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Un directeur artistique des années 1930 tombe amoureux et tente de faire d'une jeune femme une actrice malgré Hollywood qui ne veut rien avoir à faire avec elle à cause de ses problèmes avec... Tout lireUn directeur artistique des années 1930 tombe amoureux et tente de faire d'une jeune femme une actrice malgré Hollywood qui ne veut rien avoir à faire avec elle à cause de ses problèmes avec un homme séparé et de son père alcoolique.Un directeur artistique des années 1930 tombe amoureux et tente de faire d'une jeune femme une actrice malgré Hollywood qui ne veut rien avoir à faire avec elle à cause de ses problèmes avec un homme séparé et de son père alcoolique.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 2 victoires et 7 nominations au total
Richard Dysart
- Claude Estee
- (as Richard A. Dysart)
Jackie Earle Haley
- Adore
- (as Jackie Haley)
Gloria LeRoy
- Mrs. Loomis
- (as Gloria Le Roy)
Norman Leavitt
- Mr. Odlesh
- (as Norm Leavitt)
Avis à la une
If you were lucky enough to see this astonishing film in 1975 you like I, will have never forgotten the deco Hollywood horror of DAY OF THE LOCUST, nor the queasy performances, perfectly realised.
Also at the time in cinema release on other films was one of the best movie trailers ever made. The trailer was imagery put to the song "Isn't it romantic" alerting moviegoers to a brilliantly bitter experience ahead. My friends and I rushed to the cinema the week it opened and were not disappointed. Other comments here give far too much of the story away and some hilariously 'don't get it' but let me say that of you ever want to see a cross between CABARET and WHATS THE MATTER WITH HELEN and BABY JANE and other powerhouse exercises in delusion, this is your film. The quality of the whole production, especially the art direction and the photography is the very best......and the music soundtrack is one to find...old Lps still exist and are well worth finding , as is the tape. I welcome the DVD release of this awesome film . A genuine knockout.
Also at the time in cinema release on other films was one of the best movie trailers ever made. The trailer was imagery put to the song "Isn't it romantic" alerting moviegoers to a brilliantly bitter experience ahead. My friends and I rushed to the cinema the week it opened and were not disappointed. Other comments here give far too much of the story away and some hilariously 'don't get it' but let me say that of you ever want to see a cross between CABARET and WHATS THE MATTER WITH HELEN and BABY JANE and other powerhouse exercises in delusion, this is your film. The quality of the whole production, especially the art direction and the photography is the very best......and the music soundtrack is one to find...old Lps still exist and are well worth finding , as is the tape. I welcome the DVD release of this awesome film . A genuine knockout.
It took over 35 years and the collapse of the big studio system before anyone in Hollywood, in this case Paramount, brought Nathanael West's novel The Day Of The Locust to the big screen. That climax at a Hollywood premiere is certainly not something the studios would want to show the public as a typical event.
The book is based on West's experiences while writing B pictures in Hollywood during the Thirties and some of the characters he knew. His main protagonist is William Atherton, an aspiring artist who is making a living doing set designs. That's one competitive business and he's got to go over his immediate supervisor John Hillerman's head to get his work noticed by producer Richard Dysart. Like the rest of West's characters, he's sacrificed pride a long time ago. It's his eyes that we see the other characters through.
But he's a paragon of virtue compared to starlet Karen Black who will do anything and anybody to advance her career. Atherton would love to get something going with her, but he's mindful of how amoral she's become. Her only real attachment is to her father, an ex-vaudevillian and now door to door salesman, Burgess Meredith. Even trying to do his shtick with sales doesn't gain him clients.
But the saddest one in the lot and the fellow with the best performance is Donald Sutherland who is an outsider to the film people, a businessman named Homer Simpson who Black uses and abuses. Sutherland's performance is not too different from the hapless cartoon character. Imagine the cartoon Homer Simpson dealing with real life heartbreak and you've got Sutherland's character. The line between tragedy and comedy can be a very thin one.
