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Nashville

  • 1975
  • Tous publics
  • 2h 40min
NOTE IMDb
7,6/10
30 k
MA NOTE
POPULARITÉ
4 231
1 643
Nashville (1975)
Home Video Trailer from Paramount Home Entertainment
Lire trailer2:11
1 Video
99+ photos
SatireTragedyComedyDramaMusic

Au cours de quelques jours mouvementés, de nombreuses personnes liées se préparent à une convention politique.Au cours de quelques jours mouvementés, de nombreuses personnes liées se préparent à une convention politique.Au cours de quelques jours mouvementés, de nombreuses personnes liées se préparent à une convention politique.

  • Réalisation
    • Robert Altman
  • Scénario
    • Joan Tewkesbury
  • Casting principal
    • Keith Carradine
    • Karen Black
    • Ronee Blakley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    30 k
    MA NOTE
    POPULARITÉ
    4 231
    1 643
    • Réalisation
      • Robert Altman
    • Scénario
      • Joan Tewkesbury
    • Casting principal
      • Keith Carradine
      • Karen Black
      • Ronee Blakley
    • 208avis d'utilisateurs
    • 119avis des critiques
    • 96Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 23 victoires et 25 nominations au total

    Vidéos1

    Nashville
    Trailer 2:11
    Nashville

    Photos168

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    + 160
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    Rôles principaux47

    Modifier
    Keith Carradine
    Keith Carradine
    • Tom Frank
    Karen Black
    Karen Black
    • Connie White
    Ronee Blakley
    Ronee Blakley
    • Barbara Jean
    Shelley Duvall
    Shelley Duvall
    • L. A. Joan
    David Arkin
    David Arkin
    • Norman
    Barbara Baxley
    Barbara Baxley
    • Lady Pearl
    Ned Beatty
    Ned Beatty
    • Delbert Reese
    Timothy Brown
    Timothy Brown
    • Tommy Brown
    Geraldine Chaplin
    Geraldine Chaplin
    • Opal
    Robert DoQui
    Robert DoQui
    • Wade
    • (as Robert Doqui)
    Allen Garfield
    Allen Garfield
    • Barnett
    Henry Gibson
    Henry Gibson
    • Haven Hamilton
    Scott Glenn
    Scott Glenn
    • Pfc. Glenn Kelly
    Jeff Goldblum
    Jeff Goldblum
    • Tricycle Man
    Barbara Harris
    Barbara Harris
    • Albuquerque
    David Hayward
    David Hayward
    • Kenny Fraiser
    Michael Murphy
    Michael Murphy
    • John Triplette
    Allan F. Nicholls
    Allan F. Nicholls
    • Bill
    • (as Allan Nicholls)
    • Réalisation
      • Robert Altman
    • Scénario
      • Joan Tewkesbury
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs208

    7,630K
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    Avis à la une

    swisener

    altman's americana

    Nashville couldn't understand "Nashville," and no wonder. Anyone who watches "Nashville" for insights to country music probably views "The Godfather" for tips about olive oil. Altman's 1975 film uses country music and the people who perform, listen to and produce it as a metaphor about America in the '70s, when, as Warren Beatty said in "A Parallax View," released a year earlier, "everytime you turned around, one of the best people in the country was getting shot." Anyone who has seen the film and visits the Parthenon, where the final scenes are filmed, may feel a sense of unease. Listen closely and you can hear Haven Hamilton pleading to the stunned crowd, "Show them what we're made of! They can't do this to us here! This isn't Dallas; this is Nashville!"

    The ending is astonishing, tidying up some plot lines and leaving others open ended. A star is born when the Albuquerque character and a gospel group minus its leader belt out a Nashville standard, "It Don't Worry Me." The Sueleen Gay character, meanwhile, suffers one final indignity; Albuquerque, on the same stage and with the same ambitions, achieves the fame that might have gone to Sueleen, a waitress/stripper/wanna-be recording artist, had Sueleen gotten the microphone first.

    We never know what caused the Kenny Frazier character to crack; perhaps like Mark David Chapman (John Lennon) he was obsessed with the Holden Caulfield character in "Catcher in the Rye," although we can feel fairly certain that he did not share John David Hinckley's (President Reagan) obsession with Jodie Foster since "Taxi Driver" would not be released for another year.

    Watching "Nashville" for the first time, you may feel protective of Barbara Jean's character for reasons you can't immediately explain but will learn all too well. I feel the same urge to shout at the screen, warning her character of possible danger, that I experienced in "From Here to Eternity," knowing that Pearl Harbor was imminent and would change everything.

