one of the best punch throwers in his acting era), the director, no doubt helped by the wily Elliott, proving more than adept at construction of the energetic scenes. Bagdonas and Villalobos provide some gorgeous photographic compositions that belie the TV movie budget, with the Colorado (Buckskin Joe Frontier Town & Railway/Canon City) vistas an extra character; and the misty interiors nicely capturing the tonal mood of the narrative. A fine gathering of support character actors come up trumps, while Redford's musical score is led by the guitar and lands softly in the ears.

This is 100% recommended to Elliott and Western fans who appreciate characters superbly written and performed. It may end up as you expect, but that's OK, because if it didn't then you may well have wanted to throw your TV out the window. Just like I would have done had it not ended the way it does! Conagher, a subtle and beautiful treat. 8.5/10