Zorro

Falling in between Guy Williams' and Antonio Banderas' renditions of the legendary masked figure is this oddball, campy, yet somehow still watchable Spanish-made entry. Delon wears the cape and the mask this time around and does an admirable job for the most part. He disguises his way into the role of governor to a South American province which is riddled with corruption, much of it at the hands of slimy colonel Baker. While Delon (who, in his prime, was one of the most gorgeous men ever created) does well as Zorro and looks dashing in his costume--his blue eyes jutting from behind the mask, he wildly overplays the foppish role of the governor. It's meant to be funny, but it falls short of humorous and winds up rather annoying. In fact, a lot of the humor doesn't seem to translate from what the Spanish consider funny to what American audiences will enjoy. For example, the film offers up a goofy, dim-witted mute, a rotund, hairy guard whose pants rip open and a little "Buckwheat"-style kid for comic relief. None of these is remotely amusing. The strength of the film lies in the animosity and rivalry of Delon and Baker (put to good use as the villain.) The movie is helped immeasurably by some gorgeous locations and a lot of authentic and regal settings. The costumes tend to be pretty decent as well. Also, there are several elaborate stunt sequences. These aspects cover up some of the lack of budget in the picture. Piccolo, as the heroine resembles Linda Blair, excepting that Piccolo can actually act. She makes a lovely damsel in distress. The story is really a duel between the two men. First it's a battle of wits and then an extended, well-executed and staged battle of swords. This creative, elongated battle is the highlight of the film. Unfortunately, the very, very end of the film is choppy, disjointed and unsatisfying. The theme song (heard over and over) is sung by Oliver Onions (!) and should be used in CIA interrogations. It's hellacious lyrics, vocals and music attack the brain and cling on for hours and hours after the film has been viewed.

I was introduced to Zorro by the Guy Williams version which were regularly repeated when I was a kid. Those Disney Zorro's will always have a special place for me.

Alain Delon starred in a curious Italian version filmed in Spain and set in South America.

Delon is Don Diego. When his friend Miguel is killed in the eve of his departure to the New World, Diego takes his place as the new governor who has arrived from Spain in order to avenge his friend's death.

Diego plays the Governor as prissy and fey in order not to be seen as a threat. He finds the people are oppressed by the cruel and corrupt Colonel Huerta (Stanley Baker) who has plans to become the new Governor and was involved in the death of Miguel

Inspired by the tales of the masked black fox by street kids he dons the mask of Zorro and fights for justice which enrages the Colonel and his militia.

Alain Delon enjoys playing the dual roles as foppish Diego and the devilish and dashing Zorro. He is matched in one of his last film roles by Stanley Baker as the mean villain but an expert swordsman which leads to a terrific and thrilling final duel between the two.

Minor characters provide humour such as the mute sidekick and Seargent Garcia.

The film does come across like a curious and campy B film with a diverse cast. The French actor Delon as the Main hero, Welsh actor Baker as the villain and the rest of the cast seem to be mainly Italian.

However the action scenes are well choreographed and it does feel like a Zorro movie and it is very unpretentious.

Having grown up with the Disney/Guy Willimas Zorro and become a Zorro fan I have tried watching as many versions of the Zorro movies that have been made. I really enjoyed this one. I think Alain Delon makes a great Zorro and while it doesn't stay true to the original novel (and let's face it most of the Zorro movies that have been made as well as the Zorro TV shows, very few followed the book) it is full of action, great settings and an entertaining cast. I have to confess I am very partial to the European Zorro productions from the 60's and early 70's. They are rather campy but very entertaining. I'm surprised this Zorro movie has not been released in a good DVD version as Alain Delon is a well know actor.

Sit down and enjoy an evening with Alain Delon as Senor Zorro in a great swashbuckling movie.

Okay, so I paid $1 for it as a masked double feature DVD. The other film was Clayton Moore's The Lone Ranger, even though the cover featured the '81 Spilsbury schlock-fest. I was mislead by the use of the artwork from the later version of the masked rider of the plains' flick.

However, it was fun. I, like others, actually found the title song addictive in an annoying way.

The cast is good and the action satisfying. I don't mind the movement of Diego as returning son to indebted friend. However, since the villagers all know the mark of Zorro, does this film act as a sort of sequel to a previous version?

Now, if only they could get rid of the overdubbed dog!

It's not the slickest Zorro movie ever, or the most faithful version of the Zorro legend, but Alain Delon's "Zorro" is a lot of fun. In a way, its lack of polish works in the movie's favor and gives it a certain amateurish energy and charm, like an energetic high school play.

Alain Delon makes an appropriately aristocratic Diego, and he (or his stuntman) provide an athletic, agile Zorro. The villain, Colonel Huerta, is grandiose in the comic book tradition, and Moustache as Sergeant Garcia is nice and bumptuous. The heroine, Hortensia (wow, what a name) is adequate, and the mute servant is good for a few laughs.

The only complaint I have with this movie is that Zorro theme music. If you've seen the movie, you know what I'm talking about - it's this weird upbeat pop song that they play almost every time Zorro is onscreen: "Here's to you and me / Flying high and free / La la la la la la / Now that Zorro's back!" Now I can't get that song out of my head!