Geraldine Page has a brief role as an Aimee Semple McPherson like evangelist, shamelessly bilking the Depression's downtrodden. She's great in the part as is Jackie Earle Haley, a really rotten child star of whom I'd love to know who West's model was.
The Day Of The Locust was directed by John Schlesinger who got an Oscar for The Midnight Cowboy. Like that film, The Day Of The Locust deals with some fringe people just trying to get by. Burgess Meredith got an Oscar nomination for Best Supporting Actor and the film also got a nomination for Costume Design.
Before Newton Minow referred to television as a vast wasteland. I think that's what Nathanael West had in mind in writing about his experiences in the movie capital. I'd recommend seeing the film to see how well Schlesinger put West's vision across.
The book is based on West's experiences while writing B pictures in Hollywood during the Thirties and some of the characters he knew. His main protagonist is William Atherton, an aspiring artist who is making a living doing set designs. That's one competitive business and he's got to go over his immediate supervisor John Hillerman's head to get his work noticed by producer Richard Dysart. Like the rest of West's characters, he's sacrificed pride a long time ago. It's his eyes that we see the other characters through.
But he's a paragon of virtue compared to starlet Karen Black who will do anything and anybody to advance her career. Atherton would love to get something going with her, but he's mindful of how amoral she's become. Her only real attachment is to her father, an ex-vaudevillian and now door to door salesman, Burgess Meredith. Even trying to do his shtick with sales doesn't gain him clients.
But the saddest one in the lot and the fellow with the best performance is Donald Sutherland who is an outsider to the film people, a businessman named Homer Simpson who Black uses and abuses. Sutherland's performance is not too different from the hapless cartoon character. Imagine the cartoon Homer Simpson dealing with real life heartbreak and you've got Sutherland's character. The line between tragedy and comedy can be a very thin one.
Geraldine Page has a brief role as an Aimee Semple McPherson like evangelist, shamelessly bilking the Depression's downtrodden. She's great in the part as is Jackie Earle Haley, a really rotten child star of whom I'd love to know who West's model was.
The Day Of The Locust was directed by John Schlesinger who got an Oscar for The Midnight Cowboy. Like that film, The Day Of The Locust deals with some fringe people just trying to get by. Burgess Meredith got an Oscar nomination for Best Supporting Actor and the film also got a nomination for Costume Design.
Before Newton Minow referred to television as a vast wasteland. I think that's what Nathanael West had in mind in writing about his experiences in the movie capital. I'd recommend seeing the film to see how well Schlesinger put West's vision across.
Superb adaptation of the Nathanael West novel, gets better with every viewing. Terrific cast and director (John Schlesinger) capture the look and feel of 30s Hollywood. Karen Black, Donald Sutherland, William Atherton, Burgess Meredith, Geraldine Page, and Billy Barty are all perfect in their roles, and all were deserving of recognition. Atherton is the new boy in Hollywood; Black is an extra with big dreams; Sutherland is the dope trying to escape his life; Meredith is a washed-up vaudevillian; Page is a miracle worker; Barty may be the smartest man in Hollywood.
Great period detail in cars, clothes, and the feel of southern California. Terrific backstage look at a studio and the politics therein. The Day of the Locust ranks as one of the best films about Hollywood in its cynical looks at glamour, fame, ambition, and movie making.
Terrific supporting cast includes good work from Richard A. Dysart, Pepe Serna, John Hillerman, Natalie Schafer, Gloria LeRoy, Jackie Haley (as the odious child actor), Bo Hopkins, Jane Hoffman, Lelia Goldoni, and Paul Jabara. There are also nice bits by old-timers like Florence Lake, Queenie Smith, Madge Kennedy, Alvin Childress, Nita Talbot, Gloria Stroock, and Ina Gould.