    Characters transform before our eyes. Del Reese (Ned Beatty), bored with his marriage to a Nashville superstar and as a father to hearing-impaired children, cares enough at the end to lead a wounded Haven Hamilton to safety. Hamilton (masterfully played by Henry Gibson) would stomp anyone in his path to create a hit record but is the first to care for Barbara Jean in her moment of need.

    Sure, some of the songs are terrible -- some country music is terrible -- but could anything be more poignant than Barbara Jean's rendition of "My Idaho Home" or Keith Carradine singing "I'm Easy" in a nightclub where four of his conquests look on equally with lust and bewilderment. Country singers, like stock-car drivers, inspire tremendous loyalty and jealousy among their fans, which Altman depicts beautifully when Scott Glenn, a devoted fan of Barbara Jean, leaves the Opry as Connie White appears to sing a tribute to her ailing rival. Hamilton's character is never better than when between songs he asks listeners to send Barbara Jean a card and "tell her that Haven told you to write."

    Altman would rate among the greatest directors -- as the American Fellini -- if this were his only effort. Despite its convoluted plot structure, "Nashville" achieves greatness and searches for truth. If the 1970s shaped your life in any respect, this is a movie experience not to be missed.
    6LinkinParkEnjoyer

    Not my thing

    Nashville has 24 "main" characters and I didn't care about a single one! The movie is overstuffed and mostly boring, the characters aren't that interesting (except maybe 1 or 2 of them) and it's really hard to keep up what's going on. Most of the time I was like wait who are you again? The second part of the movie was much better and some character development was happening, I also loved the ending! This is my first Altman but I'm excited to watch more of his movies.
    gortx

    Robert Altman's masterpiece

    Robert Altman's sprawling masterpiece is a brilliant look at not just America in the mid-70s, but a reflection of the nation we were to become. Set during a Presidential campaign it weaves themes both large and small. The U. S. was about to celebrate its Bicentennial. Watergate had forced Nixon to resign. The revolutionary 60s had become the Me decade.

    Altman and writer Joan Tewkesbury created a mosaic to explore and provoke. NASHVILLE may be set against the worlds of politics and country music, but, it really isn't about either. It's about a nation that is divided along many lines right down to the individual.

    The massive cast (24 'main' characters) includes supreme turns by Lily Tomlin, Ronee Blakely, Ned Beatty, Henry Gibson, Karen Black, Keith Carradine, Gwen Welles and more.

    In a decade where Altman also made MASH, MCCABE AND MRS. MILLER and THE LONG GOODBYE he stood as tall as anyone of that era.
    8Idocamstuf

    Outstanding, one of the best films of the 70's

    What a great film this was, with a huge cast and director like that you just cant miss. I was very surprised that I enjoyed it as much as I did, knowing that I usually dont enjoy musicals or country music, but somehow this film was excellent!! Maybe it was the way we got to know all of those characters, especially Tomlin, who was phonomonal, and her relationship with that singer. So many familiar faces in this film also made it extremely exciting, Jeff Goldblum on that tricycle was hilarious. To sum it up, this film is a must see. 9 1/2 out of 10.
    9gab-14712

    Better Than Expected!

    Director Robert Altman impressed me with this two earlier directorial efforts M.A.S.H and McCabe and Mrs. Miller, but I believe he really comes into his own with 1975's Nashville. The way he directed his movie and the way he made it a very intelligent movie with many important themes but can be understood by the general public is just outstanding. However, if you don't keep up with the movie, you can be sure to get lost in the overload of information Altman throws at you. On paper, the film may seem like a mess but it's really not. The film really does not have an overall plot, but it has interwoven segments that are related with each other and I'll discuss a little bit later on. This film is full of unique performances from an unusually large cast. It's not unusual that there are many characters, but how many major characters there are. There are approximately 25 major speaking roles, and that has to be some sort of record. But all the performances are wonderful and unique and you feel for each character in the country music setting of Nashville.

    So what exactly is this film about? Well, that's really hard to pinpoint as there is no one big linear plot line. It is essentially about a group of people living life in Nashville during a political-happy time (kind of reminds me of the current 2016 political race). But let's break down the plot into the little segments. We have Barbara Jean (Ronee Blackley) who is the current reigning country queen of Nashville, but health problems is causing her to fall apart and she also later becomes a symbol for political assassination. Then we have Delbert (Ned Beatty) and Linnea Reese (Lily Tomlin) who live a rather sad life because of a failing marriage and trying to take care of two deaf children. Delbert is involved in a politics as he is trying to bring politics and country music together. Then we have a British journalist named Opal (Geraldine Chaplin) who decides to get into the thick of events within the Nashville scene. As the famed movie critic Roger Ebert paraphrases what this movie is about, it's many things. A musical, a docudrama about life in Nashville, a political story that was influenced by events like the Watergate scandal, and it is also a satire about country music.

    With such a large ensemble, I was surprised how much Altman was able to get from all of his characters. They were superbly written and the performances were genuine. Many of the characters do their own singing, and you can tell they are not professional singers. While the voices may not be the best ones ever, I loved the raw, edgy sound with added to the realism of the performances. The film is not composed of big stars (at the time or even by today's standards), but they often hit the spot. I loved Ronee Blackley's performance as the country queen, Barbara Jean. Her singing is decent, but she brings a sensitive side to her character and she is involved in a big political showdown at the end of the movie. She reminds me of a similar real-life country singer, Loretta Lynn. Lily Tomlin delivered one heck of a impressive performance as the mother of two deaf children. I relate to her character because I suffer from partial deafness myself and I understand her pains. She brings such vulnerability to her character. Ned Beatty does a good job in playing the asshole husband who doesn't care about his family but only about his job. We have very early performances from future stars from the likes of Jeff Goldblum, Scott Glenn, and Keith Carradine (who was impressive as a rock singer). Henry Gibson does a solid job as another famous country star named Haven Hamilton (and did have a good voice).

    So there were many aspects to the plot I thoroughly enjoyed. I enjoyed the rather brutal satire on country music which gathered criticism from people within this industry. But my favorite was the political aspect of the movie. Maybe its because history and politics go hand in hand or maybe we are living in a political-happy environment at current time, but I feel like the politics aspect hold up strongly. I like the random scenes where we have this political party in support of a candidate named Hal Philip Walker whom we never meet, but his presence is always known. His politics and the country stars end up clashing in the end for a very powerful ending.

    Overall, I really enjoyed Nashville. I don't think it's good of a masterpiece of Altman's earlier McCabe and Mrs. Miller but this is his more mainstream effort. But use that word "mainstream" lightly because Altman brings his complicated style of directing to this movie. His use of the actors and his political and social commentary is widely shown throughout the film. As I say for most of Altman's films, they are not for everyone. This film has excellent performances from everyone with my favorite performance coming from Lily Tomlin. There is an hour of music recorded for the film and despite the inexperience of the singers, the music mostly works with the film. Nominated for 5 Oscars and a 9 Golden Globes (a record that still holds today), Nashville is a solid work of filmmaking.

    My Grade: A-

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film was very much improvised by the actors and actresses, who used the screenplay only as a guide. They spent a great amount of their time in character, and the movie was shot almost entirely in sequence.
    • Gaffes
      When attempting to interview Tommy Brown, Opal says that she is from the BBC. When questioned, she explains that this stands for the British Broadcasting Company. It actually stands for the British Broadcasting Corporation. This was intentionally done to insinuate that Opal doesn't actually work for the BBC and was an impostor. Geraldine Chaplin confirmed this in a 2000 interview in Premiere magazine.
    • Citations

      Hal Phillip Walker: Who do you think is running Congress? Farmers? Engineers? Teachers? Businessmen? No, my friends. Congress is run by lawyers. A lawyer is trained for two things and two things only. To clarify - that's one. And to confuse - that's the other thing. He does whichever is to his client's advantage. Did you ever ask a lawyer the time of day? He told you how to make a watch, didn't he? Ever ask a lawyer how to get to Mr. Jones' house in the country? You got lost, didn't you? Congress is composed of five hundred and thirty-five individuals. Two hundred and eighty-eight are lawyers. And you wonder what's wrong in Congress? No wonder we often know how to make a watch, but we don't know - the time of day.

    • Crédits fous
      The Paramount logo is in black and white and the image looks shaky. The scratchy effect was reportedly achieved when director Robert Altman took the negative with the logo on it, threw it onto the ground, and stomped on it.
    • Connexions
      Featured in Precious Images (1986)
    • Bandes originales
      It Don't Worry Me
      Music and Lyrics by Keith Carradine

      Performed by Barbara Harris

      Lions Gate Music Co. / Easy Music (ASCAP)

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    FAQ20

    • How long is Nashville?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 novembre 1975 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Nešvil
    • Lieux de tournage
      • Nashville, Tennessee, États-Unis
    • Sociétés de production
      • ABC Entertainment
      • American Broadcasting Company (ABC)
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 200 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 9 984 123 $US
    • Montant brut mondial
      • 9 995 876 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 40 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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