La loi du milieu

The first appearance of young James Kildare, MD was in this Paramount feature that starred Joel McCrea as the young Intern at Blair General Hospital. Come to think of it, I don't recall if the name of the hospital is given in the film.

Nor will you find any of the other regulars from the Kildare/Gillespie series from MGM. When Paramount saw no possibilities in a series of films, they didn't do film series with the exception of Hopalong Cassidy, MGM picked it up.

Lew Ayres who was Kildare over at MGM was a bright idealistic getting his minting over at Blair General Hospital under the tutelage of gruff but kindly Lionel Barrymore. McCrea is a more stern type of Kildare, the most straight arrow of straight arrows. In fact Joel McCrea was quoted as saying he never felt comfortable being anything other than the straight arrow hero. But he was good in those parts.

His patients include Barbara Stanwyck, a woman from the wrong side of the tracks who will do anything to get back the child she lost custody of and Lloyd Nolan who he patches up after a brawl in the bar they both frequent. Both of their stories intertwine and you see the film to learn how.

In what was essentially a B programmer Paramount gave a lot of good production values to this film. I guess it was befitting the stars McCrea and Stanwyck who were definitely on their way up.

I do sort of miss the Blair General Hospital regulars, but McCrea does right by the character of James Kildare, MD.

The first Dr. Kildare film, from Paramount. It has no connection to the later MGM series, of which I'm a big fan. Despite not having many of the elements I enjoy in those movies, this one is still entertaining. Joel McCrea and Barbra Stanwyck have nice chemistry. Lloyd Nolan and Stanley Ridges are great as gangsters, one rotten and one not so much. The best parts of the film are the hospital scenes that give us lots of "window into the past" bits that show us how life was at the time. Particularly how the medical profession was different. The visual style is more enhanced in these scenes, too. The hospital set is also pretty cool. Probably the one thing this film has over the MGM series. Worth a look whether you are a fan of Kildare or not.

... except this one is from Paramount and stars Joel McCrea as Dr. James Kildare. Like in the MGM series starting the following year, Dr. Kildare is an intern in a large New York City hospital, he lives on subsistence wages, and has a pretty grueling schedule. Unlike the MGM series there is no hot tempered wheelchair bound mentor in the person of one Dr. Gillespie. In all of his judgements here, Kildare is pretty much on his own.

As an intern in the hospital, Kildare treats a young woman for a burn on her hand (Barbara Stanwyck as Janet Haley). She also turns out to be undernourished so Kildare makes her lie down and drink a glass of milk. He then discharges her. It turns out Janet does have a job, she's just been cutting corners including her own meals to save money to pay for stool pigeons to help her find her own three year old child. She had been stolen by her estranged husband to keep her quiet about his illegal activities, but he died after pulling a hold up before he could tell her where the child was. She spent two years in prison because everybody believed she was in on the robbery with her husband.

If this is starting to sound like it is mainly about Stanwyck's character and not so much about Kildare, you would be right. This is mainly Stanwyck's film. But Kildare does figure heavily into helping Janet solve her dilemma. Also figuring heavily into the plot is Kildare's big taste for risk if it helps somebody out. That includes sewing up a gangster (Lloyd Nolan) after he shows up at a cafe and bar near the hospital, stabbed in some underworld activity and requiring immediate medical attention.

I think I prefer Lew Ayres' interpretation of the role, but this film is still worthwhile.

The acting and plot were strong here, and a very enjoyable movie. There is great chemistry with Joel McCrea and Barbara Stanwyck. Stanwyck per norm does great, dramatic work here.

The show stealer is Stanley Ridges. His creep who will help Stanwyck find her child -- only if she sleeps with him long-term and becomes his moll -- is chilling. It's one of the best performances I've ever see of a subtle, sinister gangster who alludes to dastardly deeds, without ever directly saying it. He doesn't ask her to sleep with him, he just munches popcorn, and offers her some. When she declines he says "At some point you should like popcorn." He is direct, firm and sleezy in a must-see performance.

The other scene stealer is Lloyd Nolan. A phenomenal what you would typically like a from a gangster, but with more depth. Great pauses, thoughtfulness and facial expressions in his conversations with McCrea. He's your ideal tough gangster but also has a bit of compassion. Just a bit.