Among the many memorable scenes, the final sequence of the Hollywood premiere (with Dick Powell, Jr. playing his father) is just superb. Playing the excitement of the screaming crowds against the sad events across the street is just brilliant, especially when the radio announcer uses the violent noise and commotion to hawk premiere movie. Irony,sadness, futility, and lies plague all the main characters in this great story. The mob scene is the best I've ever seen. Totally unforgettable.
Karen Black and Donald Sutherland turn in great performances.
Great period detail in cars, clothes, and the feel of southern California. Terrific backstage look at a studio and the politics therein. The Day of the Locust ranks as one of the best films about Hollywood in its cynical looks at glamour, fame, ambition, and movie making.
Terrific supporting cast includes good work from Richard A. Dysart, Pepe Serna, John Hillerman, Natalie Schafer, Gloria LeRoy, Jackie Haley (as the odious child actor), Bo Hopkins, Jane Hoffman, Lelia Goldoni, and Paul Jabara. There are also nice bits by old-timers like Florence Lake, Queenie Smith, Madge Kennedy, Alvin Childress, Nita Talbot, Gloria Stroock, and Ina Gould.
Among the many memorable scenes, the final sequence of the Hollywood premiere (with Dick Powell, Jr. playing his father) is just superb. Playing the excitement of the screaming crowds against the sad events across the street is just brilliant, especially when the radio announcer uses the violent noise and commotion to hawk premiere movie. Irony,sadness, futility, and lies plague all the main characters in this great story. The mob scene is the best I've ever seen. Totally unforgettable.
Karen Black and Donald Sutherland turn in great performances.
I finished watching this movie half an hour ago and I am still trembling, my heart still pounding. I am a great admirer of John Schlesinger and he has been one of my favorite directors since I saw Midnight Cowboy. But this just beats it all. It is the most horrifying movie I have ever seen. I am normally not a sympathizer with human characters in movies, but the end made me CRINGE. Donald Sutherland was perfect for his role and Karen Black made me feel such hate for her. There is nothing I would change in this movie. It is perfect, and beautiful, and hit with such force that I would probably never see it again, but I will remember every detail.
The Day of the Locust takes place in one of the most bizarre settings to have ever existed in the real world. Hollywood in the 1930s was a place of grand illusions, with an incredible power to change people's lives for the better, or for the worse. The relics of that time are, for the most part, the films that were churned out on sound stages, generally very wholesome and carefree. The reality of what went on offstage is largely a mystery, although it is safe to assume it wasn't all glamor and good times. The Day of the Locust is dark historical fiction, and is utterly fascinating. It is a journey through Hollywood's golden age, guided by someone who comes to Hollywood a typical dream seeker, who finds himself helpless under the pressure of the industry and the misleading tactics of those who rule the screen. The characters that come in and out of his life are caricatures of the aspiring actresses, child stars, and crew members that help make Hollywood truly troubled and deeply strange.
Le saviez-vous
- AnecdotesActress Peg Entwistle actually did commit suicide by jumping from the top of the "Hollywood" sign in the hills above Hollywood in 1932. She is being talked about by a Tour Guide while Tod Hackett (William Atherton) and Faye Greener (Karen Black) are on a date.
- GaffesThe film opens at a sightseeing/tourist spot and parking area at the foot of the "H" in the Hollywoodland sign. No such facility has ever existed as that part of the hill is too steep for road construction. The real road passes behind the sign and above it.
- Citations
Homer Simpson: [introducing himself] Simpson, Homer Simpson.
- Versions alternativesAlthough the UK cinema release was uncut the 2004 DVD version was cut by 46 secs by the BBFC to remove scenes of cockfighting.
- ConnexionsEdited into Give Me Your Answer True (1987)
- Bandes originalesJeepers Creepers
Music by Harry Warren
Lyrics by Johnny Mercer
Sung by Louis Armstrong
Courtesy of MCA Records
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- How long is The Day of the Locust?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Como plaga de langosta
- Lieux de tournage
- Ennis House - 2607 Glendower Avenue, Los Feliz, Los Angeles, Californie, États-Unis(house of movie producer)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 42 $US
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