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Le secret de Veronika Voss

Titre original : Die Sehnsucht der Veronika Voss
  • 1982
  • R
  • 1h 44min
NOTE IMDb
7,6/10
8,1 k
MA NOTE
Rosel Zech in Le secret de Veronika Voss (1982)
Drama

Une actrice déchue du cinéma allemand, retenue par son médecin, éveille les soupçons d'un journaliste sportif.Une actrice déchue du cinéma allemand, retenue par son médecin, éveille les soupçons d'un journaliste sportif.Une actrice déchue du cinéma allemand, retenue par son médecin, éveille les soupçons d'un journaliste sportif.

  • Réalisation
    • Rainer Werner Fassbinder
  • Scénario
    • Rainer Werner Fassbinder
    • Pea Fröhlich
    • Peter Märthesheimer
  • Casting principal
    • Rosel Zech
    • Hilmar Thate
    • Cornelia Froboess
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    8,1 k
    MA NOTE
    • Réalisation
      • Rainer Werner Fassbinder
    • Scénario
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • Casting principal
      • Rosel Zech
      • Hilmar Thate
      • Cornelia Froboess
    • 33avis d'utilisateurs
    • 39avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires et 4 nominations au total

    Photos92

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    Rôles principaux27

    Modifier
    Rosel Zech
    Rosel Zech
    • Veronika Voss
    Hilmar Thate
    Hilmar Thate
    • Robert Krohn
    Cornelia Froboess
    Cornelia Froboess
    • Henriette
    Annemarie Düringer
    Annemarie Düringer
    • Dr. Marianne Katz
    Doris Schade
    • Josefa
    Erik Schumann
    Erik Schumann
    • Dr. Edel
    Peter Berling
    Peter Berling
    • Filmproduzent…
    Günther Kaufmann
    Günther Kaufmann
    • G.I.
    • (as Günter Kaufmann)
    • …
    Sonja Neudorfer
    • Verkäuferin
    Lilo Pempeit
    • Chehm
    Volker Spengler
    Volker Spengler
    • 1. Regisseur
    Herbert Steinmetz
    • Gärtner
    Elisabeth Volkmann
    Elisabeth Volkmann
    • Grete
    Hans Wyprächtiger
    • Chefredakteur
    Peter Zadek
    • 2. Regisseur
    Johanna Hofer
    Johanna Hofer
    • Alte Frau
    Rudolf Platte
    Rudolf Platte
    • Alter Mann
    Armin Mueller-Stahl
    Armin Mueller-Stahl
    • Max Rehbein
    • Réalisation
      • Rainer Werner Fassbinder
    • Scénario
      • Rainer Werner Fassbinder
      • Pea Fröhlich
      • Peter Märthesheimer
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    7,68.1K
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    10

    Avis à la une

    m67165

    One sad tale

    This movie left me feeling rather low. Its world is quite bleak. People are either strong or weak in the face of a society that feels cold. Looks like being strong won't make any difference in the long run. A very sad tale with beautiful black and white photography.
    10hasosch

    The search for congealed history

    Rainer Werner Fassbinder's second-but-last film does not show primarily the life and downfall of the UFA-star Sybille Schmitz, but gives, at the hand of the Schmitz-inspired, yet fictive character Veronika Voss an unvarnished and hopeless picture of the Bundesrepublik Germany in the 50ies. Part of Fassbinder's "BRD-Trilogy", it is also one of his 4 "women"-films, besides "Lola", "Maria Braun", and "Lili Marleen".

    It is hard to say if the main focus of this movie is the former UFA-star Veronika Voss or the sports reporter Robert Krohn. One rainy night, he meets, in a little forest amidst of Berlin, a crying little bundle of mensch who seems to have completely lost her orientation. She is not so much thankful for his help but astonished that he does not recognize her: the great Veronika Voss. After he accompanies the woman to her door, she continues to occupy his mind. He asks his older colleagues who confirm him that she was once a movies' super-star, but now forgotten, divorced, impoverished, addicted and out of work. Soon, they meet again, and between Krohn, who is in a steady liaison, and Veronika, who sees in him one of her once many admirers, a very problematic love story starts which costs two humans' lives, leaves an investigative mind back in despair, discloses the corruption between medicine and politics and portrays the deterrent situation in the post-war German film industry which used his former flagships as fuel.

