Prem Rog

Two things that stand out are Cinematography by Radhu Karmarkar, this is probably the most astounding Cinematography I have seen in an Indian movie other than "Sangam". Then there are the most gorgeous sets ever seen in an Indian Film (Rangaraj). This was one of the last movie's by the venerable Raj Kapoor, who wanted to paint a love story on a rich Canvas. His let down is the Cast, Rishi Kapoor was probably a better actor in his later years, here is a flop with no Screen presence, where as Padmini Kholapure is mediocre with very mechanical motion in her dance numbers. There are too many characters with too many lines and very few to make any impact. This is the only Raj Kapoor movie that I had to fast-wind ever. Other mainstay of his movies was the music by the Maestro's of melody, Shankar-Jaikishan, which is obviously lacking by their absence. The Raj Kapoor magic for some reason was lost in this otherwise a Cinematographical masterpiece and a Visual treat.

The writing on the wall is clear - "Prem Rog" qualifies to be the weakest link under the baton of the "Showman". Raj Kapoor fans will be disappointed with this outing.

The plot attempts to work on two levels namely realise true love and societal reforms, sadly it fails on both fronts. As I followed the narrative I felt that even Raj Kapoor realised that its not working and the nonchalant factor in the proceedings is apparent. The plot is preachy and clearly outdated for the time it was made.

Rishi Kapoor attempts to give his best shot to portray a idealist/ reformist but maybe some other actor without baggage would have been better. Padmini was a bad choice, again a fresh face could have given depth to the character who exuberates innocence and pain. The rest of the star-cast was adequate.

Music and lyrics are the only strong points of "Prem Rog". Raj Kapoor got Suresh Wadkar into the fold of RK banner. Lata as usual was at her melodious best.

This movie was way ahead of the times. It requires an immense amount of intellect to appreciate the undertones. Socialism, culture, love, abuse, feminism and self respect embroiled into one stunning movie. It swept the floor at the National Awards, with a powerhouse performance from Padmini, but equally great performance from Rishi. Problem is that Rishi acts so effortlessly that he makes it look easy and always gets overlooked by Awards.

The movie is directed to utter perfection, the songs, cinematography and script is second to none. They can't make anything like this again. My favourite scene is near the finale during the village power blackout and confrontation between Rishi & Shammi, the dialogue which turns all the lights back on still gives me goosebumps.

Review By Kamal K

Very Powerful movie, i say..MUST watch.. No wonder why Rishi kapoor ji was a Heartthrob..Watching him is always a delight.. Beautiful story line.. And superb acting, Innocence of Rishi ji and Padmini ji stole the show.. I hv seen this movie multiple times.

Okay, this is supposed to be an issue-based film. If so, its issues are hiding under a most preachy, corny story of the innocent girl who is raped and transformed. There are two extremes here. First, our leading lady is naive in the most unbelievable ways, much to the point of thinking that just being kissed by a guy could get her pregnant, and then she is unable to smile. Her second phase of course makes perfect sense considering how atrocious this whole experience was for her, but the transformation is just not convincing enough to me.

Now, I know, this is a Raj Kapoor film, you can always expect superb photography, great music, and indeed, it's all there, but the banality of the story, as well as the exhaustingly long runtime of the film for a story that would require less, makes the entire thing really quite tedious. The film is a visual treat, no doubt, it is beautifully shot, the extravagance of the sets is overwhelming, and even the music helps to create an entertaining picture. But even if all those are well put into place, it can't make up for the missing depth that one expects from The Showman.

Now Prem Rog aims to tackle several social themes, among which the most prevalent is widow remarriage, but it's hard to take it seriously when many of the situations are convoluted, melodramatic, while some of the key characters are mere caricatures. One wishes the whiny background music in the crucial scenes was not there. What's more, the legendary director, probably in order to ease it for the viewers, makes ferocious attempts to overpower this serious issue with some fluffy romance, thereby taking away from the seriousness of the situation.

Prem Rog is pretty Padmini Kolhapure's film all the way and it attempts to repeat her brilliant appearance in Kapoor's Satyam Shivam Sundaram, where she was innocence personified, and probably her raw performance in Insaaf Ka Tarazu (where she played a teenaged rape victim). Sadly, the innocence here is overplayed by the writers, but she rises above the script and is wonderful. It's pretty strange how quickly she lost her stardom following such a spectacular start with a string of both commercial and artistic successes.

Rishi Kapoor gets a very common role for his doing and plays second-fiddle to his leading lady. He does really well, his disappointment early when the girl he loves gets married to another is convincing, and he is good support throughout, as are Nanda and Shammi Kapoor. Prem Rog is among Kapoor's weakest films, frankly, and it just feels like another Hindi melodrama. I'm not saying it's bad or unwatchable, it's Kapoor after all, but despite all its technical brilliance and how stunning it is to look at, it's not fully realised.