Ironmaster, la guerre du fer

The leader of a prehistoric hunting tribe is murdered by one of his own people, an evil young tyrant. When the tribe banishes the killer, he wanders into an area of volcanic activity and witnesses the natural formation of an iron bar. Using this weapon and the knowledge of the means to create it, he becomes mad with power and sets forth on a bloody mission to conquer all mankind...one tribe at a time. It is up to his lifelong rival to thwart these sinister plans.

IRONMASTER is a better film than it has any right to be, a highly entertaining chunk of old-school Euroschlock replete with equal parts cheesecake and beefcake(and even a light smattering of gore).

You've likely seen all this before, but this is one of the better examples of those European loincloth adventures which were being made by the dozen during the 80s.

Fun stuff...5.5/10

This was directed by prolific Italian filmmaker Umberto Lenzi who boasts numerous directorial credits in a wide array of film genres including a number of (in)famous horror outings and some very gritty crime dramas.

Fans of Italian B-movies will instantly delight in seeing big George Eastman in the role of the main villain (as he is very often type cast) who, inadvertently brings about the inception of the Iron Age(!)

Scouring the internet, I have found nothing but disdain and vituperation for this film with some reviewers even going so far as to apply the ignominious label of 'The worst movie ever made' upon it. Whilst the film is admittedly certainly no masterpiece by any stretch of the imagination, it is in fact not nearly as bad as it's sullied reputation would have us believe.

What we have here in effect is a sort of semi-documentary detailing the sudden great psychological and sociological evolution of early human kind as precipitated by the discovery of more puissant weaponry.

OK, so it is somewhat base in it's linear execution, logic is not a trait it is particularly rich in, the acting is not exactly Oscar material and the special effects are shall we say, severely wanting, but despite this, the film is actually rather intriguing.

The ending especially, is surprisingly rather poignant for this genre and is quite refreshing.

Special mention must also be made of the title score for the film, which is one of those tunes you'll find yourself humming for days!!!

Overall then, whilst woefully inaccurate in its historical context, this film is nonetheless rather fascinating in its inimitable depiction of a bygone people and their turbulent way of life.

I originally bought this movie, having never seen it, strictly for laughs. But I was pleasantly surprised to find out that it's really and engaging movie. Now, it does have its dumb parts, but for the most part I was riveted. The story is simplistic, but this isn't trying to be anything incredible. Once again a film is made which most people just can't appreciate.

Also, I love the weird naked monkey guys.

Umberto Lenzi has almost always been one of Italy's better "B-movie" directors, delivering consistently entertaining films throughout his career right up to the mid 80's. Ironmaster was a bit of a turning point, with Lenzi working with smaller and smaller budgets and with lesser and lesser known actors.

With this dead-serious caveman adventure, we have most of the old regulars from Lenzi's crime films like Nello Pazzafini, Giovanni Cianfriglia, Ottaviano Dell'Acqua, and Riccardo Petrazzi (most of whom were primarily stunt men)... a couple other familiar faces like William Berger (KEOMA), George Eastman (KING DAVID), Danilo Mattei and Walter Lucchini (both from CANNIBAL FEROX) and that kid with the wounded leg in NIGHTMARE CITY. But who did Lenzi's producer Luciano Martino cast as the lead? The answer is the pretty mysterious case of bodybuilder Sam Pasco, who seem to have appeared out of nowhere and then disappeared (having never acted in a film since) even though he really isn't bad at all in this movie.

Anyway, the whole thing is a pretty obvious parable of WW2 with Eastman's character Vood as basically Hitler's caveman equivalent, though he goes around smashing things while his lady friend does all the talking for him. It's actually not a bad plotline either, aided by some sumptuous photography, decent special effects, some really energetic editing, and one of Guido and Maurizio De Angelis's best forgotten scores (omitting the really lame title theme). The movie's main weakness is the heavy-handedness of everything, with morals being pitched left and right when the movie is really too low budget and silly to be taken seriously.

Almost universally, this film is trashed as one of the all-time worst but it really isn't that bad at all. Much like Bruno Mattei's much-maligned ROBOWAR and Sergio Martino's SLAVE OF THE CANNIBAL GOD (which this film recycles some music from) IRONMASTER really would have been given a lot more credit had the producers put a little more money into it. It's still quite a lot of fun, and pretty far from boring to say the least.

My review was written in August 1985 after watching the movie on Prism video cassette.

Made in 1982, "Ironmaster" is an Italian adventure fantasy right off the assembly line that has copied recent trends in Yank and Aussie action pics. In this case, it's mainly "Quest for Fire" time, though the primitive men here are far more advanced.

George Eastman is in the tile role, portraying a power-hungry Iron Age man who discovers the art of iron smelting and uses it to make swords. He has been passed over by his tribe elders who want a woman to succeed them, but Eastman as Vude plans to conquer his and other neighboring tribes.

In opposition is young muscleman Aela (Sam Pasco), who not only steals Vude's swords but invents a bow & arrow to easily subdue the baddies. Corny finish has him destroying all these weapons of war after they've done the job.

Picture is strictly routine, with no nudity, discreet (mainly) violence and little period atmosphere. Lensing is competent, including unusual (for this genre) locations, shot in South Dakota, with a small buffalo herd grazing nearby.