Conversation secrète

The Conversation is a stark look into the modern art of surveillance and its affect on one of its practitioners. Harry Caul (Hackman) is at the top of his business, but he's disturbed. Highly paranoiac, he is troubled by bad things that happened to some innocent people as a result of a prior surveillance job. Now he's afraid it's happening again....

The Conversation could not be more antithetical of the current movie making style. Stark, claustrophobic, unsexy, slow-paced, and with almost no soundtrack, it slowly builds to its dramatic noirish denouement.

A real treat, and as an added attraction the actors include a young Cindy Williams, Terri Garr, John Cazale, and Harrison Ford. Worth the rental unless anything outside of the MTV mould causes agitation.

This is one of those films I'm glad I gave a second chance because it got much better, and has continued getting better with each viewing (I've now seen it four times).

I know a few other people who watch this and ask, "What's the big deal?" Well, do what I did and give it another chance. Here's a tip: put on the English subtitles. It helps understand what is going on, as the taped conversations are often difficult to discern. Then, you might discover what I did: a fascinating character study, one that did not bore me as it had on the first viewing.

It's the study of a paranoid loner who is suffering a guilty conscience over the work he has done over the years, and what tragic consequences could happen with the latest project he's involved with. Without giving anything away, the loner's fears are realized in a shocking ending, but not in the way he imagined.

Gene Hackman, as always, does a super job of acting. He dominates the film as the main character, "Harry Caul." The topic matter - high-tech surveillance - was intriguing, too. After watching this film, I wondered what kind of surveillance tools are available now, 30 years after this film was made.

A paranoid, secretive surveillance expert called Harry Caul (reportedly Gene Hackman's favorite movie in which he has acted) will go anywhere to bug a private conversation , as he is becoming increasingly uneasy about his current job . He is a solitary man in both his personal and professional life, only helped by his assistant Stan (early deceased John Cazale of Deer Hunter) , as they are watching a young couple (Cindy Williams , Frederic Forrest , Coppola's fetish actor) when Harry begins to suspect that they are murder targets . The professional eavesdropper haunted by the time his bugging cost the lives of some people and terrified that it is happening again , as he has a crisis of conscience when he suspects that a couple he is spying on will be murdered . As Harry refines and re-refines the recording, he interprets what he hears in different ways . As Harry discovers shattering revelation believes that the lives of the young couple are in jeopardy .

This interesting flick turns out to be a powerful statement about privacy , guilty and responsibility ; being ¨surveillance¨ as the basis and theme of the film . The picture contains thrills , emotion , thought-provoking issues and plot twists during the last reel . Very good acting by Gene Hackman as a freelance surveillance expert as well as an intensely private and solitary mature man . His mood of isolation and loneliness is pretty well established . The ¨Tapper¨ Gene Hackman learned to play the saxophone especially for the film . Gene Hackman later plays a former NSA agent who is a surveillance expert in ¨Enemy of the state¨ (1998) by Tony Scott , and the images of his character in his younger days are taken directly from this film . Secondary cast is frankly good , such as John Cazale as his business associate , Allen Garfield as Bernie Moran , Frederic Forrest as Mark , Cindy Williams as Ann and special appearance by Robert Duvall as the Director . In addition , a pre-stardom Harrison Ford , Billy Dee Williams and Teri Garr appear in minor characters .

David Shire's original music was composed prior to production and played for the actors prior to their scenes to get them into the proper moods. Evocative and appropriate cinematography by Bill Butler and Haskell Wexler as uncredited director of photography . This well-made motion picture was stunningly directed by Francis Ford Coppola . In fact , this is Francis Ford Coppola's personal favorite of his movies. Coppola had written the outline in 1966 but couldn't get financing until The Godfather (1972) became a success. ¨The Conversation¨ resulted to be one of the best films of the 70s . Rating : Better than average , don't blink during throughout the film . Essential and indispensable seeing for thriller lovers and Gene Hackman fans .

'The Conversation' sadly doesn't get mentioned as much as Coppola's other (more flamboyant) seventies movies ('The Godfather' parts one and two, 'Apocalypse Now'), even though it as good as, if not better than the aforementioned. In fact if someone argued that this was his greatest achievement as a director, I would be hard pressed to disagree.

'The Conversation' bears many similarities to Antonioni's 'Blowup', another superb movie that requires multiple viewings to really appreciate. Both movies are very much of their time, and therefore 'The Conversation' is fuelled by the keywords of the decade it was made in - paranoia and deceit. The other main difference between the two movies it that 'The Conversation' is not only a head trip but also a taut and suspenseful thriller. Post Simpson/Bruckheimer audiences may not have the attention spans to appreciate it, but that is their failing, not this movie's.

Gene Hackman gives one of the finest performances of his career here as the complex and troubled surveillance expert Harry Caul, one that is possibly rivaled only by his too little seen gem 'Scarecrow'. And the supporting cast is first rate, and includes the late John Cazale, a favourite of Coppola's, Harrison Ford, Frederick Forrest, Cindy Williams, Teri Garr, and (an uncredited) Robert Duvall. Last but not least a superb turn from the underrated Allen Garfield, an actor who has appeared in many odd movies, from 'Get To Know Your Rabbit' to 'Destiny Turns On The Radio'. He is dynamite here, in a role originally intended for the legendary Timothy Carey, as a pushy rival bugging expert.

'The Conversation' is hypnotic, multi-layered and haunting. See it whatever you do.

"The Conversation" is a really great movie. I was quite surprised when I saw it. Not at how good it was, but how few people have seen it or heard of it. This is a classic suspense thriller, and a terrifying psychological horror film! From the opening credits, I, like the characters, was unsure of where I was going, or what the opening conversation (which is what the entire film is built around) might lead to. It seemed so unusually powerful, despite its masterfully simplistic execution. There is no overkill or excess in this film, nor is it under written or underplayed. It's just perfect! And I was even more surprised at how little was shown, and how much it could engross or frighten the hell out of me! My heart was racing, even though there was little action! This is the kind of film Alfred Hitchcock would have been proud to direct. The direction went to another master instead, Francis Ford Coppola. I felt ahead of the movie at its opening credits. But then, it blasted me and got miles ahead of me. It is an attack on our psyche and our fear, and it's amazing how, like the film itself, the conversation in the film that seemed so small and irrational could lead to something as big as it did!