Bobby
- 1973
- 2h 48min
NOTE IMDb
6,9/10
2,1 k
MA NOTE
Ajouter une intrigue dans votre langueRaj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.Raj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.Raj, the son of strict, wealthy parents, falls in love with Bobby, the daughter of a poor Christian fisherman -- a romance his parents oppose.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 9 nominations au total
Pran Sikand
- Mr. Nath
- (as Pran)
Premnath Malhotra
- Jack Braganza
- (as Prem Nath)
Piloo J. Wadia
- Mrs. Pestonji
- (as Mrs. Piloo Wadia)
Avis à la une
Wanting to get back into "Hindi retro" movies after a few years hiatus, a friend of mine in Kerala showed me the YouTube channel Bollywood 70s 80s, where this movie had been uploaded with English subtitles.
Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.
The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.
I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.
I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.
Fifty-one years later & in another country, I found 'Bobby' to be a timeless story. The namesake is for Bobby Braganza, the daughter of a drunkard Goan fisherman. Raja, the son of a rich but unsympathetic businessman, returns home at the end of term from boarding school, where his father throws him a party at which he has the pick of several forward caste nubiles, with Nima, a particularly flirty one, making herself explicitly available to him. Raja, however, is disappointed by these options, seemingly feeling that none of these women really wanted to get to know him for who he was. Amidst his despair at finding a genuine partner whom he would understand & who would understand him, he is stricken with passion by the demure, painfully shy Bobby. Despite her feelings of inadequacy for being beneath his standing, & initially being indifferent to him, she too finds her passion for him.
The story touches lightly on topics that are more familiar to Indian audiences than those in my own part of the world - namely, caste distinction, the sensitivities of family honour, corruption, & bridal kidnapping. It touches lightly enough that these topics don't overseason the rest of the story, which itself unfolds & develops at a very sensible pace. It's not a short movie, but this allows for the story to cook slowly & feel more natural.
I was drawn to this movie specifically because of the ethereal, sphincter-tickling beauty of Dimple Kapadia. Despite being about fifteen at the time of filming, she played her role brilliantly - as did all of her elder peers. Aruna Irani was also pretty sizziling, but, like Raja, I was turned off initially by her immodest, even aggressive, come-on towards him was.
I would give this movie a 10/10, but for two reasons. I deduct one star in that the dynamic between Bobby & Raja consists almost entirely of anticipation & struggle, & the audience does not get to view any external expression of their love (perhaps the sensibilities of Indian cinema in that era were not in favour of displaying gratuitous lovemaking). I also deduct a star for the movie's rather limited production value, which I would have liked to see more polished, especially given how beautiful the story is.
With 8 songs running for nearly an hour, Bobby definitely feels long when watching in 2024. A 16-year-old canoodling with a 19-year-old is also a thorn that sticks out of this hugely entertaining drama that has every reason to be called a classic. I am fascinated by Dimple Kapadia's performance here more than anyone else's as it's evident that she put her best into it, whether it's her dialogues or her dancing. Rishi Kapoor looks nervous in the initial sequences but he manages to match Kapadia's energy, and together they succeed in creating a film that's a love letter to today's lovebirds. Was heartening to see Aruna Irani and Farida Jalal as youngsters. A definitely great watch 50 years later.
I saw the movie recently on a DVD given to me by a friend. I was aware about the movie when it was released many years ago. "Bobby" is a gorgeous girl and the scenery was awe inspiring. The producers took a chance in conservative India to feature her in mini skirts and somewhat promiscuous scenes. Anyway she reminds me of a famous American star Kristie Ally from an old TV series Cheers. How can I join her fan club?
Raj Kapoor's "Bobby" will never get old. It is a brilliantly made modern teen romance. Raj Kapoor's direction and imagination are excellent, ditto for his realistic portrayal of the modern 1970s India and its middle-class Christian community. The romance is portrayed beautifully, injected with many youthful energies and further aided by colourful and vernal locations, beautiful romantic songs, comedy and drama, and two very charming fresh talents in the lead roles.
This is the love story of a pretty, smart and headstrong Christian school-girl named Bobby, and a romantic, rich and well-mannered young man named Raj, who, unlike most of his contemporaries, prefers to sit at home and write poetry. He falls in love with her the first minute he meets her, and surprisingly enough, it does not look clichéd. The story shows how they start dating each other and how they later fight parental opposition.
