La bonne fortune

'The Fortune' is a crime comedy, centred around the dubious exploits of two 1920s conmen, promisingly played by Jack Nicholson and Warren Beatty. Their job is to cheat a wealthy woman out of her fortune, and the film starts off positively. The film's song, 'I Must Be Dreaming', is quite enjoyable, and I was glad to see Nichols reuse it in the credits at the end. Unfortunately, it all goes downhill from the hopeful first scene. The premise was interesting, but it may have been performed better if the film was more serious. It felt a little like a rom-com, road movie version of 'The Great Gatsby', and the effect wasn't very good. The script was a little off at times, and I think that, in places, Beatty failed to remain on Nicholson's level during their usually fun exchanges. There were a few genuinely funny scenes, but I don't think there were enough of them to justify watching this. Other scenes degenerated into mind- numbing silliness, almost to the point where the viewer forgets the plot or the premise of 'The Fortune'. Overall, I was quite disappointed with this film. Nicholson, as ever, delivered a great performance, but I don't think that 'The Fortune' operated along the right lines. It could have channelled the atmosphere of 'McCabe & Mrs. Miller', or been a serious Prohibition crime film, but its direction steered it into becoming a very mediocre comedy.

Jack Nicholson, Warren Beatty, and Stockard Channing are at their comedic best in this movie. It's kind of one of those goofy 'buddy' movies where Nicholson and Beatty play off each other marvelously with Channing thrown into a great ditzy role. If you want to see comedy acting at its finest...

Boasting two of the biggest male superstars (Jack Nicholson, Warren Beatty) in their prime along with a major director (Mike Nichols) The Fortune isn't worth a plug nickel. Smug, abrasive, shrill it attempts to bowl you over with its heavyweight roster but instead trips over itself and falls flat on its face with one forced routine after the next.

Nicky (Beatty) runs off with sanitary napkin heiress Freddie (Stockard Channing)but in order to do so must employ the dim witted Oscar to tag along in order to get around The Mann Act and the fact Nicky is still married. Acting as a stand in until Nicky gets his divorce Oscar marries Freddie and the trio head for sunny California. When the living situation causes a schism between Nicky and Oscar the boys agree to off Freddie to get at the fortune.

There is hardly a laugh to go around in Fortune as Beatty looking like a slick gigolo and Nicholson a cross between Larry Fine and Professor Irwin Cory show a complete lack of comic timing or any chemistry between each other even though Nichols intention seems to be an attempt at a homicidal Laurel and Hardy. Channing starts out promising enough but even she catches what the boys have (crass comic timing) by pictures end.

Nichols who up until this point had directed some seminal 70s performances allows his stars to lurch in every direction as he places more emphasis on camera movement and toying with ellipsis including not one but two long runway takes that remind us how well he did it in Catch 22 but not here.

John Alonso lenses capably while Richard Sylbert's production design applies a thick coat of lipstick to this pig but the end result is an arrogant display of contemporary might who felt reputation alone would carry this turkey. Instead it chops its head off.

Mike Nichols' last good film that I'm sure bombed at the time. Stockard Channing almost steals the show as the young heiress, Warren Beatty is perfectly cast, and Nicholson is hilarious without doing much (great hair). There were a lot of good films in the 70's and this should have been included on most lists.

A 7 out of 10. Best performance = Jack Nicholson. There are scenes that fall flat, but the ones that work make it worthwhile. Great costumes and art-set direction as well. It's hard to imagine these two actors (Beatty & Nicholson) playing the characters they did in REDS six years later after playing these buffoons. Give it a shot.

A box office failure upon release, it just seems impossible to believe this genuinely hilarious film did not hit with audiences then and now is not the iconic cast and title it deserves to be. Columbia must have been aghast when it didn't set the box office on fire especially given what major stars Nicholson and Beatty were in '75. It is hard to find this film and if you have the time and luck to find a copy, try and also get THE FRONT and THE CHEAP DETECTIVE two other Columbia films around the same time that were reasonable successes and deserve to be major titles in anyone's home library.In Australia each of these films + HIGH ANXIETY suffered from the intro of colour TV and the cinemas all took a nosedive for 4 years 74-78. Very few films in thie period were big hits and cinemas closed in dozens. Pity as so many great films were made then and this comedy genuinely is one.