NOTE IMDb
4,8/10
2,5 k
MA NOTE
Une équipe de scientifiques travaillant à relever un sous-marin nucléaire russe coulé sur une plate-forme océanique au large des côtes de Miami, en Floride, déterre une ancienne relique du f... Tout lireUne équipe de scientifiques travaillant à relever un sous-marin nucléaire russe coulé sur une plate-forme océanique au large des côtes de Miami, en Floride, déterre une ancienne relique du fond de la mer.Une équipe de scientifiques travaillant à relever un sous-marin nucléaire russe coulé sur une plate-forme océanique au large des côtes de Miami, en Floride, déterre une ancienne relique du fond de la mer.
- Réalisation
- Scénario
- Casting principal
Gioia Scola
- Dr. Cathy Rollins
- (as Marie Fields)
Stefano Mingardo
- Klaus Nemnez
- (as Mike Miller)
Giancarlo Prati
- Frank
- (as John Blade)
Mike Monty
- George
- (as Mike Monti)
Michele Soavi
- James
- (as Michael Soavi)
Maurizio Fardo
- Larry Stoddard
- (as Morris Fard)
Lewis E. Ciannelli
- Oil Rig Commander
- (as Benny Lewis)
Gudrun Schmeissner
- Liza
- (as Gudrun Schemissner)
Avis à la une
This film is in a league of it's own: I won't bother to re-state what every other person has already posted regarding the plot. Needless to say it makes no sense what-so-ever in the big scheme of things, but there is plenty of violence and preposterous characters such as the "Crystal Skull" liven things up no end. The best line in the whole film has to be "We can't move; we're immobilised" (by an invisible force field), so how come he can still move his jaw to speak? As I say ultimately in a league of it's own and one of the best examples of how practically any script was considered during the 80's as a potential blockbuster!
Ruggero Deodato's 1983 classic is one of the most entertaining B movies I have ever seen, the story might be out there, but this is one film where the actors and action drive the narrative. Christopher Connelly and Tony King make a great double act and director Deodato was obviously having a good time directing something more entertaining than his previous film THE HOUSE ON THE EDGE OF THE PARK. Find this film and enjoy, because they don't make them like this anymore!
From Ruggero Deodato, the director who gave us the incredibly powerful and disturbing Cannibal Holocaust comes this lighter weight action yarn from 1983.
It utilises the intriguing central premise of the resurfacing of Atlantis as a catalyst for mass violence when the descendants of the aforementioned long lost continent, who are now living amongst us, take to the streets in heavily armed gangs and set about annihilating the rest of mankind.
The future of the human race appears to rest in the hands of a small group of people who escape the initial wave of urban anarchy whilst they are out at sea.
But returning to dry land how can so few defeat so many? The above plot provides the basis for scene after scene of urban shoot outs and ferocious pitched battles against the marauding hordes of leather clad, painted faced bikers as our heroes fight for survival in a world that has descended into chaos.
A great assembled cast of B-movie favourites including Christopher Connelly, Tony King and Ivan Rassimov head this fairly enjoyable effort that is certainly never dull and boasts some admittedly very exciting scenes ala. Assault On Precinct 13.
Added to this some great stunt work, with some very noteworthy scenes involving a mini bus and you have a solid 90 mins or so of action entertainment.
However it has to be said that the film makes virtually no sense at all! It appears to have been cobbled hurriedly together sans any logic which sadly serves to seriously undermine it.
It's almost as if, in a desperate attempt to cramp in as many action scenes (copied from other movies) into one picture, the makers forgot to provide a plot that links the said scenes together.
The end result is a decidedly disjointed affair to put it mildly.
However, I don't wish to be too hard on the film for viewed as an action movie it certainly delivers the goods by the bucket load.
As a final note, fans of those lovable cut and splice ninja movies from the 1980's as produced en masse by Godfrey Ho and Joseph Lai will delight to see non other than Bruce Baron as the head villain in this, although he spends most of his screen time beneath a 'crystal' mask.
It utilises the intriguing central premise of the resurfacing of Atlantis as a catalyst for mass violence when the descendants of the aforementioned long lost continent, who are now living amongst us, take to the streets in heavily armed gangs and set about annihilating the rest of mankind.
The future of the human race appears to rest in the hands of a small group of people who escape the initial wave of urban anarchy whilst they are out at sea.
But returning to dry land how can so few defeat so many? The above plot provides the basis for scene after scene of urban shoot outs and ferocious pitched battles against the marauding hordes of leather clad, painted faced bikers as our heroes fight for survival in a world that has descended into chaos.
A great assembled cast of B-movie favourites including Christopher Connelly, Tony King and Ivan Rassimov head this fairly enjoyable effort that is certainly never dull and boasts some admittedly very exciting scenes ala. Assault On Precinct 13.
Added to this some great stunt work, with some very noteworthy scenes involving a mini bus and you have a solid 90 mins or so of action entertainment.
However it has to be said that the film makes virtually no sense at all! It appears to have been cobbled hurriedly together sans any logic which sadly serves to seriously undermine it.
It's almost as if, in a desperate attempt to cramp in as many action scenes (copied from other movies) into one picture, the makers forgot to provide a plot that links the said scenes together.
The end result is a decidedly disjointed affair to put it mildly.
However, I don't wish to be too hard on the film for viewed as an action movie it certainly delivers the goods by the bucket load.
As a final note, fans of those lovable cut and splice ninja movies from the 1980's as produced en masse by Godfrey Ho and Joseph Lai will delight to see non other than Bruce Baron as the head villain in this, although he spends most of his screen time beneath a 'crystal' mask.
Some scientists team up with a duo of Vietnam vets to fight make-up wearing biker punks from the lost city of Atlantis which reemerges from under the water due to a sunken Russian submarine's radioactive missiles. Just typing that previous sentence makes my brain hurt and I haven't even gotten to the more nonsensical stuff. Ha.
OK, the plot is ridiculous and the film itself doesn't make a lick of sense, but this b-movie is amazingly fun and doesn't let up on the action. Think of it as a cross between Assualt on Precint 13, and mad max. If you loved those films, are willing to keep and open mind, and can turn your brain off for the duration of the film, you'll like this one a lot as well.
My Grade: A-
Side note: This movie can be found on side A of Disc 2 of the Grindhouse Experience 2 four DVD set, alas it's from an old VHS dub and the picture is far from optimal. Hopefully this unsung b-movie classic will be re-released in a remastered form (ok, probably not, but one can hope)
OK, the plot is ridiculous and the film itself doesn't make a lick of sense, but this b-movie is amazingly fun and doesn't let up on the action. Think of it as a cross between Assualt on Precint 13, and mad max. If you loved those films, are willing to keep and open mind, and can turn your brain off for the duration of the film, you'll like this one a lot as well.
My Grade: A-
Side note: This movie can be found on side A of Disc 2 of the Grindhouse Experience 2 four DVD set, alas it's from an old VHS dub and the picture is far from optimal. Hopefully this unsung b-movie classic will be re-released in a remastered form (ok, probably not, but one can hope)
What do a Russian nuclear waste laden submarine, the lost continent of Atlantis, a gang of violent post-apocalyptic biker thugs and two interracial Vietnam War buddies have in common? Well, I'm not exactly sure, but Italian cult director Ruggero Deodato nevertheless managed to deliver a fun and exciting exploitation movie featuring ALL of the above elements, and a heck of a lot more. "The Atlantis Interceptors" is an extremely entertaining time-waster, as long as you leave all your sense of intellect at the front door and just enjoy the show. The film exclusively offers plenty of testosterone-packed action, macho characters who swing around large machine guns, silly humor & cheesy dialogs ("If you were an island, where would you hide?") and costume designs that are directly stolen from John Carpenter's classic "Escape From N.Y". The leader of the "Interceptors" hides his face behind a crystal skull and drives a cool car tuned with sharp weapons. The music is pretty awesome, as usual in Italian exploitation treasures, and there a few familiar faces to be found in the cast. It was nice to see George Hilton again, although he aged rather badly since he was the star of copious amounts of Gialli and Spaghetti Western favorites of mine in the late 60's and early 70's. Ruggero Deodato directs with a solid sense of professionalism, but he clearly also realizes this isn't another fundamental effort like his notorious "Cannibal Holocaust". Hey, it's no masterpiece whatsoever but rest assured it deserves a much better rating that the lousy 2.8/10 that currently parades the main page. Just bring your sense of adventure and bad taste. Oh, and whatever you do
remember the valuable moral of this movie: Do NOT dump nuclear waste in the oceans, because before you know it, Atlantis emerges to the surface again and mankind will be overrun by aggressive biker punks. Mmmkay, got that?
Le saviez-vous
- AnecdotesWhile looking for locations in the Philippines, Ruggero asked his guides to take him to the same region where Francis Ford Coppola filmed Apocalypse Now (1979). Seeing that the place had been cleared for that filming, Deodato was forced to look for an area with virgin forest. In Deodato Holocaust (2019), the filmmaker stated: "Coppola had destroyed that jungle!".
- GaffesAll of the vehicle license plates read, "Florida - 1983", which is the year the film was made, not the year in which it is set (1994).
- Versions alternativesThe German version (released under the title "Atlantis Inferno") is missing the entire opening credits sequence, and starts directly at the first scene with the kidnapping. Before the movie is a blue screen with the title, and credits for Ruggerro Deodato, Christopher Connelly (I), Tony King, Ivan Rassimov and Mike Miller. No one else from the opening credits sequence is credited anywhere in the movie. The end credits are also taken straight from the original Italian version, and are still in Italian. Also, several cuts are made to the more gory sequences, including the deaths of Frank, Liza and Barbara, and the decapitation of the motorcycle raiders. All of the other death scenes remain intact. There are also many dialog changes, with extra lines added (in German) in numerous scenes. The echoing screams of the raiders when they are killed have also entirely been replaced with normal, non-echoing cries from German voice-over artists. Additionally, during the platform sequences, an echo has been added to lines of dialog spoken by characters into microphones, which is not present in any other version worldwide.
- ConnexionsFeatured in 42nd Street Forever, Volume 1 (2005)
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- How long is Atlantis Interceptors?Alimenté par Alexa
Détails
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Atlantis Interceptors (1983) officially released in India in English?
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