Interestingly, while Raj Kapoor made this film to launch his son on the big screen, he titled it after Dimple Kapadia, who impressed him very much and reminded him of his muse Nargis. In a documentary about the life and craft of Raj Kapoor, he said that Bobby's first meeting with Raj in the film was loosely inspired by Kapoor's first meeting with Nargis at her home. And I completely understand why the memory of meeting her stayed with him for the rest of his life when I see this scene. It is a magic moment.
Rishi Kapoor and Dimple Kapadia make for a very good couple. This is according to me Rishi Kapoor's best performance along with his role in Mera Naam Joker. Maybe his dad was the one who could extract his talent to the fullest. He is likable, impressive and very convincing as Raj. Dimple Kapadia's is undoubtedly one of the greatest debuts in the history of Hindi cinema. She was natural, compelling, beautiful and acted with total aplomb. Her western outfits and sex-appeal are still very memorable. The rest of the cast are excellent, with Prem Nath standing out in a wonderful comic act as Bobby's loving father. Pran was also very convincing as Raj's witty, proud and dignified father, and Durga Khote and Aruna Irani provided fantastic support. Oh, and how can one forget Farida Jalal's Alka Sharma? A five-minute role which stays with you forever just like the film.
The film's cinematography is effective, the editing is good as well, and the art direction is fantastic. The characters are well-written, and most importantly - the music is simply outstanding. My favourite songs are "Main Shair To Nahin" (as is Aruna Irani's wonderful dance for the song) and "Chabi Kho Jaye (Hum Tum)". All in all, Bobby was a trend-setter, and it still remains an all-time sensational and fresh love story, which will never look dated.
This is the love story of a pretty, smart and headstrong Christian school-girl named Bobby, and a romantic, rich and well-mannered young man named Raj, who, unlike most of his contemporaries, prefers to sit at home and write poetry. He falls in love with her the first minute he meets her, and surprisingly enough, it does not look clichéd. The story shows how they start dating each other and how they later fight parental opposition.
Interestingly, while Raj Kapoor made this film to launch his son on the big screen, he titled it after Dimple Kapadia, who impressed him very much and reminded him of his muse Nargis. In a documentary about the life and craft of Raj Kapoor, he said that Bobby's first meeting with Raj in the film was loosely inspired by Kapoor's first meeting with Nargis at her home. And I completely understand why the memory of meeting her stayed with him for the rest of his life when I see this scene. It is a magic moment.
Rishi Kapoor and Dimple Kapadia make for a very good couple. This is according to me Rishi Kapoor's best performance along with his role in Mera Naam Joker. Maybe his dad was the one who could extract his talent to the fullest. He is likable, impressive and very convincing as Raj. Dimple Kapadia's is undoubtedly one of the greatest debuts in the history of Hindi cinema. She was natural, compelling, beautiful and acted with total aplomb. Her western outfits and sex-appeal are still very memorable. The rest of the cast are excellent, with Prem Nath standing out in a wonderful comic act as Bobby's loving father. Pran was also very convincing as Raj's witty, proud and dignified father, and Durga Khote and Aruna Irani provided fantastic support. Oh, and how can one forget Farida Jalal's Alka Sharma? A five-minute role which stays with you forever just like the film.
The film's cinematography is effective, the editing is good as well, and the art direction is fantastic. The characters are well-written, and most importantly - the music is simply outstanding. My favourite songs are "Main Shair To Nahin" (as is Aruna Irani's wonderful dance for the song) and "Chabi Kho Jaye (Hum Tum)". All in all, Bobby was a trend-setter, and it still remains an all-time sensational and fresh love story, which will never look dated.
The film Bobby is a love story of a rich boy and a poor girl which remains fresh for the generation of 1990s & 2000s too. The character Bobby pretends to be a 21st century girl which is based on prediction of the lifestyle of girls who would live after 27 years. The plot is about the misunderstanding between lovers in the first half and superiority and inferiority complex between parents of the lovers in the second half of the movie. It shows how parents get united due to the strong love between their children. Bobby is suitable for all ages as it shows multiple perspectives i.e, perspectives of both children and parents. So, do watch it to understand self and others.
Le saviez-vous
- AnecdotesIn March 1973, a then 15-year-old Dimple married 30-year-old actor Rajesh Khanna. Bobby, her debut film, was released eight months later in November 1973. Dimple had two daughters and took a decade long hiatus from film until Manzil Manzil (1984).
- ConnexionsFeatured in Godfather (1991)
- Bandes originalesMain Shair To Nahin
Music by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma (as Laxmikant Pyarelal), Lyrics by Anand Bakshi
Sung by Shailendra Singh
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Bobby?Alimenté par Alexa
Détails
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant