La fugue

I've seen Night Moves twice, 20 years apart. Both times, I felt strangely obligated to love this movie, for two reasons: (1) Gene Hackman is one of my favorite actors; and (2) I enjoy detective stories, especially those featuring Philip Marlowe or Lew Archer (the primary inspirations for Hackman's character, rather than Sam Spade, who is misleadingly name-dropped here).

Unfortunately, both times I was frankly bored by this movie and struggled to get into it. What's the problem? Well, detective stories are a funny genre. They tend to have very little action or incident, and instead rely on character development and witty dialogue to sustain interest. For this approach to work, the dialogue must sparkle, and the cast of characters must be really compelling.

Night Moves gets this all about half right. Some of the dialogue is sharp, but the seduction scenes have rather laughable "deep" and "sexy" lines. The movie is also weighed down by a protracted marital infidelity subplot that goes nowhere interesting.

I'll say this, though - the violent finale is terrific and really sticks in the mind.

In short, it's hard to write detective fiction as well as Raymond Chandler or Ross Macdonald, and this kind of pale imitation / updating of their work mostly just annoys me. Hackman is great, and the story kind of holds together, yet somehow this movie fizzles rather than frizzles.

"Night Moves" was a surprise to me. I assumed it could be a far more simple mystery/action film, but the whole thing caught my attention and really amazed me. What a great study in murder, infidelity, cruelty, sex, and relationships between strangers. A kind of film noir with dark overtones and a slow but effective suspense, the story starts as a simple investigation about a runaway teenager, but grows more and more into a complex drama plenty of unexpected twists. Gene Hackman is superb as the rude detective, the rest of the cast is also in fine form, but the real shock is to see a very young, hot (and naked) Melanie Grifith doing a terrific performance. James Woods is also here, with less impact but great to see too. An excellent film, one of the finest 70's underrated movies.

NIght Moves falls into that category of movies that was not so loved when it came it but since time has passed, people have come around to it. It also benefits from being from that new golden era of cinema, the 70s, where the films showcase a gritty side to characters, often played by some of the best anti-hero actors of all time -- Hackman, in this case. Night Moves is a good movie and a lot of fun but it has some limitations which keep it from being more than that.

First of which, the story really doesn't make sense. It's clear when the case is more or less solved about an hour in that the movie is really going to be about something else. In this case, it's more about Hackman's character, a guy who despite his love of things like chess, can't seem to really figure stuff out. So we are taken through his marriage, his wife's infidelity. an attempted reconciliation, etc. All that stuff is great for a great actor like Hackman who makes you feel how lost he is.

The problem is that the ties that connect that to the real story, that of the art smuggling, which is the real mystery, are very thin. Also, the ties that connect the plot points of the smuggling story are very week. Too much coincidence, too many people happen to be exactly where they need to be. Too much crossing the country - - LA to Florida in the blink of an eye. One second Gene Hackman is chasing James Woods around LA on a motorcycle. The next scene, he finds him in Florida.

I read that the film was shot in 1973 and then shelved until 1975, meaning that there must have been issues with it then. There must have also been a lot scenes cut, because a lot is in there, it's just hidden very deeply with no way to get at it. I think this is a film to check out and enjoy for some very good elements. I just don't think we can put our blinders on and make it a 70s classic. Good film. Worth a watch.

Private investigator Harry Moseby (Hackman) has his hands full retrieving a teen runaway (Griffith) from the Florida Keys back to Los Angeles. A routine case shuffled off to him by a rival, the matter nevertheless evolves into a complicated multiple murder plot. Normally distant Harry has difficulty separating his personal feelings from the facts.

The first half of this film is such a dull and plodding downbeat soap opera that it challenges the patience of the viewer. The relationships of a group of emotionally broken people hinting at personal guilt over sordid pasts thrown together by less than ideal circumstances don't always tie in with the actual narrative. But they aren't really meant to.

The real mystery of the story rests within the human interactions and what is important vs what is trivial. Harry is in fact a very poor detective. He lets those few emotional connections he is able to make with people cloud his judgments whilst assuming guilt on the part of those he doesn't like. What makes him a hero nevertheless is that he doesn't quit even if it means discovering personal betrayal.

Telling moments are rife. The way different people react differently from each other is a continual source of confusion for Harry. His inability to connect with his own wife on an emotional level has made her feel alone even in their most intimate moments together. Yet he lets his guard down with the wrong kinds of complete strangers. It certainly isn't by choice that he has chosen misread both the situation and the people surrounding it..

This is a more sophisticated form of detective story in that it offers an examination of the mindset of the detective - one who happens to be emotionally vulnerable and even a tad fragile.

Night Moves is an underrated Film Noir. Directed by Arthur Penn (Bonnie & Clyde) it is an absolutely outstanding genre piece. Gene Hackman plays an L.A. gumshoe who is hired by a well to do ex-actress to find and bring home her runaway daughter (Melanie Griffith in her first role!). What seems to be routine detective work soon turns out to be a complicated case which finally ends in murder and mayhem. There are some remarkable stunt and underwater sequences, well photographed by Bruce Surtees (Director of Photography of many Clint Eastwood action movies). Not only Melanie Griffith but also another of today's stars, James Woods, gave his screen debut in this film. See it, it is worth the while!