    R.W. Fassbinder got for this films the "Golden Bear" out of the hand of Jimmy Stewart who was his friend for many years. Fassbinder had been nominated for the highest German film price since a long time, but it was Stewart who realized that soon it might come too late. Fassbinder passed away only a few days after having received the Golden Bear.
    8museumofdave

    The Price of Fame: The Futile Maintenance of A Fading Image

    In her own eyes,Veronika Voss is not really alive unless she retains her audience, unless she is loved and admired for her manufactured image. There are times in movies when Technicolor will not do, when the use of traditional black and white evokes evokes film noir, in this case referencing Billy Wilder's brilliant evisceration of and the pain of fading fame, Sunset Boulevard. The fine shadings of mood and atmosphere reflect the life led by Veronika under studio lights, just as the stark, unrelenting whites at her doctor's office blind her to reality during her visits for morphine injections.

    Veronika Voss is based on the life of an actual German actress who rarely came alive unless under the lights, depicting a harsh and unrelenting life lived vicariously; it is a harsh look at a cruel existence increasingly dependent on addictive drugs to soften the hard knocks that come with the loss of fame and inability to face simultaneous aging process; it is a film worth repeated viewings.
    8zetes

    Quite good

    A man runs into a pretty but aging woman in the middle of a rainstorm. He politely protects her from the downpour with his umbrella, and even lifts her over a fence so she can get to her bus. He also gets on the bus, and, beginning to pant, she declares that she can't go near anyone else on the bus, because she's a famous actress and she'll be thronged. The other passengers on the bus look up at the exasperated woman, but don't pay her any more mind than that. A bit later, the woman proudly tells the man that she is Veronika Voss, and all he can do is politely nod. She hasn't been in a movie for three years, and hasn't been in a good one for longer than that. Veronika has to try really hard to pin the man, Robert, down and seduce him, and even when she accomplishes this feat he doesn't seem particularly interested. Robert's interest does grow when he begins to discover some nasty secrets about her life, notably that she is addicted to morphine. A strange doctor seems to be little more than a local drug dealer when he begins to look into the situation.

    The plot is decent; it would have been a really good one for a classic Hollywood film starring Joan Crawford or Bette Davis or someone like that. Its greatest worth is in the performance of Rosel Zech, who has the titular role. Cornelia Froboess as Robert's girlfriend and Annemarie Düringer as the wicked doctor are also good. The character of Robert is never very interesting. The black and white cinematography (Xaver Schwarzenberger) and the unconventional score (Peer Raben) are very good. The tape I watched was not in a very good condition, so I may have liked it more if I had seen a better copy. 8/10.
    dkbs

    Memories are made of this

    Like many other Fassbinder films "Die Sehnsucht der Veronika Voss" tells about a decline and is very depressing. It is a visually stunning film that shows how much Fassbinder admired the classical Hollywood cinema and especially the films of Douglas Sirk. Like the films of his idol this film is stylish and artificial to an extreme extent which creates quite a distance between itself and the audience. Probably an even greater distance, since the style and the artificiality are used more consciously here, even as a instrument of alienation. So it is more fascinating than touching or even moving and might leave one even cold. Nevertheless the story is intriguing and it really tells something about the post war society in West Germany, so the film is interesting and even fascinating to watch. The scene where Rosel Zech as Veronika sings "Memories Are Made Of This" is very haunting, a gem.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Based on the true story of German film star Sybille Schmitz.
    • Gaffes
      The film is set in 1955 but the song "The Battle of New Orleans" by Johnny Horton, released in 1959, is heard on the radio a number of times.
    • Citations

      Dr. Marianne Katz: Artists are different from ordinary people. They are wrapped up in themselves, or simply forgetful.

    • Connexions
      Featured in Visions: Cinema, Cinemas/Q & A with Paul Schrader/A Film Comment by Angela Carter (1982)
    • Bandes originales
      Run, boy run
      Written by Lee Hazlewood

      Performed by Sanford Clark

    Meilleurs choix

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    FAQ18

    • How long is Veronika Voss?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 juin 1982 (France)
    • Pays d’origine
      • Allemagne de l'Ouest
    • Langues
      • Allemand
      • Anglais
    • Aussi connu sous le nom de
      • Veronika Voss
    • Lieux de tournage
      • Bavaria Studios, Bavariafilmplatz 7, Geiselgasteig, Grünwald, Bavaria, Allemagne(Studio)
    • Sociétés de production
      • Laura Film
      • Tango Film
      • Rialto Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 600 000 DEM (estimé)
    • Montant brut aux États-Unis et au Canada
      • 8 144 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 11 623 $US
      • 16 févr. 2003
    • Montant brut mondial
      • 8 158 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 44 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.66 : 1

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    Rosel Zech in Le secret de Veronika Voss (1982)
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    By what name was Le secret de Veronika Voss (1982) officially released in India in English?
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