MCrea is always a joy to watch - stable, sure performance.

Internes Can't Take Money is a clear title about the dilemma, and points to the moral quandary to come. But a more compelling title can be found, which that alone, would have made this a more sophisticated movie and higher up in the ranks.

INTERNES CAN'T TAKE MONEY (Paramount, 1937), directed by Alfred Santell, is a medical drama based on the story by Max Brand, creator of the Doctor Kildare character. It also is the movie that introduces Doctor Kildare to the screen. Though many film historians believe Lew Ayres to be the original Doctor Kildare of the movies, it is an unknown fact that this first Kildare of the screen was actually played by Joel McCrea. With no Doctor Gillespie (Lionel Barrymore in the Ayres series) as his supervisor and mentor, nor setting at Blair General Hospital as depicted in the Metro-Goldwyn-Mayer series (1938-1942), this introduction to the noteworthy character is less hospital melodrama combining sentimentality and crime drama using two separate stories for two basic characters.

Following camera tracking to various medical rooms where young interns in clinics are taking care of patients and their needs, Jimmie Kildare (Joel McCrea) is introduced as a young interne at Mounview General Hospital making $10 a month treating a second degree burn on left forearm wrist of Janice Haley (Barbara Stanwyck), who later faints of malnutrition. Later that evening, Doctor Howard J. Pearson (Pierre Watkin), hospital superintendent, gathers his staff together for the dismissal of Interne Weeks (Lee Bowman), a friend of Kildare's, for experimental liver operation on a patient who has died. While comforting Weeks at the nearby bar, Janice enters to meet with Dan Innes (Stanley Ridges), a gangster. It is revealed that Janice is a widow of Jim Haley, bank robber who had taken her 11 month baby and hidden her someplace. Having served a two year prison term for not revealing information about her husband's criminal activities, Janice, now paroled, comes to the racketeer hoping for information regarding the whereabouts of her now three-year-old daughter. Innes agrees to help her for $1,000, which she does not have. In the meantime, Kildare encounters Hanlon (Lloyd Nolan), a racketeer who enters the bar only to keel over due to severe knife wound. Kildare secretly takes the injured gangster to the back room of the bar and off the record does an immediate operation to save his life. Later, Kildare receives an envelope with $1,000 cash from bartender known as "One Eyed" Jeff (Irving Bacon). When Janice learns Kildare's money she desperately needs to find her child, her attempt to steal the envelope fails. Kildare gives back the money to Hanlon only because the "internes can't take money." Coming to terms with hospital rules, Hanlon agrees to assist Kildare with any favors needed. When Kildare learns of Janice's history, he comes to Hanlon for assistance, at the risk of losing his own medical career if caught. Also in the cast are: Barry Macollum (Stooley Martin); Charles Lane (Grote, the gambler who must earn the money lost to Innes by acting as his butler); Lillian Harmer (Mrs. Mooney, the Landlady); Fay Holden (Mother Theresa) and Gaylord Pendleton (Interne Jones).

Being the only "Doctor Kildare" movie produced by Paramount and featuring Joel McCrea, this is a good introduction to the Max Brand character. It also marks the third of six screen collaborations of Stanwyck and McCrea, with INTERNES CAN'T TAKE MONEY being one of their most underrated. Though Kildare is still the central character, the premise focuses more on the Stanwyck character, giving a standout performance and given extreme facial close-ups with realistic teary-eyedbuildup scenes that work with conviction. Stanwyck is most believable in her role of a desperate mother going through extremes searching for her infant child. Heartfelt moments include Stanwyck overlooking little sad looking three-year-old girls in orphanage, hoping one of them would be her very own daughter. Lloyd Nolan and Stanley Ridges give commendable performances as mobsters, with Nolan being more sympathetic through his tough guy image.

Unseen on commercial television since the late 1970s (notably WPIX, Channel 11 in New York City prior to 1973, and some showings on New Jersey's WTVG, Channel 68 (1976-1978), INTERNES CAN'T TAKE MONEY, which has, to date, never been shown in cable TV, did become available in 1995 on video cassette and DVD in 2013. Regardless of crime melodrama, sentiment and medical issues, INTERNES CAN'T TAKE MONEY is worthy screen 77 minute , thanks to its fine casting of actors and direction that rise above average script material. (***)